Secret Warriors #28 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (colors), and Dave Lanphear (letters)

The Story: 27 issues have led to this, the final issue of Secret Warriors.  Who’s left standing?

What’s Good:  As a final issue that came over 30 issues to soon, Hickman plays this one well.  There aren’t any other slam-bang events of climactic moments in this final outing.  Indeed, it’s important to recall that this was actually a “bonus issue,” and it certainly feels that way.  This functions as a sort of epilogue to Secret Warriors, and I’m really happy that it is, as were Secret Warriors to have ended last month, it would have been a disservice to the series.

In fact, this issue made me all the grumpier about Secret Warriors abbreviated run and consequently overly compressed story.  The series would have been a lot better served if it had more issues like this one.  You get strong character moments and time for the characters to reflect on and soak in recent events.  Instead of crazily rushing through big events, here we have characters able to outline the gravity of everything that’s happened.

The end result is that in retrospect, Secret Warriors ends up feeling less haphazard than it often was.  This epilogue manages to cast the series in better light, one that almost lured me into re-reading the entire run to see if it holds together better in such a format.  Hickman manages to retroactively inject more emotion into his story and its characters than we’ve often gotten.  It’s unfortunate, but in this epilogue, Secret Warriors is allowed to truly breathe for the first time in a while, and it’s elegant and affecting.

Secret Warriors #26 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (colors), and Dave Lanphear (letters)

The Story: Trapped in each other’s company and facing certain death, Nick Fury and Baron Strucker have an important conversation, one that leads to a few very big surprises.

The Review:  The biggest problem I have with this issue of Secret Warriors sort of has more to do with how Hickman’s brand of storytelling in some ways makes the single-issue format into an obstacle.  With so many bits of information and important scenes having been haphazardly spread across two years worth of issues, it can be difficult to fully appreciate an issue like this one, one that draws upon moments spread across the series’ run.  Frankly, it can be hard to fully remember everything that this issue recollects, which in all honest does rob the major reveals of some of their impact.  I almost feel like once this series ends, I need to re-read the entire thing to get the full effect of Hickman’s work.

That said, the reveal this month is substantial enough to pack a mighty wallop nonetheless.  It comes right out of left field and it changes the ball-game entirely as the series heads to its conclusion.  It also shows just how damn good a spy Nick Fury actually is and seeing Strucker gasping in disbelief is so, so awesome.  Many of Hickman’s best moments in Secret Warriors have involved showing Nick Fury for the cunning badass that he is, and certainly, this is one of those moments.

It’s also hard to have a bad issue when the entirety involves Fury and Strucker locked in a room together, attempting one up each other while throwing the occasional verbal barb.  These are two great characters and scenes like these allow them to cement that fact.  The character dynamic and the conflict of personalities here is a treat to watch.  Certainly, Strucker’s quick and vaguely slimy attempt at cooperation and Fury’s steadfast and grizzled, stubborn resolve makes the conversation all the more appealing.  Of course, having a story play out with such a small cast and environment also forces Hickman to sharpen his narrative focus, which is also a good thing.

Secret Warriors #25 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (colors), and Dave Lanphear (letters)

The Story: The origins of Leviathan are revealed in a team-up of epic proportions.

The Review: Secret Warriors #25 is a very interesting issue, if for no other reason that it once again points to Jonathan Hickman carving his own little corner in the Marvel Universe.  His idiosyncratic SHIELD series bleeds over into Secret Warriors this month, and the result is that much of what makes that series good bleeds over.  That and, at a more basic level, it’s just pretty damned cool seeing Hickman’s hidden city and Leonardo Da Vinci in Secret Warriors.  It even threatens to make SHIELD feel less cryptic and inaccessible in a way, but I digress.  The presence of Da Vinci in particular (though he’s never actually named as such) makes everything seem way heavier and more significant and given the scope of SHIELD, it raises the game, and the stakes, as far as Secret Warriors is concerned.  Given that we’re heading to the series conclusion, that’s definitely a good thing.

As far as the plot goes, this is an issue that really lives up to the “Wheels Within Wheels” moniker.  Seeing all the power players of the Marvel spy-world working together under Da Vinci, regardless of what side they may be on, is damned cool.   Seeing Kraken, Baron Strucker, Fury, and hand ninjas all the same team is awesome and makes their shared goals seem all the more important.  Oh, and you even get to see who’s behind Kraken’s mask.

Unlike what has often been the case with the series, the story is still very large this month, but it’s also focused enough to feel excited about.  The characters are easy to root for, if for nothing but name value, and seeing the birth of Leviathan feels important.  And that’s the meat of it really: this issue feels important, not tangential or digressive.  That’s no small feat given that many of the series characters play no role this month and almost the entire issue is a flashback.  It’s an issue that feels vital and exciting and fully comprehensible, despite the massive and largely unfamiliar cast and the non-linear nature of it.

