Fantastic Four #602 – Review

by Jonathan Hickman (writer), Barry Kitson (art), Paul Mounts (colors), and Clayton Cowles (letters)

The Review:  This issue of Jonathan Hickman’s Fantastic Four reminds me of those really badass episodes of Star Trek: Deep Space Nine that I totally geeked out over as a kid…and then rediscovered years later in college, only to geek out over again.

It’s a gigantic space battle with tons of ships and multiple participants.  The result is epic, large scale combat that is everything a cosmic book should be.  Better still, like those great DS9 episodes, Hickman knows how to ratchet up the tension by bringing in new sides/participants to the conflict.  When the tide seems to be shifting one way, someone else shows up to the battle to change the dynamic entirely.  All told, it’s massive stuff with lots of action and, despite being a gigantic scale space battle, it feels emotionally meaningful.  In a medium full of hollow action scenes, that’s pretty significant.

As usual, Hickman does a great job of hitting his narrative high-points.  There’s a sense that he continues to up the ante and there are enough moments that, individually, will either make you smile, inwardly cheer, or, in a couple instances, give you chills of awesomeness.

As far as the cheering/smiling bit goes, Hickman does a great job with Sue this month.  As he has done throughout his run, Sue is nothing less than a badass and Hickman never shies away from her very high power level and the unique uses her powers can be put to.

FF #7 – Review

by Jonathan Hickman (writer), Greg Tocchini (art), Paul Mounts (colors), and Rus Wooton (letters)

The Story: The return of Black Bolt from the fault is detailed.

What’s Good:  Really, the best thing I can say about this issue of FF is that it’s not as bad as the last one.

For starters, it’s far more intelligible.  It’s easier to tell just what the hell is happening, especially given that there are fewer flashbacks and less Supremor babbling.   Ultimately, Hickman tells a much clearer story this month, and also one that’s a lot of more relevant.  We get something a prophecy and a hint of things to come courtesy of Supremor that actually manages to tantalize more than it confuses.  At the very least, the ending of this issue ties right back to where we left off in FF before it became an Inhumans comic, which should ground it a bit more for a lot of readers.

And hey, you know what?  Black Bolt is a total badass, in case you didn’t already know.  Hickman makes really awesome use of his uber-powerful voice and has a firm handle on how best to use the character’s concept, with his words being few but powerful in content as well as tectonic force.

FF #5 – Review

by Jonathan Hickman (writer), Barry Kitson (art), Paul Mounts (colors), and Clayton Cowles (letters)

The Story: The siege on Old Atlantis comes to a head as Sue comes to learn what Reed’s been keeping from her.

What’s Good:  With Old Atlantis under siege, Hickman gives us an issue that is both epic and desperate.  Seeing Sue and Alex stand against hordes of angry Atlanteans and Moloids, war engines and all, is exciting and grandiose.  All told, it both looks and reads impressively.  I loved seeing Alex play hero and unleash some real power.

Better still is Sue’s encounter with an “evil Reed.”  Her reaction is well-written and the whole thing, and really this whole issue, continues to turn the alter-Reeds into not only a credible villainous contingent, but one that’s downright frightening.  This month’s evil Reed in question, particularly in his treatment of Sue, is ice cold chilling and overall, the tone in which Hickman writes the Reeds goes a long way in making them a not only unique, but also very threatening enemy.  Sue’s confronting her Reed about all this is also a moment that is written sincerely and genuinely.

There’s also a little two-page interlude in which Alicia Masters plays grief counselor with Ben.  It may sound like this would be jarring, given that it comes out of nowhere, but it’s a nice little reprieve.  It’s heartfelt and Kitson’s Thing looks almost too adorable with his frowny demeanor.  It was only two-pages, but I could’ve done with more of this.

Barry Kitson’s art continues to be a major boon for FF moving forward.  His work has a slightly old school feel that brings a great deal of liveliness and energy to go along with the detail and general artistic horsepower.  His armies of monstrous looking Old Atlanteans and mole things look great, and his facial expressions on the various Reeds and the very slimy Mole Man are well done.  I also like his take on Sue, who has a distinct face as opposed to just being another good-looking blonde in the Marvel U.