Batgirl #4 – Review

By Bryan Q. Miller (writer), Tim Levins & Lee Garbett (pencillers), Dan Davis, Aaron Sowd & Trevor Scott (inkers), Harvey Richards (assistant editor), Michael Siglain (editor)

The Story: As always, Miller makes his themes (in this case, the title “Field Test”) do double duty. Stephanie Brown is field testing her new high-tech Batgirl costume. Barbara Gordon is helping monitor the suit while giving advice, but when she has to deal with something, Batgirl herself is field tested against someone well out of her league.

What’s Good: If there’s one issue that can vouch for Miller’s writing, it’s Batgirl #4. The plotting and thematic ideas are always tight, but my hat remains off on his character work. His characters are just fun to follow. The back and forth between Barbara and Stephanie is solid, as Miller packs his dialogue with personality. Stephanie’s running self-deprecation could get tiresome in another character, but when put together with her natural exuberance and fun, it works, with lines like “And this Batgirl doesn’t sing – not in front of people anyway” and “I’m almost fifty percent sure nothing could go wrong.” I’m also waiting to see where this romantic tension between Batgirl and the young detective is going to go.

Art team has changed a bit. Tim Levins has replaced Scott and Hope in the driver seat with Lee Garbett. The art is clear, the expressions tell the story and the poses are more natural. The layouts also seem to be evolving positively. The final battle page between Batgirl and the villain is a funny and well-told stack of panels.

What’s Not So Good: The superhero skeleton of the story is nothing original. Batgirl’s encounter with this super-villainess is pretty forgettable, but I’m wondering if the search for something truly field-expanding is what Batgirl readers are looking for when they buy this book. Would something truly original to the field (think the teen angst of Lee/Ditko Spiderman, the gritty noir of Miller’s Daredevil or the soap opera of Claremont’s X-Men) fit within a book whose focus is the fun of watching a flighty, occasionally quixotic teenager turn herself into a real superhero? But if ground-breaking work is not in Batgirl’s future, will the series survive? Sales estimates for issue #3 from Diamond are around 37,000, which is pretty respectable for a new book, so Michael Siglain has some flex before making any serious decisions, but Miller has got some work ahead of him to convince readers that Stephanie Brown matters, without losing the fun of what makes her great.

Conclusion: Batgirl is an entertaining book and very accessible to the new reader. This is what mainstream comics do well. But I hope that Batgirl does not get lost behind a lot of other books that are also delivering mainstream stories.

Grade: C+

-DS Arsenault

New Avengers #57 – Review

By Brian Michael Bendis (writer), Stuart Immonen (artist), Wade von Grawbadger (inker), Dave McCaig (colorist)

The Story: Norman Osborn and Doctor Harrow finalize the terms of their deal while both the New and Dark Avengers are still reeling from the effects of the power drainer. The New Avengers successfully escape a no-win situation, but Osborn’s not going to let them get off so easily, which could be especially bad for one Avenger.

The Good: Say what you will about Bendis and his writing, but the guy has been steadily working on this book for some five years now without interruption and it’s hard not to admire that kind of dedication. This is a fun team, and the addition of Ronin and Mockingbird brings a bit of that old school expertise to the group. I honestly did not expect to enjoy having Mockingbird back, but she’s a wonderfully strong character, as evidenced by her double splash page in this issue. I’m also happy to see Immonen’s art again, having been a huge fan of his work on Nextwave. His work is expressive, dynamic, and as equally good at conveying action sequences as it is the quieter moments, like towards the end in the hospital.  I would love to see him stick around on this title for as long as possible because I really believe he does right by it.

The Not So Good: This power drainer has been a weak and ill-defined Macguffin that has utterly pissed on the plot. Since Bendis never really explained what it can and can’t do, it seems capable of doing whatever it needs to when Bendis calls for it. For example, if this thing is supposed to drain powers, then why was Ronin affected? As far as I know Barton doesn’t have any powers and is just a highly trained fighter. And why could Captain America be affected by this when he only has a cybernetic arm, is the power drainer capable of screwing up electronics as well? Finally, why has the power drainer messed with Cage’s heart of all things? I get that it has left the heroes feeling nauseated and shitty, but that’s still a far cry from the stroke-like symptoms Cage is experiencing. Are we to now believe that the power drainer causes severe health problems too? Hell, is there anything this device can’t do? Bendis doesn’t explain it either way and that’s unfortunate because it makes this issue fairly ridiculous on examination. Also, and I never thought I’d be saying this, but McCaig’s colors here are without doubt the biggest eyesore I’ve ever seen in a comic.  Seriously, his contributions to this issue are disgusting and bring down every background and environment he renders. If there was one reason not to buy this comic, it would be for what he’s done to it.

