Hack/Slash #26 – Review

By Tim Seeley (Writer), Bryan Baugh (Art), and Mark Englert (Colors)

The Story: A slasher from Cassie’s and Vlad’s past is back. But the Mosaic Man’s return is actually a trap set by someone looking for revenge.

What’s Good: Hack/Slash #26 takes the series back to its roots in some ways. By having Cassie and Vlad track one of the killers that’s responsible for starting it all, Tim Seeley does a fine job of looking to the past while moving the series forward a bit. While the predictable Mosaic Man plot isn’t groundbreaking or anything, the latest issue of Hack/Slash mixes violence, sex, and humor in a way that makes the book a great choice for anyone looking for something outside of the usual superhero comic mold.

Writer and series co-creator Tim Seeley clearly has a love for everything that makes Hack/Slash work so well. The smart dialogue between Cassie and Vlad always has a perfect “buddy” vibe that makes the leading outcasts oddly endearing, and the fantasy near the opening and the humorous result of it effortlessly mixes the series’ signature dark sexuality and comedy together in a scene that, surprisingly, serves as a slice of character work as well (though it’s still a piece of gratuitous fan-service almost any way you look at it). As for the hunt for the killer, it’s punctuated by flashes of violence that could only really work in a comic that uses the horror genre as a foundation.

I’ve been a fan of Bryan Baugh’s work since he jumped on board the series with Hack/Slash #24. His style looks decidedly “indie” and a bit surreal at times, but it’s perfect for a series like Hack/Slash. With the help of Mark Englert’s moody, deep colors and some heavy inks, Baugh’s art captures everything it needs to. The violence features some disturbing details, the overall tone is heavy and dark, and the characters almost always look like they should (he especially nails the look for Cassie, the gothic pin-up, and Vlad the likable brute). In addition, Baugh gives his characters a nice bit of personality through their slightly exaggerated body language and facial expressions. It keeps them from feeling stiff or unrealistic.

What’s Not So Good: I understand the need to lay the groundwork for the future. I really do. But I can’t help but consider it a negative when Tim Seeley breaks the flow of Hack/Slash #26 with a random scene that’s going to have meaning later. It’s more pointless and distracting than it is interesting at the moment.

My biggest complaint about the artwork is that facial consistency is something of an issue. Some panels just look a bit weird when considering what a character looked like just a few panels before. Another annoyance is that faces tend to look a bit “samey” at times. It’s a fairly common comic book complaint, I know, but it’s something that has to be mentioned.

Conclusion: Hack/Slash #26 is a fun book that deserves to be given a look. Do yourself a favor and pick it up.

Grade: B+

-Kyle Posluszny

Hack/Slash #24 – Review

By Tim Seeley (Writer), Bryan Baugh (Artist), and Mark Englert (Colors)

Some Thoughts Before The Review: How fucking cool is the Matt Merhoff cover for the Hack/Slash #24?!

The Story: The pumpkin-headed Samhain approaches Cassie and Vlad about a possible alliance. They both want to take down the Black Lamp Society, which is finally explained in detail, so, as the saying goes, “the enemy of my enemy is my friend.”

What’s Good: I wasn’t a big fan of the Netherworld plot, since it tended to get in the way of the Casssie vs. Slasher storylines that make Hack/Slash the fun series that it usually is. The Black Lamp Society stuff that’s been brewing for the last few issues is something that I can get behind. The Black Lamp Society origin story that’s told in Hack/Slash #24 delivers a nice mix of mythology (True Blood fans take notice) religion, and the supernatural (an explanation for the slashers!?) that, while not super original, fits surprisingly well into the larger Hack/Slash storyline.

Another good thing about Hack/Slash #24 is the artwork by new series artist Bryan Baugh. It’s very stylized (like a cross between tattoo art and sexy pin-up art), but loaded with an impressive amount of detail. Baugh’s work fits the series well and definitely makes the Hack/Slash interiors look quite unique.

As you probably expected, the dialogue in the latest Hack/Slash also scores a spot in the “What’s Good” section. Tim Seeley clearly has a strong handle on the story he is telling and uses smart dialogue and character interaction to drive it forward. While, again, the plot isn’t completely original, it is still fun and compelling. I look forward to reading more of it.

