Loki: Agent of Asgard #4 – Review

By: Al Ewing (story), Lee Garbett (art), Nolan Woodard (colors)

The Story: Who cons the con man?

The Review: Anybody here watch the Golden Globes? Remember last year’s ceremony, when Kristin Wiig and Will Ferrell did a bit where they pretended to have no idea who any of the nominees or their respective movies were? I laughed at the sheer silliness of it all until my eyes watered, and so was rather surprised to find people who not only didn’t laugh at the bit, but who didn’t think it was funny at all. Certainly Tommy Lee Jones didn’t.

The point of this story is that comedy strikes different people in vastly different ways, which makes it one of the tougher things to fairly evaluate. Who am I to say something is positively funny or unfunny? What strikes me as barely amusing can be a total crack-up to someone else. This is all to warn you to take my review here with as much salt as you can handle, because much of it has to do with Elwing’s particular comedic sensibilities.

Loki: Agent of Asgard #3 – Review

By: Al Ewing (story), Lee Garbett (art), Nolan Woodard (colors)

The Story: What if the Norse gods had the power of automatic weapons fire?

The Review: Anytime you have a story that features a villain, former or otherwise, you’ll notice a lot of time is spent exploring his villainy, certainly more time than a hero’s story is spent exploring his heroism. You don’t need a reason to admire someone who does good, but evil requires more justification for your interest, I think. Hence the endless slew of childhood traumas that plague nearly all of our Big Two supervillains. Loki may be unique in that the only reason for his evil is he’s written that way.

Loki’s mission to do good in exchange for having his past infamy wiped from humanity’s collective consciousness is merely the starting point of Agent of Asgard‘s metafiction. Elwing takes it a lot further in this issue by making Loki’s inner conflict manifest, creating a relatively unique situation in which Loki is his own antagonist—and the greatest. If there’s one clear difference between the new, hipster-ish Loki and the original, goblin-esque Loki, it’s that Old Loki* sees much more of the big picture than his younger counterpart.

Journey into Mystery #638 – Review

by Kieron Gillen, Dan Abnett & Andy Lanning (writers), Carmine Di Giandomenico (art), Chris Sotomayor (colors), and Clayton Cowles (letters)

The Story: As they run wild, we learn that everything we thought we knew about the history of the Disir is wrong.

The Review:  While Journey into Mystery is one of favourite books, I’ll admit that I’ve not been too high on Exiled as of yet.  However, after the genius twist at the end of last week’s issue of New Mutants, things are definitely coming together with this issue.  As the Disir cause mayhem, it seems that the prior issues were only awkward because it was Gillen and DnA getting the pieces in place so that we could get to the story that is told this month.

This issue’s big reveal is, basically, that everything we thought we knew about the Disir is wrong.  Frankly, I love it when writers pull things like this, particularly given that Gillen created the Disir anyway.  The best part is that this sudden reveal about the Disir’s true history makes them far more sympathetic, which completes a slow-burn effort Gillen has been working towards throughout his run; since his run on Thor, the Disir have gradually become more sympathetic and this reveal is all of that reaching its fruition.  It’s a lot more tragic and it makes a lot more sense than a bunch of women randomly deciding to take up cannibalism in a cave.  It’s a great story by Gillen that serves to truly flesh out the Disir, putting the reader in the odd position of feeling a bit bad for the monsters as they rage around and tear the city up.

Quite honestly, that flashback tale/retelling carries the issue and it alone makes this by far the best issue of Exiled thus far.  There are other things to like, however.  Dani Moonstar really shines this month as the souped-up Valkyrie action hero, courtesy of Hela.  The last page is also a pretty bold move by Gillen and DnA, bringing back a very, very powerful character who is suddenly extremely relevant to this story.

Journey into Mystery #637 – Review

by Kieron Gillen, Dan Abnett & Andy Lanning (writers), Carmine di Giandomenico (art), Andy Troy (colors), and Clayton Cowles (letters)

The Story: So what did Sigurd’s spell do?  Not that much…it just turned all the Asgardian gods into humans.

The Review:  What an utterly bizarre issue. Of course, that’s rather the point.  Through Sigurd’s spell, Gillen and DnA effectively turn the world topsy turvy and the surreal, dream-like atmosphere that results is certainly part of this issue’s appeal.  Also, there is a certain joy the writers take in finding appropriate human roles for the depowered gods (who seemingly have forgotten their godliness).  Loki is an avid pen-and-paper role player, always a player in the game of his devising.  Volstagg is a baker who eats all of his own products (except the healthy stuff).  Sif teaches an MMA class.  For the most part, it all makes sense, and seeing what role each god occupies is rather amusing.

A big problem, however, is the dialogue.  Gillen and DnA elect to have the gods speak colloquial English (though their dialogue still has that Asgardian lettering) to reflect their human status.  This is great in theory, but not so good in practice, as it means that the Asgardians no longer sound like themselves at all.  For instance, Thor’s talking like an average joe takes something away from the essence of the character.  I see where the writers were coming from, but in execution, it falls flat, as the characters, in losing their distinctive voices, essentially become entirely different people.

Worse still, while JIM rarely falls flat when it comes to humour, Loki’s narration just didn’t work for me here.  Gillen has the issue narrated as though it were a game of D&D in which Loki is the player character.  It feels strained and forced and ultimately distracts, showing far too much artifice on Gillen’s part.