Conclusion: Some reliably solid character moments are unfortunately lost in the mire of a ridiculous plot that Bendis could have easily fixed if he’d wanted to. This issue was good, but not great, and certainly nothing you need to spend $4 on.

Grade:  C-

-Tony Rakittke

Dark Reign: The List – Avengers One Shot #1- Review

Avengers feature by Brian Michael Bendis (writer) & Marko Djurdjevic (artist); Daredevil preview by Andy Diggle (writer) & Billy Tan (artist)

It seems to be a prerequisite of all mega-maniacal geniuses in the Marvel Universe to carry a list.  Reed Richards has one.  I’m pretty sure Tony Stark’s got one too, although he may no longer be able to remember where he left it.  And now Norman Osborn has compiled his very own list of things to do now that he is the man in charge.  Compiled in part to finally assassinate people he’s had longstanding grudges with, it also contains some strangely logical goals, like dealing once and for all with Hulk’s mindless rampages, arresting Nick Fury for training “youth terrorists,” and apprehending the unregistered New Avengers.  In short, it’s a list that will change the very status quo the Marvel Universe has operated under until now because, as Osborn observes, if the old status quo had actually worked, he wouldn’t be in charge now.

The first eight months of “Dark Reign” have been largely uninspired and unfocused, full of talk and petty spats blown out of proportion by writers. The stories out of “Dark Reign” were made to seem more impressive than they really are. As the year winds down though, Marvel’s latest storyline moves into its second phase with “The List,” in which Osborn seems to be finally ready to take his abuse of power to new heights and let villainy reign supreme. I have to admit, from what I’ve read in this issue, my interest in this storyline is fully renewed, and I’m excited to see if “Dark Reign” can be salvaged.

The feature of this issue involves an incredibly intense, well-executed infiltration of Avengers Tower by Clint Barton, who is dead set on killing Osborn before he can cause any more problems for the superhero community. In a world populated by people who can fly and shoot lasers from their eyes, it’s easy to underestimate a hero like Ronin who has no powers, that is, until you watch him stalk the night and take on the Dark Avengers by himself. To his credit, Bendis has defied my expectations here and set the stage for what seems to be a story full of betrayal, ulterior motives, and lethal action, all qualities I wanted to see more of in “Dark Reign”.

Rounding out this issue is a preview of Daredevil’s role in “The List,” and I enjoyed it every bit as much as the Avengers story, which is mind boggling since I haven’t touched a Daredevil story since Miller left the title. Andy Diggle and Billy Tan seem to have a good handle on the character, and I was so impressed with the title’s new direction, first revealed in Daredevil #500, that I’m now planning on following the comic!  This one shot was a surprisingly entertaining issue and a great jumping on point for anyone that has managed to avoid the baggage of “Dark Reign” until now. I’m convinced that there’s real potential to be found in “The List.” I’m alsomore than willing to stick around and see what happens.

Grade:  B

-Tony Rakittke

Amazing Spider-Man #598 (American Son Chapter 4) – Review

By Joe Kelly (Writer), Paulo Siqueira & Marco Chachetto (Pencils & Inks), Amilton Santos (Inks), and Jeremy Cox & Chris Chuckry (Colors)

The Story: As Peter tries to endure being tortured by Bullseye and Norman Osborn, he learns the true extent of Osborn’s plan for the American Son project. Harry, meanwhile, finds the cure for Lily and his baby; but he soon learns a horrible truth.

What’s Good: When Joe Kelly focuses on Peter’s situation (Bullseye is just the right character for Peter to interact with) and the relationship between Harry and his father, the fourth chapter of “American Son” borders on great. Why? Because Kelly’s character moments are top notch. They take full advantage of key dynamics whenever they are in play (between hero and villain or father and son, for instance). In addition, Kelly does a fine job of keeping the twists and turns coming at a pace that feels just right for a story that’s been succeeding largely because of the balance that he’s found between storytelling and character work.

What’s Not So Good: I have two complaints about Kelly’s work in Amazing Spider-Man #598. The first complaint is that it seems as though he has completely abandoned the smaller parts of the “American Son” story. There’s no mention of Aunt May (what’s with the robots?) and there’s not a whole lot of, well anything really, that doesn’t have to do with Peter or Harry. I realize they are the focus of the story, but why bother with the other stuff so much in the first two chapters then?

My second complaint is that some of the dialogue comes off as far too melodramatic. It’s especially noticeable when Harry and Lily interact, though some of the stuff between Harry and Norman is also worthy of a roll of the eyes or two.

The artwork by Paulo Siquiera and Marco Chachetto is fairly solid all around, but it earns a spot in the “Not So Good” section for two reasons: ridiculous facial expressions (seriously…what’s with Harry?!) and poorly executed action. I can handle the weird expressions, but the action is really frustrating to look at. There’s just something obviously off about it.