What’s Not So Good: I’m not entirely sure if it’s an issue with the artwork or the colors, but a few panels in Hack/Slash #24 look a bit sloppy. Either lines look extra rough or the colors lack definition. While it’s far from a crippling problem (an extra layer of polish would have helped immensely), it’s noticeable enough to warrant a mention.

Conclusion: Hack/Slash #24 is one of the best issue of the series in a while. The dialogue is sharp, the artwork is well worth checking out, and the storyline shows lots of promise. I can’t wait for the double-sized Hack/Slash #25!

Grade: B+

-Kyle Posluszny

Captain Britain & MI:13 #14 – Review

By Paul Cornell (Writer), Leonard Kirk w/Adrian Syaf (Pencils), Jay Leisten w/Craig Yeung (Inks), Brian Reber (Colors)

Some Thoughts Before The Review: With only two issues of Captain Britain left, I hope Cornell and his team really make them count… The under-appreciated series deserves to go out with a bang.

The Story: Unfortunately, I really can’t go into much detail about the issue without wading into heavy spoiler territory.

What’s Good and What’s Not So Good: Since I really can’t say a whole lot about Captain Britain and MI:13 #14 without ruining things, I will keep things short. Paul Cornell overcomes what is initially a disappointing opening with some great character work, awesome dry humor, and clever use of a past arc to bring make the latest chapter of “Vampire State” a very good read. As for the art, it’s absolutely solid all around as Leonard Kirk and his team do a fine job of delivering action that could easily come across as muddled or confusing.  While some of the artwork looks a bit rushed, there’s enough good stuff to make up for it.

Conclusion: You can rest assure that the creative team behind Captain Britain is in no way half-assing the final issues of a tragically canceled series.

Grade: B+

-Kyle Posluszny

Hack/Slash #23 – Review

By Tim Seeley (Writer), Ross Cambell (Art – Mad, Mad, Mailman), Mike Dimayuga (Art – Blood Blower), and Mark Englert (Colors)

Some Thoughts Before The Review: I’ll take two short Hack/Slash stories in an issue any day. Especially if they can stand alone in a satisfying way.

The Story: In “Mad, Mad, Mailman,” a young girl obsessed with crime investigation tries to figure out if a mailman really did murder some sorority girls. In “Blood Blower,” Cassie, Lisa, and Pooch look to take down a snow-blower that has been killing puppies.

What’s Good and What’s Not So Good: Hack/Slash #23 is decidedly average in every way. Competent, but far from memorable. Not bad, but not particularly good either.

I almost wish I could just stick the comic with a “C” and be done with it, but that would be a disservice to the readers.

The main problem with the Hack/Slash “double feature” is that neither “feature” is all that interesting. The first, “Mad, Mad, Mailman” has an interesting premise (think a morbid version of Harriet the Spy), but it ultimately feels like a waste of time for two reasons: it lacks Cassie/ Vlad and it has an extremely weak ending. The second “feature” is pretty much the complete opposite of the first. It has a weak premise, but it stars the main Hack/Slash cast and ends satisfyingly enough.

On a technical level, Hack/Slash #23 is actually quite good. Though the stories leave something to be desired, Tim Seeley’s character work is, as expected, great all around. As for the visuals, they do a nice job with all aspects of the stories. Ross Cambell and Mike Dimayuga have similar styles, so the book feels like a solid, cohesive package. If I have any complaint, it’s that occasionally Mark Englert’s color work seems to dominate the art. It leaves the work looking a bit less than tight.

Conclusion: Hack/Slash #23 is, as I said, decidedly average. It reads well and looks nice, but there are better comics to be spending money on this month.

Grade: C

-Kyle Posluszny

e: C

Hack/Slash #22 – Review

By Tim Seeley (Writer), Emily Stone (Artist), and Mark Englert (Colors)

Some Thoughts Before The Review: Whether it be through dark comedy or some old-fashioned slasher movie gore, you can always count on Hack/Slash to deliver a good time.

The Story: An unlikely hero emerges as Cassie and Vlad are helpless and at the mercy of the vicious, fear-eating Dread Devourers.

