
By: Paul Chadwick, Howard Chaykin, Jesus Alburto, Ken Bruzenak, Neal Adams, Moose, Carla Speed McNeil, Jenn Manley Lee, Bill Mudron, Michael T. Gilbert, Frank Miller, Richard Corben, Clem Robins, Randy Stadley, Paul Gulacy, Michael Bartolo, Michael Heisler, David Chelsea, John Schork (assistant editor), Scott Allie, Rachel Edidin, Sierra Hahn & Diana Schultz (editors)
The Story: A great name in anthology comics comes back with pretty hot list of creators (see above) tossing a few pages each at the effort.
Anthologies: When I read an anthology, I am looking for something very specific: I just want one electric story that grabs me and makes me want to see more material from that creator NOW. Other than that, I’m just looking for few nice stories, some nice art, etc. And, I really don’t care that much if a few of the stories suck. Just turn the page! I think you score anthologies based on the high points, rather than the average of all the stories combined.
What’s Good: We have a winner! In a comic that has a lot of pretty strong efforts from some creators who know a thing or two about creating comics, the best short-story is that of Michael T. Gilbert as he gives us a story of his character, Mr. Monster, fighting with a giant tree-alien calling himself Oooak (get it?). This story has a very retro vibe both in terms of the language and the art, but it is just zany fun as Mr. Monster tries one thing after another to kill Oooak before he finally resorts to throwing a jar of “Acme Termites” at the bad guy. This is the awesome sauce that made the whole comic worth buying.
There were a few other nice little stories in here too. Paul Chadwick contributes a very nice story of his character Concrete. I don’t even know the last time we got a new Concrete story, but this is some vintage stuff as we get to see the protagonist’s humanity filtered through this character that couldn’t look more different if he tried. Neal Adams also tosses in a teaser for a new concept he has called Blood. We get a singular image of the anti-hero Blood, but the rest of the story is recounted via a torture scene as some bad guys sweat the details out of one of Blood’s buddies. It’s a very original way to lay out a story and Adams is on his A-game with the art too.
I’d absolutely like to see more of those three stories either in future editions of DHP or on their own.
What’s Not So Good: Considering the teaser on the cover for “Frank Miller’s Xerxes!”, it might be nice to have gotten more than 4 splash pages of art/story. What we see is good, but it was a little disappointing when the name “Frank Miller” was one of the large attractions for the issue. As if to compensate for the lack of story, we are treated to an interview with Mr. Miller. I don’t know about you, but I have less than zero interest in reading an interview in my comic book. For one thing, I pretty much don’t read interviews about upcoming projects; I’ll just look at the work when you get it done, thank you. For another, in the year 2011, there are a bajillion places to find interviews online without having a few pages of a $7.99 comic devoted to them.
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Filed under: Dark Horse Comics | Tagged: 300, Bill Mudron, Carla Speed McNeil, Clem Robins, Concrete, cott Allie, Dark Horse, Dark Horse Presents, Dark Horse Presents #1, Dark Horse Presents review, David Chelsea, Dean Stell, Frank Miller, Frank Miller's Xerxes, Howard Chaykin, Jenn Manley Lee, Jesus Alburto, John Schork, Ken Bruzenak, Michael Bartolo, Michael Heisler, Michael T. Gilbert, Moose, Neal Adams, Paul Chadwick, Paul Gulacy, Rachel Edidin, Randy Stadley, review, Richard Corben, Sierra Hahn & Diana Schultz, Xerxes | Leave a comment »