Conclusion: While it’s got some flaws, the penultimate chapter of “American Son” is still worth checking out. Kelly’s been on a roll lately and for the most part, “American Son” keeps that roll…uh…rolling.

Grade: B –

-Kyle Posluszny

Dark Avengers #1 – Review

By Brian Michael Bendis (writer), Mike Deodato (artist), Rain Beredo (colorist)

As you may know, I’m not exactly the biggest fan of Bendis. I was, but that was back when he was writing stories like Jinx, Goldfish, and Torso. Back when he had something to say.  Since assuming complete control of the Marvel Universe, I’ve felt his work has been largely self-serving and contrived, less about entertaining the reader and more about petty wish-fulfillment and making readers care about Luke Cage, Ms. Marvel, Spider Woman, and the insufferable Jessica Jones.  Similarly, I think his event stories are shallow things consumed with retconning decades of continuity in order to drag the Marvel Universe back to the kinds of stories he grew up reading in the 70s and 80s– the kinds of stories that he is so clearly still in love with.

Spinning out of the epic yawn that was “Secret Invasion,” “Dark Reign” isn’t so much of an event story as it is an event idea being explored across multiple titles.  That idea being that the U.S. government is both stupid and lazy enough to give Norman Osborn aka the Green Goblin, control of its Superhuman Initiative and the remains of S.H.I.E.L.D. Whatever. I’ll set aside my grievances for now and tell you instead that in spite of my problems, I actually quite enjoyed Dark Avengers.

Following the events of “Secret Invasion,” this issue sees Osborn taking a cue from the Thunderbolts and leveraging his newfound political power to put together a new team of Avengers, one comprised exclusively of hand-picked members he feels can work for and with him in pursuit of his new world order.  The people he picks to join his team are deliciously twisted, and I got a kick out of watching them interact with Osborn, not quite believing the offer he was presenting them with. Deodato’s art is reliably bold and aggressive, and while I was sorry to see him leave Thunderbolts, I’m more than happy he found his way here.

I’m prepared to stick with Bendis on this title for awhile.  Definitely check it out, and remain cautiously optimistic with me as we see where he goes with this.

Grade: B-

-Tony Rakittke

The Amazing Spider-Man: Fear Itself

By Joe Moore (Writer), Joe Suitor (Art), and Mico Suayan & Frank D’Armata (Cover)

Some Thoughts Before The Review: I’m pretty much what you would call a casual Spidey fan. I like the character quite a bit, but rarely will I follow him for more than an arc at a time. That said, I’m definitely a sucker for good one and done Spider-Man stories, especially those featuring fantastic artwork. If the previews are any indication, Fear Itself has the artwork I’m looking for. Time to find out if the story can deliver as well.

The Story: Spider-Man encounters Man-Thing in Florida and gets a little bit too close for comfort. As a result, Peter Parker begins to have a reaction at the injury site that slowly begins to make his anatomy more plant-like. With the clock ticking, Spidey must locate Man-Thing in order to find some way to reverse the effects of the strange reaction.

What’s Good: Joe Suitor’s stylish artwork looks outstanding during the scenes featuring Spider-Man or Man-Thing. I absolutely love his take on the characters and the way he handles most of the scene direction. Also, the story is serviceable enough and contains a few interesting ideas regarding the complexities of fear.

What’s Not So Good: While most of the artwork is great, Suitor’s Peter Parker just looks a bit too hip and slackerish considering what type of character he is. Another thing that bothers me is that the story and dialogue never really rises above being average at any point. A disappointment considering how slick the visuals are.

Conclusion: Eye-pleasing artwork can only get an average comic story so far. And while Fear Itself provides a nice dose of Spider-Man, it ends up being far from memorable. As such, it’s hard to really recommend considering the $3.99 price point.

Grade: C

-Kyle Posluszny

Ms. Marvel #34 (Dark Reign) – Review

By Brian Reed (Writer), Paulo Siqueira & Adriana Melo (Pencils), Amilton Santos & Mariah Benes (Inks), and Chris Sotomayor (Colors)

Some Thoughts Before The Review: In all honesty, the current Ms. Marvel arc is quickly becoming tough to review on a monthly basis. While I’m enjoying it quite a bit, the storytelling structure being used by Brian Reed makes it difficult to really judge the quality of each issue in relation to the overall plot. He is only offering up pieces of a bigger picture, one month at a time, without any clear resolution in sight. It makes Ms. Marvel difficult to grade knowing that it is entirely possible that some key element revealed in a future issue could totally change my feelings about a previous chapter or event in the arc’s timeline.