What’s Good and What’s Not So Good: While I generally prefer a one and done Hack/Slash story, the series continuity has enough interesting elements to keep longer running arcs interesting.  Hack/Slash #22 capitalizes on that fact by drawing on old and new alike to bring about some resolution to the inter-dimensional conflict that has hovered over the ongoing series since the beginning.  And though the plot is quite strange at times, Emily Stone proves she’s up to the challenge by crafting some rather disturbing, disgusting visuals that add a lot to the story being told.  As for Tim Seeley’s writing, it is surprisingly character driven and humorous or tense at all the right moments.

If I have any real complaint about Hack/Slash #22, it’s that the inter-dimensional stuff has always left me a bit cold.  I appreciate the idea of an overarching plot to drive the ongoing series, but I always find myself a bit annoyed when that overarching plot takes front and center.  It’s not that the story is bad… It just takes Hack/Slash away from it’s core strength– the buddy comedy/slasher movie stuff.

Conclusion: As a whole, the latest issue of Hack/Slash is entertaining and, as expected, quite solid.  My biggest complaint is one of personal preference, so maybe you may get more out of the book than I did.

Grade:  C+

-Kyle Posluszny

Hack/Slash: Entry Wound

By Tim Seeley (Writer & Artist), Mike Norton, Ross Cambell, & Chris Burnham (Additional Art), and Rachelle Rosenberg (Colors)

Some Thoughts Before The Review: I’ve been looking forward to the Hack/Slash: Entry Wound one-shot since I first heard about it. I may not be part of the target audience since I’m a longtime fan, but more Hack/Slash is always a good thing in my book.

The Story: A radio station host gives the rundown on the “Serial Killer Killer” as Cassie and Vlad head to the site of the next holiday slasher appearance. It’s the Candlemas Murderer’s turn to encounter the Hack/Slash team…

What’s Good: As advertised, the Entry Wound one-shot is sure to feel quite welcoming to new readers. It features a nice looking short story that organically gives a rundown on what Hack/Slash is about and shows the team doing what it does best. In addition, the book also gives readers an introductory letter from writer/artist Tim Seeley and a small pin-up gallery that shows the characters interpreted by various artists. All in all, Entry Wound works surprisingly well as a quality package for new readers.

What’s Not So Good: The story told in the one-shot is pretty lightweight and far from memorable. It does what it needs to do, but nothing more. Also, while I realize that the comic is meant for people new to the series, I still wish there was at least something in it for longtime fans.

Conclusion: Hack/Slash: Entry Wound does a good job doing what it is supposed to do. It’s a solid package for people new to the series and should help the series expand its fan base.

Grade: B

-Kyle Posluszny

The Living Corpse Annual #1 (Guest Starring Hack/Slash) – Review

By Ken Haeser (Writer, Art, & Colors), Buz Hasson (Art), and Chris Hewitt (Colors)

Some Thoughts Before The Review: I’ve never checked out an issue of The Living Corpse, but seeing as how it’s annual features a guest appearance by Cassie Hack and her partner Vlad (of Hack/Slash fame), I figured it was about time to do so. Who knows? Maybe it will hook me enough to make me want to catch up with the series.

The Story: Cassie and Vlad, while investigating the legend of the Jersey Devil, find themselves in The Living Corpse’s territory. While the creature may not be all the legend makes it out to be, there is something worse for the three to worry about…

What’s Good: A simple, fun, comical, and stylish read, The Living Corpse Annual #1 proves to be quite entertaining. While not exactly mind-blowing, the one-shot succeeds largely because it is calibrated to deliver the story in a way that will probably satisfy almost any comic reader (of approriate age this), regardless of how familiar he or she is with the characters involved. And that really counts for something when so many comics are so heavily steeped in continuity or part of some longer plot. The dialogue is mostly humorous, the story is interesting enough, and the artwork is quite unique and eye-catching (love the way the Jersey Devil looks). In short, you really can’t ask for a whole lot more from a one-and-done comic character crossover that seems to be attempting to be welcoming to (mature) readers of all sorts.