Secret Warriors #24 – Review

by Jonathan Hickman (writer), David Marquez & Alessandro Vitti (art), IFS (colors), and Dave Lanphear (letters)

The Story: We learn the unfortunate fate of Mikel Fury’s team.

The Review: This month, we meet the other team that Nick’s gathered, that led by his son Mikel.  Amazingly, in the little space we have to meet each member of the team, Hickman gives us cool characters with equally concepts and personalities.  Despite these being brand-spanking new characters with a mere two-page scene a-piece, each feels and looks unique.  That’s no small feat.  Either way, it’s hard not to read this issue and think that this team could’ve made for one heck of a fun series in their own right.  They’re a lot of fun and the histories, banter, and dynamics feel far from throw away.

But really, why the hell are we meeting these characters for the first time this close to the series conclusion?

It’s a really strange choice for Jonathan Hickman and he’s ultimately fighting a losing battle, especially how he ends this issue.  As we already knew, this team would eventually meet their demise but the fact that Hickman decides to show their introduction and their end in 22 pages is an impossible endeavor.  I’m not even quite sure why he attempted it.  While each of the characters is cool, we have nowhere near the attachment or understanding of any of them to really give much of a crap about their ultimate fate.  To introduce them and end them in one issue and expect us to care, or get anything out of it, is kind of ludicrous.

And frankly, these characters, new as they are, deserved better.  Thought and work clearly went into them and it sucks to see them dealt with like this, as no more than disposable narrative furniture.  Quite frankly, the story Hickman has on his hands for this issue is a good one, but it’s one that should’ve been spread over a full story-arc at the very least, not a single issue.  I mean, we don’t even meet two of the team’s members.  Hickman ran out of space to even get through all the introductions, so the last two characters are just quickly mentioned in a couple lines of dialogue.  That should’ve sent alarm bells off.

Secret Warriors #23 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (color), and Joe Caramagna (letters)

The Story: John Garrett tells Druid he’s not done and trains him to reach his true potential.

What’s Good: It’s great to see Sebastian back.  He was always my favourite of the Caterpillars, as I found him to be likable and the most relatable.  He’s a cool character with a lot of untapped power and I’ve been looking forward to this issue ever since Alexander’s prophecy about him being a great hero.

And really, watching the transformation process here is a treat.  It’s really fun to see Druid go from portly, incompetent dude to spec ops badass.  Jonathan Hickman also pulls no punches when it comes to Druid’s power levels here; once trained, he does some truly amazing, “holy shit” type stuff.

The bond between Garrett and Druid is also a good one and happily fulfills the always-enjoyable gruff teacher/student lacking self-confidence dynamic as Garrett cuts to the heart of Druid’s psychology.  In many ways, I think Druid’s story here is wish fulfillment for many readers here.  Hickman’s work has often been about defying limitations, and while these limitations are often cosmic in scope, here we see him applying the same message to personal limitations.  Basically, if you want to be in shape, work out.  If you want to be good at your job, apply yourself.  And if you want to be a badass, learn to believe in yourself.  It’s the sort of message, and narrative, that is easy for a reader to get behind and it’s hard not to love Druid even more afterward.

Alessandro Vitti delivers what you’ve come to expect from him, and his depiction Druid’s power is impressive.  More than that though, I was especially impressed by Vitti’s depiction of Druid’s physical transformation.  After his training, he’s not ripped or anything, but it’s clear he’s a different guy and that he’s in shape.  Despite that though, Vitti makes it clear that the character is still most definitely Sebastian.  It’s no mean feat to so dramatically change a character’s body type while keeping him completely recognizable.

Secret Warriors #22 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), IFS (colors), and David Lanphear (letters)

The Story: Nick Fury and the Secret Warriors try to make good their escape from a soon-to-explode Gehenna.

What’s Good: I’ve made it no secret that the Night arc has been dismal thus far and a low-point for the series as a whole.  It made me question whether Hickman had let the series get too unwieldy for him to control and I couldn’t help but worry that we were heading to an unsatisfying, possibly haphazard ending.  Thankfully, Hickman does his very best to right the ship this month and ends up churning out a very good issue of Secret Warriors, one that’s probably better than it had any right to be.

Hickman makes the wise decision of letting his character’s emotions take center-stage over the fighting and running.  What results is a comic that steers far clear of the mediocrity that it could have fallen into.  Instead, we have a book that’s sincere and, for the team, traumatic.  Daisy and Nick’s reactions to Alexander’s death last month are simply expressed, but effective and the bonds between these kids are emphasized even under these hectic circumstances.

What really steals the show this month, however, is an event that is absolutely shocking, perhaps one of the biggest jaw-droppers in a series that’s been full of them.  I won’t even hint at what it is, but suffice it to say that Hickman writes a very tense scene and conversation that leads us one way, before dropping us in the complete opposite direction.  Nick Fury has never been more of an ice-cold badass and Jonathan Hickman has balls of steel.  This was the most shocking moment of any comic I’ve read this month, and I’ll leave it at that.