The Story: Serving almost as a sequel of sorts to the recent Annual featuring Spider-Man, Ms. Marvel #34 is about Carol Danvers’ interest in something known as “Essential,” an extremely powerful information consumer. She attempts to locate “Essential” at a place heavily protected by the government and the ensuing commotion brings Spidey around to investigate. The two inevitably work together to deal with the chaos caused by many guards with many guns, trade witty comments, and form a shaky alliance that Carol knows will help her get to “Essential.”

What’s Good: The highlight of the issue is how Brian Reed handles the interesting relationship between Ms. Marvel and Spider-Man (though Carol’s interaction with Machine-Man is almost as good). It makes for some very fun, very entertaining reading that brings some interesting elements into Reed’s twisting plot. Couple that with some great looking, dynamic artwork by both regular teams and you have one of the strongest issues of Ms. Marvel in quite some time. Except…

What’s Not So Good: Remember how I said it was difficult to really judge the storytelling of each individual issue of Ms. Marvel? Well this one only furthers that sentiment. I think I like where the story is headed and I think I like the use of “Essential,” but without a bit more to chew on, I really can’t be certain of my thoughts concerning the overall plot of the arc. The main problem is that Reed is giving me very little reason to feel truly confident in his storytelling prowess. I like the ideas, but the way this issue feels so detached from the last few makes me wonder whether everything can successfully come together in a way that makes it worth all the hassle inherent in a story that tries to juggle a timeline (did that make sense?).

Conclusion: As an almost stand-alone story or as a sequel to the Annual, Ms. Marvel #34 works extremely well. But as a part in a much bigger story, it feels quite disconnected from the chapters that came before it and somewhat unsatisfying. I recommend it based on the strength of the character work and the art, but hesitate to call it a good piece of the current Ms. Marvel puzzle. See why it is so hard to grade?! I think I’ll go with…

Grade:  B-

-Kyle Posluszny

New Avengers #48 (Dark Reign) – Review

By Brian Michael Bendis (Writer), Billy Tan (Pencils), Matt Banning (Inks), and Justin Ponsor (Colors)

Some Thoughts Before The Review: It’s about time! While I enjoyed the Secret Invasion stuff for the most part, I am definitely glad that New Avengers is back on track. I look forward to see what the series will be offering in light of Dark Reign.

The Story: In the aftermath of the massive Invasion battle, Captain America discreetly calls for a meeting of the “underground” Avengers. The group meets the next day, but the gathering is cut short when Luke Cage, Jessica Jones, and Carol Danvers show up in a panic looking for people to help find Danielle, the daughter of Cage and Jones that was last seen in the care of Jarvis, the butler now known to be a Skrull. With little hesitation, the New Avengers (with a slightly different lineup) are off in search of the baby and any Skrulls that may know the whereabouts of the one that was posing as Jarvis.

What’s Good: As the first issue of New Avengers to truly feel like an issue of New Avengers in quite some time, #48 definitely does not disappoint. In fact, I’d even say it manages to bring back a lot of fond memories about my experience with the very first New Avengers arc. That’s a very good thing considering how visually impressive and entertaining that turned out to be.

While it deals with some of the ramifications of Secret Invasion as it ties directly into Dark Reign, the book feels surprisingly fresh for a number of reasons. For starters, the dynamic between the characters (new or returning) is handled extremely well thanks to how Brian Michael Bendis uses the fallout from the Invasion as a means to force everyone to become reacquainted and reestablished. It makes the book quite friendly to new readers while at the same time reminding hardcore fans that the dangling plot threads will not only be accounted for, but also addressed. Couple that with the fact that the team lineup is still somewhat up in the air at the book’s fairly shocking conclusion, and you have more than enough reason to put New Avengers back on the pull list.

Also worth noting about New Avengers #48 is how impressive it looks. Billy Tan’s pencils look better than they ever and show that he obviously wants to make the most out of his work on one of Marvel’s biggest titles. There is some room for improvement, however, but I like what I see so far and look forward to what he has in store for the series.

What’s Not So Good: There are really only two things that nagged at me while reading. The first is that the relationship between Ronin (Hawkeye) and Mockingbird doesn’t really seem to jive at all with last week’s Dark Reign: New Nation one-shot. I understand that New Avengers: The Reunion is not coming out until a bit farther down the road, but I hope Bendis takes some time to address why Mockingbird’s stance towards Hawkeye is so icy in The Reunion as opposed what is shown in New Avengers #48. The other thing that bothered me a bit is the way Matt Banning’s inks seem to almost overpower some of the artwork. While only a minor annoyance, it is noticeable enough to warrant mentioning.

Conclusion: To all of those that decided to take a break from New Avengers while it worked through Secret Invasion, it’s time to get back on board. As for those that have never checked the series out, now would be a great time to give it a look.

