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Takio #1 – Review

By: Brian Michael Bendis & Michael Avon Oeming (writing and art), Nick Filardi (colors) and Chris Eliopoulos (letters)

The Story: Two sisters deal with typical young kid problems while also coming to grips with their newly acquired superpowers.

Recap/Review: The first thing to keep in mind is that Takio is not necessarily a comic for “us”.  By “us” I mean the thirty-something, mostly white guys who make up the bulk of the comic reading audience.  That isn’t to say that Takio can’t be enjoyed by by someone with a growing thickness around the middle, a goatee and a Green Lantern shirt – a good story is a good story, right? – but Takio is really focused on a fan who is about thirty years younger and of the other gender: young girls.

Smart move by Bendis and Oeming.  Women read more than men (average of 9 books per year versus 5 books per year).  In virtually every developing country in the world, young girls read more for pleasure than do young boys.  Women earn more bachelor’s and graduate degrees than men.  All of this will eventually translate into better earnings.  So, young girls are probably a pretty good market to attempt to develop.  Comic publishers are tone-deaf on this subject, so I guess Bendis felt he had to do it himself.  Where are the Wizards of Waverly Place comics?  Where are the Good Luck Charlie comics?  Those comics (in digest format) would sell like HOTCAKES via the scholastic book fair market.  They wouldn’t even have to be good comics.  It’s almost like stupid people are in charge sometimes.  Note to Disney: You are leaving money laying on the ground!
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Takio – OGN Review

By: Brian Michael Bendis, Michael Avon Oeming & Olivia Bendis (creators), B.M. Bendis & Oeming (writers & art), Nick Filardi (colors), Chris Eliopoulos (letters) & Jennifer Grunwald (editor)

The Story: Two sisters get superpowers.

Background: If you’re at all active in the online comic fan community, you’ve doubtless heard the calls for “more all ages comics” as comic fans wring their hands over the fact that there don’t seem to be comics to give to kids.  The common approach from some publishers to all-ages content is to pump out some out-of-continuity Batman/Spider-Man or new versions of popular kids’ fare from the 70’s/80’s (Muppets, Scooby Doo, Fraggle Rock, etc.)  and call it a day.  I’ve never been sure that was the best approach for a few reasons.  For one thing, if you read comics and get these Marvel Adventures or Batman: The Brave and the Bold type stories for your kids, your kids are intimately aware that what they are reading isn’t “the real Batman”.  Kids want the real thing, not a watered down alternative.  For another, who says that kids have to read Batman & Spider-Man?  I love those characters, but my Dad loved The Shadow and Howdy Doody and those weren’t anything I was interested in as a kid.  Why not develop a new property for kids?

What’s Good: Takio is just super fresh and new.  Bendis and Oeming deserve a LOT of credit for putting their creator-owned adult comic series (Powers) to the side and generating this new set of characters and stories that can bear fruit for a long period of time.  They also deserve credit for bringing Bendis’ daughter Olivia into the creative process.  Lots of comic creators have young kids, but I’ve never heard of involving one in the creative process when crafting an all-ages title.  Even if a sample size of one is anecdotal as hell, it is still better than what most folks do in terms of market research and it also shows willingness by two industry pros (Bendis and Oeming) to admit that there might still be things to learn.

Even though I thoroughly enjoyed it, this story is going to be very attractive to young girls and that’s important because girls read more than boys (that’s why they’re smarter than us, guys!).  It follows two adoptive sisters who are roughly 12-ish and 7-ish.  They come from a single mother household, but rather than roll around in how awful their lives are, the creators merely use this as a tool to establish that these two sisters are close out of necessity.  And while they do like each other, the older sister (Taki) is about to become a young woman.  She’s just starting to be concerned with what is cool, nice clothes, and her clique of friends; and having a tag-along seven-year-old sister isn’t that conducive to being “cool.”  We can all identify with that age, right?  And little Olivia still has that spunky, unself-conscious love-of-life that makes kids so wonderful.  Seven is such a wonderful age to see kids because they have big-kid capabilities, but they still think their parents are awesome and will laugh at fart jokes.  These two kiddos are just wonderful comic characters that will remind you of lots of kids that you know.

As you can tell from the cover art, the girls get superpowers in this volume.  I don’t want to spoil the when and how for you, but watching the girls take different approaches to trying out their powers and whether or not they should be superheroes is golden.
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