But it’s not just this one scene that carries the comic; much like his new issue of Fantastic Four, Hickman actually gets a lot done this month, story-wise and at a perhaps uncharacteristic speed.  JT’s betrayal of the team reaches its head and, perhaps, its resolution and the fate of Gehenna is decided.  Meanwhile, very interesting new plots are opened up: Daisy is placed in a very tough emotional situation and a power struggle for HYDRA’s top spot looks to begin, as Baron Strucker takes a stiff left hook.

Secret Warriors #21 – Review

by Jonathan Hickman (writer), Mirko Colak & Alessandro Vitti (art), Andres Mossa & IFS (colors), and Dave Lanphear (letters)

The Story: Nick Fury and the kids try to make good their escape and Phobos clashes katanas with Gorgon.

What’s Good: This issue is basically one gigantic action scene or, more accurate, one extended escape attempt.  As such, the book has a fast, frenetic pace that really feels frantic and desperate.  In that sense, it’s a fun, exciting, and easy read.  Don’t expect to have your brain challenged, but this is basically Jonathan Hickman going Michael Bay on us without tumbling cars in the air.

There’s also a really cool sword fight at the end of the issue that is genuinely epic.  The conclusion of it was breath-taking, leading to a really big ending for the issue and a really important event for the series, unless we’re being baited.

Part of the reason this sword fight is so enjoyable is Hickman’s use of Phobos’ prophetic abilities, which also lends a very engaging tone to the entire issue.  Fury’s escape route’s being dictated on the fly by Alex and what he has “seen” was both effective and foreboding.

Secret Warriors #20 – Review

by Jonathan Hickman (writer), Mirko Colak (art), IFS (colors), and Dave Lanphear (letters)

The Story: The series’ conclusion looms in site as Nick Fury initiates the assault on Gehenna.

What’s Good: Jonathan Hickman does a solid job this month of establishing the scope of the current status quo in Secret Warriors.  As things come together, it is abundantly clear that there is a war going on, and it’s huge, finally exploding outward in a big way, no longer capable of being kept in the shadows.  Everything that’s made the series all cloak-and-dagger boils over in a big way.

Mirko Colak’s art does in many ways help to establish this feel.  The opening few pages are haunting in the gravity of the destruction they convey.  There’s a disquieting sense of silence and desolation despite the explosions illustrated and a grim, desperate feel throughout.

Siege #4 – Review

by Brian Michael Bendis (writer), Olivier Coipel (pencils), Mark Morales (inks), Laura Martin (colors), and Chris Eliopoulos (letters)

The Story: The battle with the Void concludes, leading to the dawning of a new chapter for the Marvel Universe.  Oh, and two major characters die.

What’s Good: The majority of this book is one gigantic fight with the Void.  This big stuff and the sense of scale are pretty dwarfing, as is the sheer number of heroes involved.  That being said, amidst all the battling, Bendis is very particular in how he uses his heroes and who lands what blow.  If it wasn’t clear before, it is now: Siege is an Avengers book more than anything else.  As our heroes team up on the multi-armed Void, you get a kind of nostalgic feel as you realize that we’re basically seeing another classic scenario where the Avengers team up against a big monster.  And what a team-up it is.  Bendis goes for the always fun “everything but the kitchen sink” dynamic, as the Avengers throw themselves at the former Sentry.

That being said, what’ll get most people talking are the two major deaths.  While one is fairly expected, the other really is something of a surprise, especially given the character in question’s natural ability to get out of scrapes.  What’s even better is the way in which the character goes out.  I couldn’t have imagined it being done any better, as he/she does so purely because he/she acts entirely contrary to his/her pattern of behaviour.  For a brief moment, he/she makes a stand and becomes perhaps the most heroic figure in this entire book.  It’s a major moment of redemption for the character.

On the art, this is some more amazing work from Coipel.  The explosions are jaw-dropping, the burial of the dead character above (a cremation in the Sun) is touching, and the Void looks truly terrifying.  As far as being a big-time artist, Coipel has most certainly gone far above and beyond earning his stripes.

The best thing about the issue though is its end and where it leaves the Marvel Universe.  It truly feels like a fresh beginning and will surely leave Marvel fans excited for what’s to come.  Oh, and Steve Rogers ends up in a very, very interesting position.

Secret Warriors #15

by Jonathan Hickman (writer), Stefano Caselli (artist)

The Story: The Warriors decide to stand together against Fury and demand Druid’s reinstatement onto the team, despite the Colonel’s opposition.  It doesn’t go as planned.  Meanwhile, Fury meets with the Contessa and reveals that he’s aware of her betrayal and the HYDRA heads discover Viper’s corpse, but decide that even in death her service is needed.