Grade: A-

-Kyle Posluszny

Avengers/Invaders #6 (of 12) – Review

By Alex Ross (Plot), Jim Krueger (Plot & Script), Steve Sadowski & Patrick Berkenkotter (Pencils), and InLight Studios (Colors)

Some Thoughts Before The Review: I’m going to be honest here and just admit that the only thing that made me purchase this issue is the fact that I already own the first five. I figured I might as well at least finish out what I presume to be the first trade volume before dropping the series. While visually impressive at times and interesting enough, the overall plot has yet to hook me in any serious way. Also, I can’t shake the feeling that nothing of consequence is ultimately going to come out of Avengers/Invaders, despite reports that it will have an impact on Marvel continuity. With all that said,  somehow, I still hold a small bit of hope that the halfway point will prove to be a turning point for the series.

The Story: Dr. Strange and the rest of the underground New Avengers find the past and present versions of Paul Anselm, the regular soldier pulled into the time travel, in an effort to sort out what exactly caused the time disruption. Meanwhile on the S.H.I.E.L.D. helicarrier, where the Mighty Avengers are trying to take control of the situation, Human Torch of the Invaders begins a Life Model Decoy revolt over the nature of the L.M.D.’s.

What’s Good: As a student of philosophy, I’d be lying if I acted like I didn’t enjoy the concepts thrown around regarding the nature of S.H.I.E.L.D.’s Life Model Decoys. It brought an interesting (if somewhat throwaway) dimension to the superhero battle. Also compelling is the way the plot is really starting to tie into the death of Captain America and touch upon some of the inherent (though generic) problems/consequences of time-travel. As for the visuals, they continue to feature a nice level of detail and solid direction.

What’s Not So Good: As with the other issues in the series, Avengers/Invaders #6 suffers because it never really brings the various ideas together in a way that forms a well-rounded package. The emotional drama feels a bit heavy handed, and it occasionally falls a bit flat. On top of that, the philosophical crusade of the Human Torch, while interesting, feels like nothing more than a distracting addition to the overall plot. Also, there is still very little indication that anything of consequence will result from this storyline. I expected something relevant to the current state of the Marvel universe to have happened by now. Disappointingly, that is not the case.

Conclusion: The problem with the series falls on the idea that far too many characters are in play to make a single chapter feel satisfying. It really drags the entire project down and makes the plot move at an extremely slow pace, despite characters expressing the urgency of the situation. That is why I am going to consider this latest chapter to be my jumping off point. As for Avengers/Invaders #6? It is entertaining and decent enough to look at, but far from a must read. As such, it is worth picking up if you have stuck around this long, but I doubt many will feel the need to see this series to its end.

Grade: C

-Kyle Posluszny

The Invincible Iron Man #7 – Review

By Matt Fraction (Writer), Salvador Larroca (Art), and Frank D’Armata (Colors)

The Story: Spider-Man and Ben Urich (of Front Line fame) guest star in an Iron Man story that serves as a epilogue of sorts to the series’ opening arc, “The Five Nightmares”. As Tony Stark goes about cleaning up the mess and black market trail left by Ezekiel Stane, Spider-Man decides to tag along. And while Stark clearly wants nothing to do with the unregistered hero, the two eventually team up due to Spidey’s insistence (and belief) that Iron Man definitely needs some help with the mission.

Editor’s Note: Please keep in mind that trying to sort out “One More Day” or “Brand New Day” continuity is likely to cause a major headache or, at the very least, some frustration. Just read the story for what it is and try to ignore the editorial baggage the book is unfortunately burdened with.

What’s Good: Nearly everything as long as you take my note into consideration. Matt Fraction’s superhero team up is an absolutely superb (and surprisingly poignant) read from start to finish. He manages to make the characters both incredibly super and human throughout the book, which is no small feat. As for the artwork, Salvador Larroca and Frank D’Armata both shine in handling the superhero outfits and action. The book plays to their strengths really well.

What’s Not So Good: My only complaint is regarding some of the artwork not involving a superhero costume. Larocca’s pedestrians just look odd and D’Armata’s coloring only accentuates the problem. It’s an annoyance more than anything.

Conclusion: Easily one of the best “one and done” stories I have ever read. It has great character moments, artwork (mostly), and an awesome story. You simply can’t ask for a whole lot more from a comic book than what you get in Invincible Iron Man #7.

Grade: A

-Kyle Posluszny

A Second Opinion

The Good: Although I was initially skeptical when I read that Fraction was going to be helming this series, I am so happy that he has defied expectations and made me a believer.  His characterization of Stark as a man hungry for redemption and struggling to do the right thing in his professional and superhero lives strikes a perfect balance that is dramatic and engaging to read.  He has convinced me that Iron Man is a character worth caring about, and that’s quite a feat after the number of failed attempts from other writers to do the same.