What’s Not So Good: By far the biggest negative about the book is the price tag ($4.99) it’s stuck with. I’m all for simple and fun entertainment, but something as lightweight as The Living Corpse Annual should have a comparably lightweight price. Simple as that.

The other negative involves the artwork. For every few impressive panels, there is one that is lacking in some way. Either it suffers from looking too simplified (especially in small panels) or has character work that just looks odd. I mean throughout the book Cassie Hack seems to have a head that morphs into different shapes. And, as another example, in one panel Vlad almost looks like a teddy bear…seriously.

Conclusion: If you are looking for a slick, fun horror-comedy comic book, you can’t really go wrong by picking up The Living Corpse Annual. Then again, there are better comics that can be bought at a much cheaper price.

Grade: C (+ or – depending on your opinion of the price issue)

-Kyle Posluszny

Hack/Slash #21 – Review

By Tim Seeley (Writer), Emily Stone (Art), and Mark Englert (Colors)

Some Thoughts Before The Review: I’ve made no secret about the fact that I’m quite a fan of the Hack/Slash formula. It successfully blends a variety of genres into one extremely satisfying product. One part bloody horror story, one part buddy action comedy, one part grounded drama, and one part supernatural thriller, Hack/Slash somehow manages to work on nearly every level. While the series has hit a few bumps here and there, it always keeps me coming back for more because the basic concept is just so much fun. Simply put, you should be reading Hack/Slash.

The Story: The latest chapter of Hack/Slash sees Cassie’s past catching up with her in a big way. Longtime fans will either love or loathe the surprise returns in one of the more oddball issues of the series. Let me just say that it features one of the more interesting uses of an old lady in a comic book. Yep…

What’s Good: Story-wise, Hack/Slash #21 scores more points with me for what it sets up than for what actually happens. Though that’s not to say it isn’t a fun and entertaining issue. In fact, it might actually be one of the funniest comics I’ve read in quite some time. The bits with the elderly lady, Muffy, are so ridiculous that you can’t help but laugh. Cassie and Vlad even get in on it with some great character moments both humorous and, at times, poignant. Good work Mr. Seeley.

Also worth mentioning is the art team of Emily Stone and Mark Englert. They provide solid visuals throughout the book, with a few extremely stand-out moments. I’ve been a bit hard on Emily Stone in the past (mostly regarding facial consistency and the occasionally sketchy panel), but Hack/Slash #21 features some of her best work. And that work is complimented well by Mark Englert’s effective, quality coloring.

What’s Not So Good: A lot of your enjoyment of the latest Hack/Slash arc will probably rest on what you think of the returning characters. I can easily imagine at least one of them annoying or irritating people, so I can easily imagine his (or her?!) return falling flat. Personally, I think introducing new characters might have been more interesting, but I’m not exactly against how things now stand.

Another not so good thing is that some of Stone’s pencils tend to look a bit sketchy and rough at times. While it doesn’t really distract from the otherwise nice visuals, an extra layer of polish would have helped. I say that especially because Hack/Slash is extremely close to being a consistently good to great looking series as Stone’s solid work continues to improve.

Conclusion: Hack/Slash #21 is a surprisingly funny installment to an extremely entertaining series. While some may find themselves a bit irked by the returns, I believe most will be forgiven by the time they hit the cliffhanger of an ending. I look forward to seeing where Tim Seeley and his creative team take things from this point on.

Grade:  B

-Kyle Posluszny

Hack/Slash #18 – Review

By Tim Seeley (Writer), Emily Stone & Kevin Mellon (Art), and Mark Englert (Colors)

Some Thoughts Before The Review: The recently completed Re-Animator crossover left me itching for a stand alone, one-and-done Hack/Slash story about Cassie and Vlad taking care of some random slasher. Unfortunately, it looks like I may have to wait at least a little while for something like that. Why? Well, for starters, there is some serious character work to be done in the aftermath of the crossover. In addition, a few overarching plot threads are in serious need of some advancement. Luckily, it looks like Hack/Slash #18 is going to start dealing with those very issues so that the series can get back to what it does best sooner rather than later.