What’s Good: The plot is moved along in this issue quite nicely.  Hickman’s set himself up in this title with a large, unwieldy cast that a lesser writer might fail at keeping straight.  However, the scribe expertly moves the chess pieces around the board in such a way that the reader never loses track of the match.  There are basically three plots happening concurrently here: A) the Secret Warriors want Druid back, B) HYDRA discovers and resurrects Viper and C) Fury meets with the Contessa and reveals he knows she’s working for Leviathan.  However, never once did I feel as if I were just reading a bunch of chapters of separate stories lumped together in one package.  The plots flow effortlessly into each other, such as when Fury’s conversation with the Contessa directly affects the outcome of Daisy’s plea.  That scene in particular works well as Hickman has shown you exactly where the two of them are coming from.  He makes it harder for you to take a side in the confrontation, which just serves to pull you into the story more.

Siege: Secret Warriors #1

by Jonathan Hickman (writer), Alessandro Vitti (artist)

The Story: Phobos, the youngest member of Nick Fury’s Secret Warriors, and son of Ares, God of War, is dismayed to discover that his father has fallen in battle.  Recalling a promise made to his dad, the young God of Fear goes on a mission to get restitution from the person he holds responsible: The President of the United States!  Meanwhile, Nick Fury spends some quality time with the resurrected Steve Rogers during the Siege of Asgard.

What’s Good: The Siege specials that Marvel has published this month have fallen all over the map in turns of quality.  They’ve ranged from amazing (Loki) to forgettable (Captain America), and this one-shot centering on the Secret Warriors’ part in the war firmly plants itself in the “solid” category.  It’s also nice that, of all the specials, this story definitely deserved to be told considering it’s connection to the death of Ares, a huge moment in the parent title’s proceedings.

Phobos’ reaction to his father’s demise was handled fittingly.  I certainly didn’t expect him to break down and cry like a baby, but there’s always the worry that a writer might go for the melodrama in an issue like this, thereby sacrificing pre-established personality traits.  I shouldn’t have worried, as Hickman makes sure that Phobos responds in the only way he knows how: by getting revenge.  The writer’s choice as to who becomes the focus of our protagonist’s ire was an unexpected one, but upon retrospect makes perfect sense.  While the Sentry is certainly the man who pulled the trigger in Ares’ death and Osborn is, by that definition, the one responsible for loading the gun, then the President can easily be considered the one who supplied them the weapons.  Phobos’ decision to go straight for the supplier, so to speak, was a welcome plot direction that gave this issue a breath of fresh air.  Hickman also takes advantage of the story to reiterate that the God of Fear is a one bad motherf***er.  Watching as he tears his way through a small army of Secret Service agents with only a sword supplied some very cool visuals.  The character’s badassness is assured with his sign-off at the end of the issue:  “The God of Fear.  Son of War.”  Hardcore, man.

New Avengers #63 – Review

by Brian Michael Bendis (writer), Mike McKone (art), Dave McCaig (colors), and Albert Deschesne (letters)

The Story: The motivations of Luke Cage, Jessica Jones, Ronin, and Mockingbird are explored in the days leading up to Siege.

What’s Good: This is probably the best issue of New Avengers to come around in some time, and it’s largely because it avoids many of the pitfalls that other comics in its position often fall prey to.  Simply put, everything in this comic that happens feels like it means something.

Take the dialogue for instance.  This issue is surprisingly heavy on character moments and conversation.  Before you run for the hills, it’s definitely pleasant to see that none of this dialogue is the sort of circular, pointless chatter that Bendis is often accused of.  All of it feels emotionally significant and necessary, giving life to the characters while also having them discuss subjects that need addressing.  It’s all pitch-perfect, with every character both feeling very human and true to their voices and personalities.

After this book, it’s hard not to feel like you’ve gotten to know Clint, Bobbi, Luke, and Jessica a little better and even if this isn’t the case, you’ll probably like them all as people just a bit more.  Heading into a cataclysmic series of events like Siege, that’s exactly the sort of thing Bendis should accomplish, as it makes the fight more than just a bunch of random faces scrapping on the page.  It’s also pretty cool that both conversation scenes also give little glimpses of what’s to come for the characters post-Siege.

And sure enough, it works.  After these dialogue portions, the action suddenly becomes meaningful despite the plethora of characters involved.  Luke’s grumbling and Mockingbird’s loving, mischievous glance at Ronin make the fight mean so much more.  In big events like these, it’s often easy to lose track of the participants as individuals, but thanks to the time he invests this month, Bendis bucks the trend.  The battle isn’t just about plot progression in the Marvel Universe, it’s about the people involved and the individual struggles of each of them within the massive, swirling melee.

I also have to mention that McKone draws a wonderful Mockingbird.  I’ve always liked the characters current design, but Bobbi really looks dynamic and lovable under McKone’s hand.

Dark Reign: The List – Secret Warriors

By Jonathan Hickman (Writer), Ed McGuiness (Pencils), Tom Palmer (Inks), and Chris Sotomayor (Colors).