The Not So Good: I’m always worried when a Marvel comic brings in Spider-Man to guest star.  It always comes off like a contrived, cheap ploy, and that holds true here.  Spider-Man is irritating and unnecessary, and it feels like Fraction is simply looking for an excuse to write the character.  Also, if Iron Man is really that concerned with Spider-Man being an unregistered superhero, why doesn’t he arrest him!?  If Stark isn’t going to enforce the law he helped bring about, what was the point of Civil War?  This is a glaring, gross mischaracterization and I’m disappointed the editor allowed it.

Conclusion: A below average epilogue to an otherwise amazing opening story.  Fraction has proven he is more than capable of making this a great series to read, but this issue is irritating, due largely to Spider-Man’s unnecessary presence. Save your money and wait for the next issue.

Grade: C-

-Tony Rakittke

Secret Invasion #7 (of 8) – Review

By Brian Michael Bendis (Writer), Leinil Yu (Pencils), Mark Morales (Inker), Laura Martin, and Emily Warren (Colorists)

The Story: The penultimate chapter of the Secret Invasion is all about the action. Heroes and villains from throughout the Marvel universe come together for an epic battle against the Skrull army. But this isn’t just a straight forward fight, the final seeds planted months ago by writer Brian Bendis finally come to fruition.

What’s (very) Good: The action. The artwork here is absolutely phenomenal. Each panel packs a punch and it seems as though every character involved in the fight gets a chance to shine. There is a LOT going on in this comic and the art team pulls it off spectacularly. As far as action goes, this is one epic fight that manages to live up to the hype. Hats of to Leinil Yu for delivering the goods!

What’s Not So Good: The dialogue. I know that I may sound a bit too critical here, but most of the battlefield dialogue just simply doesn’t work for me. The banter and catch-phrases, while (admittedly) fun, take away from the seriousness and scope of the battle at hand. I held on to some hope that the encounter would somehow be able to transcend above its summer blockbuster status, but it doesn’t. It is all very fun, but considering how seriously some of this story has been taken, I can’t help but feel the tone is a bit off. It just seems like some of the characters involved are having way too much fun.

Conclusion: For all out Marvel superhero action, you really can’t get much better than this. It doesn’t try to be something it’s not. Whether that is a positive or a negative is up to you, the reader, to decide.

Grade: B

-Kyle Posluszny

A Second Opinion

As short-changed as some might feel, this book doesn’t need the dialogue. Why? Because there’s really not much of a story here. It’s a full blown brawl fest — Marvel porn at its finest. Finally… finally some of those New Avengers and Mighty Avengers stories that were dismissed as “throwaways” make sense and carry more weight. The concept of Wasp being chosen to be the doomsday weapon is a bit silly, though. And why only infect her when you can infect others as a contingency plan? That logic throws me off a bit, but whatever. This once dreaded invasion is showing signs of fatigue. At least I now know why Marvel released that Marvel Boy hardcover a couple of weeks back.

At this point I just want this series to be over.

Grade: C

– J. Montes

Amazing Spider-Man #572 – Review

By Dan Slott (writer), John Romita Jr. (pencils), Klaus Janson (inks), and Dean White (colors)

If you haven’t been keeping up with “New Ways to Die,” now is not the time to follow behind the hearse. But for those fans who jumped on board from the start of Brand New Day, issue #572 is a treat. Dan Slott skillfully entangles new plot threads into the arc including some lovin’ and new takes on old villains.

So far, Spider-Man’s being hunted by old nemesis Norman Osborn and his hero-hunting Thunderbolts. While searching the city, Venom (Gargan) mistakes Eddie Brock for the wall-crawler. Recently cured of cancer by the miraculous powers of Martin Li (Mr. Negative), Brock transforms into the Anti-Venom and begins to suck the symbiont out of Gargan. Anti-Venom then tries curing Spider-Man of the symbiont in his blood, and decides to cure him of his irradiated blood, too. Spidey is saved, ironically, by the arrival of the Thunderbolts who take Gargan (and secretly Brock as well) back to base. Meanwhile, Osborn comes to face to face with the Menace, who reveals his plans of controlling New York City politics, which is being disrupted by Osborn presence in Manhattan.  Osborn is beaten, but discovers Spider-Man’s connection to Peter Parker: his Camera.

In this issue, Osborn sends the maniacal Bullseye to catch Spider-Man using the tracking technology in Peter’s camera while he devises a weapon to kill the Anti-Venom… and cure cancer! Beneath that grizzled, bare-knuckled old business man is a psychotic villain with no sense of decency! Spidey has his hands full, as usual, helping Aunt May rebuild the wrecked F.E.A.S.T. Center and trying to milk Harry for information on his dad.