The Story: Picking up shortly after the traumatic events that involved Dr. Herbert West, the latest Hack/Slash finds Cassie and Vlad at a crossroad of sorts. Both characters question the status of their relationship and how they exist in the world in general. Vlad takes his questions to the bar where he finds himself facing off against a plethora of guest stars. Cassie, thanks to Vlad, spends some quality time with her lady-friend Georgia. Meanwhile, the demon from another dimension introduced last issue on a rampage in search of Cassie and the dog-like alien currently living with Cassie’s friends.

What’s Good: Tim Seeley’s character work for both Cassie and Vlad is incredibly effective considering how easily it could have come off as forced or overly dramatic. It’s next to impossible not to feel for the characters in some way, especially considering what went down over the past few months. As for the visuals, the best thing in the issue is Vlad’s brawl with a number of familiar comic characters. It’s a fun, well-choreographed surprise among all the weighty themes.

What’s Not So Good: The whole alien dog storyline just doesn’t do it for me as a whole. It has been going on for a while now and to this very day, it still seems out of place in a series so heavily based around the things that make the horror genre so fun. Hopefully the arrival of the demon-warrior thing signals the beginning of the end for that particular plot thread, because it feels like it just gets in the way of the good stuff.

Conclusion: Hack/Slash #18 is very good when dealing with Cassie and Vlad. On the other hand, it definitely loses a bit of momentum anytime anything else takes the spotlight. That said, the good most definitely outweighs the bad in what ultimately amounts to a strong, character-driven issue of an entertaining series.

Grade: B

-Kyle Posluszny

Hack/Slash #17 – Review

By Barry Keating (Story), Tim Seeley (Story & Script), Emily Stone (Art), and Mark Englert (Colors)

Some Thoughts Before The Review: While I have enjoyed the Hack/Slash crossover with the Re-Animator for the most part, I can’t help but be slightly disappointed by how Herbert West continues to feel like more of a plot device than a distinct guest star. I give credit to Barry Keating and Tim Seeley for making West’s appearance feel right at home within the overarching plot of the series. However, the last two issues have left me wanting more interaction between Cassie Hack and Dr. West. That said, if the ending of last issue is any indication, the conclusion should deliver what I’ve wanted since I first heard about the crossover arc.

The Story: The re-animation of Cassie’s mother means the return of the Lunch Lady. With her emotions cranked up to eleven as a result of the re-agent used on her by Dr. West, the Lunch Lady picks up right where she left off in an effort to regain her former appearance. Cassie, Vlad, and Dr. West are the only ones that can stop her before more victims are added to her “stew.”

What’s Good: Despite my qualms with the way this crossover was used, the violent, character-driven conclusion is actually quite satisfying. It’s tough not to feel for Cassie after seeing how things play out. Also, I must once again mention how well Tim Seeley writes Dr. Herbert West, as it comes extremely close to bringing Jeffrey Combs’ iconic performance to the page. It definitely leaves me wanting more.

What’s Not So Good: Visually, Hack/Slash #17 is average at its very best. While there are a few good looking moments and some particularly nice panel layout near the end, the book just seems to lack any sort of polish whatsoever. The characters look inconsistent, some of the pencil work looks downright sloppy, and the coloring makes everything look muddy. Disappointing in every way.

Conclusion: If you can ignore some of the glaring artwork issues, you are sure to find a lot to like here if you are a fan of Hack/Slash or The Re-Animator. While not everything that I hoped for, the conclusion definitely makes up for the arc’s slow start.

Grade: C+

-Kyle Posluszny

Hack/Slash #16 – Review

By Tim Seeley (Script & Story), Barry Keating (Story), Emily Stone (Art), and Matt Englert (Colors)

The Story: Cassie Hack finally gets a chance to speak with her long lost father face-to-face. Meanwhile, Dr. Herbert West (of Re-Animator fame) continues his experimentation with the body of the Lunch Lady, Cassie’s slasher mother.

What’s Good: Hack/Slash, as a series is at its best when dealing with what made the series a hit in the first place, namely slashers. I mention it because Hack/Slash #16 is definitely at its best when slashers figure into the dialogue or action. Tim Seeley and Barry Keating bring an interesting twist to the slasher formula by attempting to break down their very nature through the discussion between Cassie and her father concerning Mr. Hack’s former line of work.With the well-written guest appearance by Dr. West (I can almost hear Jeffrey Combs speaking his lines), this book serves as a very satisfying read for any horror fan.