Some Thoughts Before The Review: I’m utterly confused by Marvel’s decision to release Dark Reign: The List – Secret Warriors before the Secret Warriors issue it’s supposed to take place after. I guess I can understand why Marvel would want to release one List book a week, but if there’s another in the pipeline for next week, why not just release that and hold off on the Secret Warriors one-shot until the monthly series is in synch with it? The mind…it boggles.

The Story: Nick Fury and Norman Osborn must put aside their differences for the greater good in order to bring down a federal employee that could cause trouble for them both…and the country.

What’s Good: The best thing about Dark Reign: The List – Secret Warriors is that it delivers all the excellent espionage action and awesome character work you’ve come to expect from the Jonathan Hickman series. Simply put, Hickman doesn’t skimp at all. From the introduction of the Leviathan organization and the dialogue between Osborn and Fury to the brutal interrogation of Seth Waters (the shady federal employee) and the use of Ares, Hickman’s script is top-notch. It successfully drives the Secret Warriors plot forward while functioning as an effective one-shot story at the same time. Now it doesn’t necessarily read like a true one and done (it definitely helps to have some familiarity with the Secret Warriors series), but it tells a satisfying Nick Fury story regardless. And, as you should know by now, nobody writes Nick Fury, or his stories, better than Jonathan Hickman at this point in time.

What’s Not So Good: Dark Reign: The List – Secret Warriors has two major problems that it never manages to completely overcome. The first problem is that the story, while entertaining and easy enough to follow, gets off on the wrong foot right from the start because it’s supposed to be telling about events that happen after a comic that has yet to come out. While reading the one-shot, the lingering feeling that I missed something never quite went away. Now I realize that I didn’t actually miss anything, but it’s frustrating to feel as though you missed a crucial event that set up whatever it is that you’re reading about.

The second problem is more of an issue than the first. I’m an Ed McGuiness fan, but the second problem with The List – Secret Warriors is that McGuiness’ art style just doesn’t fit the tone of the story Hickman tells. While Tom Palmer’s inks and Chris Sotomayor’s colors are moody enough, McGuiness’ exaggerated, slightly cartoony style just doesn’t feel right at any point. From the goofy, bug-eyed expressions of shock to the ‘roided up characters, the artwork just doesn’t work like it should. With all that said however, if you ignore the style, the artwork does a fine job of telling the story and executing the action of the script. So it’s not all bad.

Conclusion: Art and release schedule issues aside, Dark Reign: The List – Secret Warriors is worth checking out. Hickman’s script is very cool and the seeds planted for the future will be worth keeping an eye on.

Grade: C+

-Kyle Posluszny

WCBR’s Top Picks

Kyle’s Top Picks

Best of the Past Week: Secret Warriors #8 – The “God of Fear, God of War” arc continues to impress the hell out of me thanks to the strong character work that’s been done for both Phobos and his father, Ares.

Most Anticipated: Dark Reign: The List – Secret Warriors #1 – Predictable choice, I know, but more Secret Warriors is always a good thing.

Other Top Picks: Batman and Robin #5, Sweet Tooth #2, Astonishing X-Men #31, The List: Secret Warriors, Deadpool #16, Strange Tales #2, Vengence of the Moon Knight #2, X-Men Vs. Agents of Atlas #1, Ultimate Comics: Spider-Man #3, Haunt #1, Incarnate #2, Witchblade #131, and War Heroes #3.

Rob G.’s Top Picks

Best of the Past Week: Thor #603- This just book just edges out Green Lantern #46 because of it’s sheer literary mastery (although GL was a ton of fun). Thor is one for the ages and will be remembered as a classic, maybe the best run of this past decade.

Most Anticipated: Astonishing X-Men #31 – The return of the Brood in Ellis’s hands. Let me wipe the drool away. Plus, Jemeriz has taken over art duties so I’m looking forward to more consistent and pleasing visuals than the last arc. Honestly, I can’t see what can be bad here.

Other Top Picks: Amazing Spider-Man #608, Batman and Robin #5, Batman: The Unseen #1, Captain America: Theater of War – Ghosts of my Country, Daredevil #501, Dark Reign: The List – Secret Warriors, Irredeemable #7, Spider-Man 1602 #1, Sweet Tooth #2, Ultimate Comics: Spider-Man #3, Vengeance of the Moon Knight #2.

DS’s Top Picks

Best of the Past Week: Wonder Woman #36 – Gail Simone and Aaron Lopresti are succeeding in restoring WW to her deserved status as one of the pillars of the DCU. Simone’s fantastic story-telling is setting the stage for another great story arc.

Most Anticipated: Doctor Voodoo: Avenger of the Supernatural #1 – it’s been a long time since we’ve had a regular dose of a Sorcerer Supreme and I’ve liked Jericho Drumm since first reading him in Strange Tales. I love Dr. Strange, but I’m hoping a new doctor in the house will bring back the freshness that made the sorcerer supreme so great under Lee and Ditko in the 1960’s.