The issue’s tone is a bit different from the previous as we see more of Peter’s life coming into play. Despite numerous baddies out to get him, Slott manages to slip in some sexual tension for Web-head. As Peter tries to figure out what Harry’s knows about Oscorp’s medical activities, he suddenly becomes the emotional crutch of Harry’s girlfriend, Lily Hollister. Possibly a combination of helplessness over her injured father and neglect by Harry, Lily confides in Peter and brings his hand to her lips. The dialogue doesn’t lend itself to a spur of the moment interest in Peter as he’s simply giving generic answers and busy trying to eavesdrop on Harry’s phone call with his dad. There has been something building over the past months between these two that has finally manifested itself when says: “I made a promise. That I’d never let something like that happen again… to anyone I love.” The out-pouring of sensitivity and control appealed to Lily and thus she is smitten. This revelation adds to the depth of their relationship, while emphasizing Peter’s natural attractiveness and his need to keep such feelings at a distance lest the other gets hurt.

We also get an new relationship between Eddie Brock and Spider-man. When Bullseye and his Osborn goons descend on Spider-Man in The Coffee Bean, Brock comes to the rescue. The two duo make an interesting team and its nice to see the hesitant loner side of Spider-Man again. His abrasive and reluctant acceptance of the new Brock makes the story genuinely convincing. “Fine, you wanna help? Take out the guns. Bullseye’s mine!” He’s willing to work with the Anti-Venom so far he does his job, and Spidey gets the big guys.

Lastly, the turn in Osborn also marks a defining point in this story arc.  The man who has been plotting and scheming for the past five issues goes goblin-$@#% crazy and suddenly the man with the plans is the most unpredictable guy in the room. Not to give any juicy bit away, but Romita Jr’s depiction of this change with a certain green and purple mask effectively transforms the cutthroat business man into the visual lunactic. The wide yellow eyes and permanent sadistic smile denotes the new threat to Spider-Man: his archnemesis is back!

With all this hitting the fan, how can you resist finding out “New Ways to Die”? (Grade: A)

-Steven M. Bari

Avengers/Invaders #3 – Review

By Alex Ross, Jim Kreuger, (Plot) Steve Sadowski, (Pencils) and InLight Studios (Color)

Three issues in and I have to admit that I’m starting to feel as though this series is completely unnecessary. The latest issue of Avengers/Invaders firmly establishes where this story fits in the Marvel Universe time line and as a because no other books seem to knowledge its existence it lacks tension. Unless Jim Kreuger and Alex Ross have some large twist planned, there just doesn’t seem to be enough story to support this series for 12 issues. However, with all that said, issue #3 is still an enjoyable read thanks to some fun moments with Namor and nice looking artwork by Steve Sadowski.

There are four main plot elements at work here and, to be honest, it makes this a pretty fast read. The first involves Invaders Namor coming face to face with his future self while visiting what amounts to the ruins of Atlantis. The second storyline thread at work involves the New Avengers’ plan to free Invaders Captain America by using some Dr. Strange magic. The third features the one lone soldier to get caught up in the time travel having a talk with his future self. It’s a touching highlight thanks to some poignant dialogue and complementary artwork. The final thread involves Bucky breaking Invaders Captain America out of his cell on the SHIELD helicarrier. While I have no real complaints about the overall story, it feels like things barely move at all due to the bloated ensemble cast. Each plot thread gets some time, but not much happens in any of them. If things progress like this, maybe the series can sustain 12 issues just by inching forward bit by bit, though I hope that is not what winds up happening.

The writing in this issue is serviceable, but only really shines when the WWII soldier is talking to himself. The characters are written well, but it seems as though the writers enjoy bringing certain characters down a notch. In the first issue, the Thunderbolts were quickly dismantled and then late in this one a key character just comes across as plain stupid. It just lessens things as opposed to heightening, and that irritates me. Also, every line of Spider-Man dialogue is some attempt at wit or humor and while I understand that is a staple of the character, Spidey just comes across as “that guy” dying for some attention. With the exception of the soldiers’ talk, the writing here is average at best.

I honestly think I would be harder on this series if I didn’t enjoy Steve Sadowski’s pencils as much as I do. He does some great work with the characters and scenes in this issue, in particular the stuff involving the two Namors. While a few of the smaller panels feel a bit rushed, I can easily forgive when everything else looks so nice. I do wish the coloring job was a bit better, as it actually has a negative effect on the quality of the pencil work from time to time.

The Avengers/Invaders series is weighed down by the very concept that it hinges on and, as a result, very little comes across as truly memorable. There is some good dialogue from time to time, the artwork is impressive, and it is fun seeing two versions of the same character interact, but as a whole there is nothing here that makes me truly care about what is happening. If you really need a “heroes out of time” fix, you would be better off investing in the excellent series The Twelve. (Grade: C)

– Kyle Posluszny

A Second Opinion

Wow, I actually enjoyed this issue more than the previous two. The nods given to current Marvel continuity are a definite plus. I was actually surprised to see Namor visit Atlantis, given how not too many read last year’s excellent Namor: Revolutions mini-series. But having young Namor beat down old Namor? C’mon now! We also finally get a small connection to Secret Invasion, but despite all these connections to Marvel continuity, this book, like the Invaders themselves, is horribly displaced.

