
By: Jeff Lemire (writer), Matt Kindt (art and colors), Carlos M. Mangual (letters) & Mark Doyle (editor)
The Story: The possible origin of the plague that is affecting the “current” Sweet Tooth universe is revealed.
Five things:
1. An interesting and unique “origin”. Sweet Tooth is an apocalypse story just like The Walking Dead, The Stand, Mad Max, I am Legend, The Road or countless other stories. However, even though it explores the same survival themes as other apocalypse fiction, there has always been something obviously different about Sweet Tooth. Usually in these types of works, the cause of the apocalypse is pretty obvious: nuclear war, disease, comet hitting the Earth, alien invasion, etc. But, Sweet Tooth clearly has something else going on due to all of these kids who are animal hybrids. I mean, maybe in the 50’s people would have believed that the evils of RADIATION would cause deer/human hybrids, but that wouldn’t fly as an explanation in 2011. In Sweet Tooth, it’s never been clear what caused the kids to look this way and recently the search for the cause of the apocalypse has taken on greater importance than the survival.
2. Not sure I personally love the explanation. This bullet point is going to have SPOILERS, so skip it if you don’t want to know what happens! This issue’s story centers around actions that took place in northern Alaska over 100 years ago where they show a man of European descent living among the Native Americans. He finds a cave that is full of all these caskets with each casket having the image of an animal on it. Notably, the images are all of hybrid kids we’ve seen in the pages of Sweet Tooth (which was an Oh Crap! moment). When he opens the casket, and sees a deer-boy skeleton, he supposedly disturbs the Deer God who then somehow returns to Earth as an deer-boy just like Gus (in the current comic). I’m just not sure I love this “angry gods” revelation because it’s just too metaphysical for me personally. I like my apocalypses to be about a cause I can understand (like nuclear war or disease) or to be left unsaid (zombies). Some fans will eat this up, but I’m just not a fan of the metaphysical and spiritual finding their way into my comics.
3. Moody Matt Kindt art. In some ways, I’m kinda surprised that Lemire chose this story arc to bring in the guest artist. On one hand, it is set in a different time, so it isn’t as jarring to the eye as having another artist draw Gus and Jepperd. But, this is also the origin of his entire story. Oh well, to each their own… Having said that, Kindt does a wonderful job. I’ve always loved his soft water-colored look in OGNs like Three Story, Super Spy or The Tooth, and he doesn’t disappoint here. There’s just something about his art that is able to convey sorrow so effectively. Another way to think of this is, “What other guest artists could Lemire have tapped and gotten this effect?” and I really can’t think of many. Gabriel Ba and Fabio Moon probably could have done it pretty well, but I can think of a whole heap of “acclaimed” artists who wouldn’t have been able to get the tone that Kindt nails here.
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Filed under: Vertigo | Tagged: Carlos M. Mangual, Dean Stell, Jeff Lemire, Mark Doyle, Matt Kindt, review, Sweet Tooth, Sweet Tooth #27, Sweet Tooth #27 review, Vertigo | 2 Comments »