Other Picks: Ghost Rider: Heavens on Fire #3, Batman and Robin #5, Justice League: Cry for Justice #4, Magog #2, Superman: World of New Krypton #8.

Alex’s Top Picks

Best of the Past Week: Secret Warriors #8 -The more this book focuses on the kids, the more I like it. This month’s issue was entirely centred around them, and so it takes home my pick of the week.

Most Anticipated: Haunt #1 – I was underwhelmed with Kirkman’s last ongoing, Astounding Wolf-Man, I haven’t cared about Todd McFarlane in ten years (maybe), the 10-page preview was disappointing, and the advance reviews have been absolutely blistering. What was once excitement for this series has quickly turned to morbid curiosity. That said, I’m taking a real “I’ll see it for myself” stand on this for now.

Other Picks: Batman & Robin #5, Sweet Tooth #2, Daredevil #501.

Tony’s Picks

Best of the Past Week: Shang-Chi: Master of Kung Fu Black & White One Shot – Green Lantern was good, don’t get me wrong, but last week’s black and white Shang-Chi comic was unlike anything Marvel’s done in a long time, and I really respected that.

Most Anticipated: Planetary #27 – Wow, the comic three years in the making. I’m sitting here at work right now typing this out and actually still have a copy of Planetary #26 in my desk, noting with bewilderment that it came out November 2006. For better or worse, the comic that reignited my love of this artform ends here and now. I’ve waited three years for this moment so, yes, it is rather anticipated.

Other Top Picks: Batman and Robin #5, Criminal: Sinner #1, Daredevil #501, Doctor Voodoo: Avenger of the Supernatural #1, Vengeance of the Moon Knight #2

Secret Warriors #8 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), Sunny Gho (colors), and Dave Lanphear (letters)

The Story: The kids get stuck in front of Norman, Hawkeye, and Ares.

What’s Good: This month’s issue in the always solid Secret Warriors was a bit of a jump in quality from last month’s book, and that’s largely due to two big surprises.

First off is Norman Osborn/Dark Reign’s presence.  Often cringe-worthy whenever he shows up to disrupt a book, Hickman writes him amazingly well and manages to load Osborn’s scenes with such a malevolent intensity, that it seeps off the page.  Norman’s monologue to Nick Fury about his rise and Nick’s respective fall pinpointed what Dark Reign should be about and this scene really showed the potential that this status quo can have, if used properly.  Osborn was fantastic, written perfectly, and his presence actually enhanced a book for once.

The second surprise is Alessandro Vitti’s art.  Vitti still isn’t Casselli, but he felt a lot more comfortable this month, feeling more consistent in style and detail.  Sunny Gho’s change of heart aids this significantly.  Last month, it felt like Gho had worked the colors to make Vitti’s art as similar to Casselli’s as possible, which invited unflattering comparisons and ultimately exposed Vitti’s weaknesses.  This month, Gho actually adds colors more appropriate to Vitti’s style, and the book is the better for it.  Gone is the gloss and sheen, and in its place is a lot of darkness and shadow, making this feel like more of a cloak-and-dagger spy comic than the all-out action of Casselli’s arc.  As such, Vitti’s work finally manages to shine on its own, working with the more subdued, less action-intensive story, while evoking a different sort of Japanese/anime influence.

The other big hit this month is Phobos.  It’s always great to see a character, especially a kid character, act like a badass and show his superpowered muscle.  His interplay with his father, Ares, was also well-done.  Hickman avoids any possible overwriting and goes minimalist, making the interaction between the two speak volumes as a result.

Outside of Phobos, we also get some solid character moments and promising new issues for the Caterpillars and a mandatory “Nick Fury is a badass” scene.

What’s Not So Good: It’s better and he’s standing on his own, but Vitti’s art still isn’t perfect.  While he hits far more than he misses, this is particularly noticeable in some of his facial expressions, which can feel a bit off, strange even.

There’s also the Nick Fury scene.  While funny, this was so detached from the rest of the book, that I wondered how necessary it really was, aside from its fulfilling the need to have Fury in every issue of Secret Warriors.  Worse still, it felt a little too stretched out and decompressed.

Conclusion: This book is at its best when the kids are at the forefront, as they are this month.  Though still not perfect, Vitti is also coming into his own.

Grade: B+

-Alex Evans

Dark Avengers #9 – Review

By Brian Michael Bendis (Writer), Mike Deodato (Art), and Rain Beredo (Colors)

Some Thoughts Before The Review: With Utopia out of the way, I fully expect Dark Avengers to get back to being a favorite of mine. With a kick-ass cover and the promise of a guest appearance from Jonathan Hickman’s Secret Warriors, it’s a pretty safe bet that Dark Avengers #9 will deliver.

The Story: Ares discovers that his son, Phobos, isn’t exactly heading off to school during the day. Meanwhile, something strange is going on at Avengers Tower while some of the Dark Avengers chat it up about funny heroes.