No other Marvel title acknowledges the events taking place in this book and because of that, it feels like a hollow read. Making this series a sprawling 12 issue “epic” is a horrible decision that might have been better served as its own event for 2009. But hey, that’s just my opinion.

As a stand alone issue, I enjoyed what I read, but I do agree with Kyle in that there’s just too many characters and too little happening. This is the same problem that’s plaguing Kreuger and Ross’ Project Superpowers title (but on a much worse degree). Their next project really needs to be scaled down. Enough with the huge casts of characters and just work on telling a story, guys. (Grade: C+)

– J. Montes

Secret Invasion: Front Line #1 – Review

Brian Reed, (Writer) GG Studios, (Art) Giuliano Monni, (Team Coordinator) Marco Castiello, (Pencils) Barbara Ciardo, (Colorist) and Amerigo Pinelli (Asst. Colorist)

Secret Invasion is really the first universe wide crossover event I have read as it actually happens. Since coming back to the comic scene, I (successfully) made an effort to catch up on the most recent Marvel Universe events (Civil War and World War Hulk, specifically), and while doing so have found myself impressed by what the Front Line series has to offer. The street level stories work extremely well within the context of a large event and an event like Secret Invasion most definitely fits the bill.

Secret Invasion: Front Line #1 is really broken into two parts. The first half of the book takes place during a three hour span before the invasion and introduces five characters that will likely be the focus of this series: a cab driver, a Front Line reporter, a nurse, a father, and his daughter. All five characters are shown going about life in some way – the cab driver is having a bad day because he finds out he must pay for the damage to his car that was (sorta) caused by a Spider-Man fight, the reporter is doing a feature on how hospitals deal with gang violence and begins by interviewing the nurse, and the father, an executive working at Stark Tower, has a meeting interrupted when his daughter demands to talk about why her parents are getting divorced. While nothing extraordinary as far as character introductions go, the first half of the issue does a nice job establishing relationships and personalities. The second half of the issue is, as expected, when all hell breaks loose. To be honest, the issue really brought to mind the movie Independence Day – especially during the scenes focusing on the moments just before the attack; I consider this to be a good thing (and all without the horrible Will Smith jokes).

Brian Reed does a great job establishing both the characters and the general sense of awe the public has towards the superhero community. By dividing up storytelling between narration and character interaction, Reed ably allows personal drama to work within the larger, action-packed event of the invasion. All five characters come across as likable, regular people and as a reader, I actually care about what’s in store for these people as much as I care about what’s in store for the Marvel heroes. I enjoy what Reed is doing with Ms. Marvel, and if he keeps the pace he establishes here, I’ll have gained more admiration for him as a writer.

The artwork in this book calls to mind the Caselli/Rudoni work for Avengers: The Initiative. The style is quite similar and, while not quite the same quality, still makes for a good looking book. The characters are well done, the Skrulls look as they should, and the action is easy to follow. Especially impressive is the work done for the moments before the invasion hits. My only major complaint is that there is a considerable dip in both detail and quality from time to time, especially in smaller panels, and it winds up being somewhat distracting when everything else is so well done.

Secret Invasion: Front Line is definitely off to a great start. The alien invasion storyline is perfect for this type of series and, after seeing the situations some characters are left in, I can’t wait to get my hands on chapter two. (Grade: A-)

-Kyle Posluszny

A Second Opinion

Don’t let that weird, abstract cover deter you. This is one pretty book on the inside. The art team really did a bang up job making New York a living city. The use of glow effects and bright colors coupled with Giuliano Monni’s art style almost gives this book an Aeon Flux (the cartoon) kind of look. I know some people may be turned off by the over coloring, but I think it adds a lot of dimension to the book, given the artstyle.

As for the story, it hits on a lot of beats and plays out rather well. I was actually not enthused about reading this after the disappointing World War Hulk: Front Line series. And while Civil War: Front Line had some interesting stories like the whole “Trial of Speedball” story, the others felt like unnecessary filler. This Secret Invasion themed series may be telling a bunch of different stories and Ben Ulrich may still be the series’ anchor, but I like how everything feels more cohesive and centralized. Brian Reed excels in conveying civilian life in the Marvel Universe (see his Captain Marvel mini-series), so I’m eagerly awaiting to see where he takes these characters from here.

If you’re enjoying Secret Invasion and wish to expand the story with some non-essential, supplimental material, this is a very good first issue that may actually be worth your money. (Grade: B)

– J. Montes