What’s Not So Good: The fact that the issue as a whole is extremely hit or miss. The artwork suffers from a few odd angles and the same facial inconsistency that continues to plague the series. I enjoy Emily Stone’s work for the most part, but the same type of artwork snags continue to pop up. On the writing end, my biggest complaint is that Cassie’s reunion with her father falls a bit flat. It feels both rushed and incredibly generic, making it fall a bit short of packing the emotional punch needed to make it resonate with readers.

Conclusion: I was hoping for a bit more from this crossover as a whole, but I have to give credit for how well it is succeeding in advancing the overall plot of the series in a natural manner. There is some good stuff in this issue, and it only looks to get better. I just wish Dr. West functioned as more than just a plot device.

Grade: C+

-Kyle Posluszny

Hack/Slash #1: Halloween Treat – Review

By Tim Seeley (Writer), Emily Stone (Art), Courtney Via (Colors), Stefano Caselli (Intro Pencils), Sunder Raj (Intro Colors), and Sam Wells (Journal Entries)

The Story: A re-print of the very first issue of the Hack/Slash ongoing series, this “Halloween Treat” is an origin tale loaded with special features. In addition to the the full #1 issue, the book features a peek into Cassie’s diary (useful for catching up on some Hack/Slash history), a “slasher” checklist,” and more.

The origin tale is told as Cassie is bound to a chair and tortured while her skinless captor assesses her psychological state and how she came to hunt down “slashers.” If you ever wanted to know about Cassie’s family, her first meeting with Vlad, or how she became the character she currently is, this is the place to look.

What’s Good: This is how you make a re-print worthwhile for both new and current readers. The #1 issue alone is worth the price of admission thanks to a smart, compelling plot scenario and great artwork, but the special features are what push this one into must-buy territory.

What’s Not So Good: There is no denying that Cassie’s past follows a very familiar trajectory. For a series that succeeds in differentiating itself from the more conventional hero stories, the origin of Cassie is surprisingly predictable. Also, on a more personal note, this re-print made me realize how much I miss Stefano Caselli’s Hack/Slash work.

Conclusion: A perfectly executed re-print, Hack/Slash #1: Halloween Treat is a must have for fans and a great read for those that have yet to give the series a shot.

Grade: B+

-Kyle Posluszny

Hack/Slash #15 – Review

By Tim Seeley, Barry Keating, & Brian Yuzna (Story), Emily Stone (Art), and Mark Englert (Colors)

I was sold on the Hack/Slash Vs. Re-Animator crossover the moment it was announced. Two of my favorite comic characters against an 80’s horror icon? Sign me up! Now, the fanboy in me loves that the tone, use of continuity, and characterization are spot on. The critic in me is forced to acknowledge the slow burn storytelling, disappointing artwork, and the sense (so far) that Dr. West seems to exist more as a storytelling device than the classic character he is.

The storyline for this crossover arc is, surprisingly, quite continuity heavy. It mostly revolves around clearing up the mystery surrounding Cassie’s father (going by the clever alias of Gordon Stuart) as he assists in Dr. Herbert West’s quest to “cure” death. Cassie and Vlad play a fairly minor role in the issue as their scenes mostly center around the search for Mr. Hack. It is a slow and fairly uneventful issue, but it works rather well putting the plot pieces in place. I can’t help but wish that the story wasn’t so steeped in continuity though. While Dr. West’s appearance feels shockingly natural given both Hack/Slash and The Re-Animator storylines, I wish he had gotten some chance to interact with the main characters. At least for this one issue, he feels more like a (well written) plot device than a villain. I hope there is some sort of confrontation before this is all over or else the Herbert West appearance will have been wasted.

I can’t stress enough how well written Dr. West is. Tim Seeley absolutely nails the character and manages to fit him into the Hack/Slash world in an incredibly smooth manner. As for the rest, it’s standard Seeley stuff. He writes a well told story, good character interactions, and clever in-jokes.