What’s Good And What’s Not So Good: Before I really get into the review, I have to first toss out a quick suggestion: Do yourself a favor and try to ignore the cool image on the cover of Dark Avengers #9. While Ares goes on a little rampage and some stuff is destroyed, Brian Michael Bendis (I almost want to say, “as usual”) opts to let dialogue do almost all of the work in the latest issue of Dark Avengers. Is this a bad thing? Turns out, it’s not at all.

Bendis’ decision to let words bring resolution to an explosive situation works extremely well because of how the scene plays out. It gives the characters involved a little extra depth and goes a long way towards humanizing a character that, most recently, has been little more than muscle in superhero battles. I do, however, have one major issue with the dialogue in regards to how Phobos is portrayed. Bendis handles him as though he is a normal kid afraid of his father. While that works as far as what’s happening is concerned, Bendis’ take on Phobos seems to go against what Jonathan Hickman is doing with the character. It’s hard to really call what Bendis does a negative, but it is something that must be mentioned.

So the Ares/Fury/Phobos scene is pretty great. Thankfully, the rest of the book doesn’t disappoint. The exchange at Avengers Tower is something really close to hilarious, and the weird stuff happening left me thinking “WTF!?” in a good way. In short, it’s clear that the series is back on track and I really couldn’t be much happier. That said, I do wish that the Dark Avengers would stop being stuck as the supporting characters in their own series. I buy Dark Avengers to read about the Dark Avengers damnit…

The artwork in Dark Avengers #9 is, as expected, moody, gritty, and impressive all around. The unfortunate thing is that there really isn’t a whole lot of ways for Mike Deodato and Rain Beredo to show off given the script. The characters look good and the emotion on display certainly works, but it’s clear that neither artist is really being put to the test.

Conclusion: Dark Avengers fans… it’s safe to come back to the series now.

Grade: B+

-Kyle Posluszny

Secret Warriors #7 – Review

by Jonathan Hickman (writer), Alessandro Vitti (art), Sunny Gho (colors), and Dave Lanphear (letters)

The Story: Fury and the Caterpillars get some much needed funding and Baron Strucker asks for help from a surprising source.

What’s Good: The opening sequence of the issue, which sees Fury and the Caterpillars pulling off an old-fashioned bank heist, is easily one of the best scenes of the series thus far. It’s definitely my personal favourite, anyway. It’s just flat-out cool and sees nice touches of characterization as well. It also reminds me just how much more attached I am to the kids than I am with the older Howling Commandos. It’s great to see them being the badasses and the focus for the second issue in a row.

Hickman also continues to write a perfect Nick Fury. Gruff and uncompromising, Fury this month again shows a sense of humor in his unwavering resolve, even if that humor comes at the expense of the kids.

JT, and Alex in particular, are also given some needed characterization this issue. JT provides the usual humor, while Alex is a fun character, as “wise beyond their years” children always are. In just a couple of pages of dialogue, Hickman makes these two incredibly likable in a light-hearted way.

I also enjoyed the conversation between the Baron and Osborn. Hickman gives a good sense of the war of egos going on here, and apparently the term “it takes one to know one” applies to megalomaniacal sociopaths as well. Seeing Strucker and Osborn call each other out for their obvious failings was fun and fresh.

What’s Not So Good: Stefano Casselli isn’t drawing this. Alessandro Vitti’s art is very good overall, but coming after Casselli, it’s hard not to be extra critical of his work here.

That said, there are some obvious “first issue jitters” for Vitti. Several characters, Daisy and Osborn in particular, look different from panel to panel. Nastasha Romanoff also just doesn’t look quite like Natasha Romanoff.

Vitti’s style also shows some difficulties as well. When drawing close-ups, his work is absolutely outstanding. However, the moment the camera pans out, so to speak, there is a huge drop in detail. It’s as though Vitti puts in a huge amount of work for his close-ups, only to slack off on the other panels. At times, it’s as though the guy doing the close-ups is a different artist. It’s certainly very odd.

Furthermore, while I enjoyed the dynamic of Strucker and Osborn’s conversation, I’m still not entirely certain how Strucker is getting Osborn to do his bidding. The logic here is a little hazy and it’s never exactly clear why Osborn actually decides to help Strucker. Also, I had no idea we were entering a full-fledged crossover with the Thunderbolts; I’m a bit burned out on crossovers at the moment, and I doubt I’m the only one.

Conclusion: It’s still a good issue and a fantastic comic, but it’s hard not to see this as a transitional comic, setting up a crossover and a Dark Reign-related conflict. It’s a book that’ll read better as a chapter in a trade. Also, Vitti, while good, isn’t in Casselli’s league.

Grade: B

-Alex Evans

Secret Warriors #6 – Review

by Jonathan Hickman (writer), Stefano Caselli (art), Daniele Rudoni (colors), and Dave Lanphear (letters)

The Story: The Caterpillars join the battle between the Howling Commandos, HYDRA, and HAMMER.  Meanwhile, HYDRA takes possession of a mysterious box.

