Dark X-Men: The Beginning #1 (Utopia) – Review

Some Thoughts Before The Review: I’m always a bit hesitant to pick up story collections like Dark X-Men: The Beginning because they tend to be rather hit-or-miss. That said, I couldn’t possibly pass up a Namor story by the Captain Britain team.

“Namor/Norman”

By Paul Cornell (Writer), Leonard Kirk (Pencils), Jay Leisten (Inks), and Brian Reber (Colors)

What’s Good and What’s Not So Good: Little more than a tense standoff/exchange of words between Norman Osborn and Namor about Namor’s recent actions, “Namor/Norman” still manages to make an impact thanks to Paul Cornell’s strong knack for personality-driven dialogue and Leonard Kirk’s always reliable pencil work. What’s disappointing about “Namor/Norman” is that it really doesn’t amount to a whole lot beyond being an interesting character study. Now I’m all about character studies, but Cornell’s story left me wanting more…anything really. Thankfully, the “To be continued” lets me know that “more” is on the way.

“Mimic”

By James Asmus (Writer), Jesse Delperdang (Pencils & Inks), Andy Lanning (Inks), and Rain Beredo (Colors)

What’s Good and What’s Not So Good: James Asmus’ compelling Mimic story is basically the comic equivalent to a movie montage. That’s both a good thing and a bad thing. The montage style is a good thing because it means that “Mimic” is a great introduction to a troubled character that has been thrust back into the spotlight. It’s also a bad thing because it means that “Mimic” is a fast read that ends just as it begins to gain some real momentum. Now, with the good and bad out of the way, I can say that “Mimic” ultimately manages to avoid feeling like a wasted effort thanks to the art team’s impressive handling of Asmus’ (rather weighty) dialogue.

“Dark Beast”

By Shane McCarthy (Writer), Ibraim Roberson (Artist), and Matt Milla (Colors)

What’s Good and What’s Not So Good: I’ve always found the alternate Beast to be a cool character. He’s generic, sure, but he’s also quite interesting and a great addition to the Dark X-Men lineup. Shane McCarthy’s “Dark Beast” is a prime example of why I found the other Beast to be worth reading about. It works as both a nice introduction to the character and as a way to move some of the Dark X-Men story forward in regards to the secret project Fraction has been writing about. The only downside to “Dark Beast” is that it’s artwork looks a bit odd. Matt Milla’s color work sets a strong tone, but Ibraim Roberson’s Norman Osborn looks quite fat and his Beast goes from looking downright awesome to silly depending on the panel. It leaves “Dark Beast” looking visually inconsistent.

Conclusion: Dark X-Men: The Beginning #1 is worth picking up if you’re a fan of what Emma’s team of X-Men has to offer. All three stories read well, two out of three look quite good, and one, Paul Cornell’s, brings Namor’s special kind of awesome in a big way.  The problem though is that nothing of consequence happens.  If you can handle that and character studies, you’ll probably find a lot to like in this book.

Grade (As a whole): C+

-Kyle Posluszny

The Transformers: All Hail Megatron #1 – Review

By: Shane McCarthy (writer), Guido Guidi (art), Kris Carter (colors), Neil Uyetake, Chris Mowry (letters), Klaus Scherwinski, Trevor Hutchison (covers)

I’ll say it again; IDW’s run on Transformers has been hit or miss. All Hail Megatron has a lot of potential to be a hit, and if the creative team can keep it up through issue #2, I’ll be more convinced. The basic setup is that Megatron is running the show on Earth. There are no Autobots, and we of course aren’t equipped to fight off The Decepticons. How these events play out will be key as to whether or not the series is successful (in my mind).

One of the things I like best about the comic is Megatron, himself. Megatron is a bad dude, and we get to see this a number of ways. We see him take out a skyscraper with one shot of his arm cannon, we see his followers terrified of failing him, and we see him sweep away Earth’s defenses with an insane amount of ease. Shane McCarthy does a great job of setting up the next several issues with minimal dialogue. The reason for The Autobots absence is hinted at, but not totally explained which is a good choice for issue one. I’m also thankful that we don’t get a lengthy tear-filled monologue as to why Prime is down. It’s a powerful moment that resonates better without any potentially cheesy dialogue.

Not since Pat Lee and Brad Mick have The Transformers looked so detailed in their G1 forms. Guido Guidi does an excellent job of showing the devastation the ‘Cons unleash while making everyone stand out from the wreckage. Megatron walking through the fire while laughing is my favorite shot, very Terminator-esque, very cool. I love the various covers to the comic as well. Trevor Hutchison’s feel like political propaganda posters, though I hope the story doesn’t go that route. Klaus Scherwinski’s covers have more of menace to them, especially the one with Megatron holding Prime’s head. The different covers peak my interest for different reasons and all are strong in presentation.

All Hail Megatron #1 is an excellent pilot and does everything a good first issue should. It sets up the world quickly and efficiently while leaving you wanting more. How does Megatron seize complete control of the planet? How did he take out Prime? Why haven’t The Autobots attempted to save us? I want to know, and if you read this comic, so will you. (Grade: B)

– Ben Berger