Emily Stone’s artwork is solid though somewhat underwhelming. Everything has a somewhat sketchy look to it and the coloring does nothing to hide it. While I generally enjoy her style, I just don’t feel that it fits the story well this time out. Still, as a whole, it’s a book that presents well.

Hack Slash #15 is a solid start to what I hope will turn into a great story. The necessary background is given, the pieces are moved into place, and the guest-star is (for the most part) used quite well. While not quite as strong as I was expecting, it holds loads of potential. Hack/Slash and horror fans in general should make sure to give this one a look. (Grade: B-)

-Kyle Posluszny

Hack/Slash #14 – Review

By Tim Seeley, (Writer) Emily Stone, (Artist) and Val Staples (Colors)

I don’t think I am making too much of a leap when I say that nearly everyone reading this site has, at one point, gotten pissed off at the constant stream of remakes coming out of Hollywood. It seems as though nothing is sacred anymore. I honestly believe that horror fans have gotten the worst of it as rarely is there a day that goes by without news of another remake going into production.

The latest issue of Hack/Slash tackles the remake craze in a way that only Hack/Slash can: by serving up dark humor and loads of gore on the set of a Wizard of Oz remake that’s being directed by the guy who did “Epic Movie 2 and 4 Fast 4 Furious” (Yeah…Tim Seeley gets it). While this one scores big points on concept alone, it isn’t as strong as it could be. There is a lot of potential for gory fun (darkly comic murders inspired by Oz? Sign me up!), but much of it goes unrealized because everything happens way too fast due to the inclusion of odd breaks in the story. I understand the need to advance the three overall series arcs, but it comes across as tacked on when they have next to nothing to do with what the bulk of the issue is about. This one is good, but nearly as great as it could have been.

Tim Seeley serves up some great humor and brings some interesting elements into the series that should play out well in future issues. While I disagree with the way he used this issue to bring those elements into play, I must admit that I am looking forward to the direction the overall plot is taking. In particular, next month looks to be one hell of a ride (80s horror fans are in for a treat).

Emily Stone’s artwork is solid (as usual), but marred by some questionable color work by Val Staples. While the majority of the book looks just fine visually, the gore scenes are hit or miss due to the strange use of pinks and purples for most of the blood. I am able to forgive Staples somewhat though, because a certain scientific serum looks absolutely perfect.

Hack/Slash #14 is a lot of fun, but could have been better. It scores points for concept, comedy, and future plot potential, but not many as were up for grabs. I expect big things next month, so I hope this one makes good on all the promise it holds. (Grade: C+)

-Kyle Posluszny

Hack/Slash #13 – Review

Mark Kidwell,(Writer) Tim Seeley, (Writer/Art) Emily Stone, (Art) Milian Parvanov, and Courtney Via (Colors)

It turns out that last issue was just a bump in the road (no pun intended, I swear) because Hack/Slash is in fine form this month. Just about everything in this issue is an improvement over the last and I think that if read back to back, this issue would actually elevate the last. I almost want to say now that it’s a shame the “Bump” crossover is over so soon because the concept lends itself well to some Cassie and Vlad ass kicking.

And kick ass they do in Hack/Slash #13. Picking up where they left off last month, Cassie, Vlad, and the reporter Phil O’Grady follow the lead to Eddie’s home. There they come face to face with a large number of the wooden horrors and Eddie himself. Much action, bloodshed, and graphic violence ensues in classic Hack/Slash fashion. It really doesn’t get much more complicated than that, but sometimes simplicity works best. The only drawback to the way this story plays out is at one point where the action breaks in order to move the overall story arc forward. Any momentum that had been built up immediately comes to a halt. I understand that the creative team needed to fit this crossover into continuity somehow due the cancellation of “Bump,” but it really does feel like things are coming from a completely different story (which, in a way, they are).

The writing done by Mark Kidwell is much stronger this issue thanks to, what feels like, more familiarity with the characters. He nails a nice buddy movie type vibe that keeps things light in what is, in all honesty, a pretty dark tale. Occasionally, I was frustrated by the way that he wrote Eddie, as it is sometimes difficult to understand what he’s supposed to be saying – but that is a minor complaint. Tim Seeley does a decent job with the series story elements involved, but, again, they feel out of place. He does throw in some nice humor though and the dog creature is quite entertaining. This is a fun read all around.

Thankfully, the artwork is much more consistent than the last issue. Cassie actually looks like the same person throughout the book, Vlad doesn’t have multiple faces, and there is really only one or two instances where things look a bit off. The gory action in this issue has some solid direction and there are a few great scenes even when things slow down. In particular, a humorous silhouette panel of the three main characters sneaking toward the house cracked me up.

Hack/Slash #13 does a lot to accent the “Bump” crossover storyline and I am really happy with how things concluded. Even if the last issue let you down as it did me, be sure to check out this latest issue – it definitely makes up for last month’s shortcomings. (Grade B)

-Kyle Posluszny

Hack/Slash #12 – Review

Tim Seeley (Writer and Artist), Mark Kidwell (Writer), Emily Stone (Artist), Milen Parvanov, and Courtney Via (Colors)

Hack/Slash, for me, is the ultimate guilty pleasure. It manages to deftly combine a number of my favorite things into one of the most consistently entertaining, visually pleasing comics on the stands. Cassie and Vlad are compelling characters, the extreme gore fits the tone of the series extremely well, sexuality is used intelligently, the humor is spot on (cheesy at times, but in all the right ways), and the stories told are almost always unique enough to make the series stand out. While not necessarily something everyone can or will enjoy (mostly due to the language, gore, and sexuality), this title is something most mature comic fans should at least try out. Horror movie fans: if you haven’t checked out this series yet, it’s time to get on board!

Now with all that said, Hack/Slash #12 is probably not the best way to be introduced to the series. On the other hand, maybe it would be the perfect place to jump on because it functions as a two-part stand alone story that can be read without knowledge of the series. While entertaining and full of moments that can really only be found in a Hack/Slash story, this issue suffers because of the odd way in which the story comes about. Apparently, the story was meant to be released by Fangoria Comics as part of its “Bump” mini-series, but when Fangoria Comics went down, the story of Cassie and Vlad versus Bump was left to linger. Now, after some changes to the length and the story, it has found its way into the Hack/Slash ongoing series. I mention all of this because I can’t help but feel that this issue would have been much better had it not had such a tumultuous trip.

Hack/Slash #12 is the first part of a story about an investigation into the massacre of 32 collegiate environmental activists. Cassie and Vlad show up to the scene and, after running into a famous news anchor and a local policewoman, find themselves in a brawl against some cool looking wooden creatures. The main storyline works well enough, and I look forward to the second part of the arc, but the book stumbles a bit in the way it tries to fit the larger arcs of the series into what probably should have been left as a stand alone story. While it doesn’t damage the book in any major way, it gives the book a disjointed feel. This is unfortunately amplified by some inconsistent artwork.

As usual with this series, most of the dialogue is quite entertaining and there is a nice sense of camaraderie between Cassie and Vlad. Dark humor is used to great effect and while some of the dialogue is cheesy, it fits the story well considering the B-movie trappings. This is a fun read all around. As a side note, keep an eye out for a pair of cult favorites making a hilarious cameo.

The artwork, as noted, is pretty inconsistent and, to be honest, this surprised me quite a bit. The beginning and ending fits with the style commonly used in the ongoing series, while the main story has a completely different visual style. Neither style is bad, but the difference is quite jarring as the characters look completely different depending on the section of the book. On top of that, in the main portion of the comic, Cassie seems to have a slightly different look every couple of panels. This is all quite distracting and I know I would have enjoyed the book more if it had a more consistent look to it. I hope this is just a slight misstep, as the series is usually great to look at. Also, on the more positive side, I want to mention how perfect the gore is. When the blood starts to flow, the artists completely nail the look of an absolutely over the top horror flick and one kill in particular stands out as one of the more brutal things I‘ve seen in a comic.

Hack/Slash #12 is an entertaining and fairly attractive, if inconsistent, comic when taken on its own. However, I have come to expect a bit more out of this series than what is offered here. This issue would have worked better as the stand alone crossover it was meant to be. (Grade: C)

-Kyle Posluszny