What’s Good: Whelp, the Caterpillars are back and I’m a happy man. Some might say that there isn’t enough time spent on individual character development, but for Hickman, that time isn’t necessarily needed. One conversation later between Daisy and Fury, and Daisy grows exponentially as a character. Even when characters only get a single line here and there, Hickman does the most with those little bubbles. His grasp of his characters is so solid, that even isolated, seemingly throwaway lines carry unique personality.

Of course, one character that no one can complain about is Nick Fury himself. The mastery over Fury’s voice never fails to impress with its grit and nuance, a heady mix of salt, vinegar, and dry-as-vermouth humor.  Whether he’s disarming a whole mess of HAMMER troops or giving Daisy a reality check, Hickman has created a Fury that you both love and respect; and that’s exactly the way it should be. For these reasons, the afore mentioned conversation with Daisy is a highpoint; when he compliments her, it truly resonates, yet as always, Nick Fury always knows more than you do, whether you’re a member of his team or a reader of his book.

It would have been all too easy for Hickman to make this issue entirely devoted to the battle, but that would be far too straightforward  for this spybook.  While giving adrenaline junkies the fix they need, Hickman also provides further mysteries with a new, now HYDRA-owned artifact. The artifact continues the trend in this book of things always being bigger than they seem, or at least of there always being something bigger/worse looming around the corner.  As big as the battle is, there’s always something else going on behind the scenes that’s scarier than what you’re looking at.  And as for the ending of the book?  Let’s just say that my jaw just about hit the floor while my eyebrows hit the ceiling.

It’s hard to give Stefano Caselli and Daniele Rudoni enough praise for their work on Secret Warriors. It’s obvious that Caselli’s work is that of a perfectionist, with its level of detail, heavy inks, and distinct without being overwhelming Japanese influences. I  love Caselli’s action scenes, which are fluid, dynamic, and hard-hitting and, thanks to Rudoni, serve as a brightly lit contrast to the dark, greyed out scenes in the bowels of Fury’s base.  This is the best looking book Marvel is currently putting out, and this issue provides further proof of that argument.

What’s Not So Good: I guess the only complaint I have is not getting more frames of seeing the Helicarriers in action or really getting any idea at all of the impact they had on the battle.  Their activation is meant to be a moment that turns the tide of the battle, and yet we don’t really see their weapony in action, or at least their effect.  A couple more frames would’ve been nice.

Conclusion: Forget Dark Avengers, this is the real blockbuster.

Grade: A-

-Alex Evans

Secret Warriors #5 (Dark Reign) – Review

By Brian Michael Bendis & Alex Maleev (Creators), Jonathan Hickman (Script), Stefano Caselli (Art), and Daniele Rudoni (Colors)

Some Thoughts Before The Review: I’ve made no secret about how much I love what at Bendis, Hickman, Caselli, and Rudoni are doing with Secret Warriors. Their series is good, very good…and it looks to get even better as time goes on.

The Story: Nick Fury and his Howling Commandos infiltrate and attack a H.A.M.M.E.R. dock in order to some nab some helicarriers. There’s one problem…Kraken, one of the heads of HYDRA, knows of the plan.

What’s Good: If you can get past one glaring issue (which I’ll get to), you’ll have one hell of a time with Secret Warriors #5. It looks incredible most of the time and reads far better than most action heavy comics as the Howling Commandos, Hydra, and H.A.M.M.E.R. collide on a former S.H.I.E.L.D. dock. In short, the latest issue of Secret Warriors is a great example of a creative team at the top of it’s game.

Jonathan Hickman does a superb job of handling the dialogue for the Howling Commandos (especially Fury and Dum Dum Dugan) and the heads of Hydra. With the Commandos, Hickman writes them in a way that makes you truly get a feel for who they are (as a group) and what they stand for. Gruff, dedicated, and no-nonsense, you’ll have little difficulty buying into the idea that the Commandos actually have a shot at getting away with the Helicarriers despite the thousands of troops manning the dock. As for Hydra, Hickman shows that he has it in him to really establish Hydra as a true threat. The brief Hydra meeting is chilling and does a nice job of setting the tone for how dangerous the heads of Hydra truly are.

There’s a whole lot to like about what Stefano Caselli and Daniele Rudoni deliver in Secret Warriors #5. The characters look great and the action is fast, fluid, and frantic in all the right ways. The highlight though, is easily the true introduction of The Hive. The segment that shows the head of Hydra doing, well, what it does, is insanely cool and slightly disturbing (in a good way).

What’s Not So Good: So… That glaring issue I mentioned early in the review? It’s that the Secret Warriors are given exactly one page in the latest issue of their series. While it’s great to see Fury, Dugan, and the heads of Hydra duke it out, I still feel as though the titular Secret Warriors have been woefully underdeveloped. The first arc of their series ends with the next issue and I barely have their names straight, let alone their team dynamic or final roster. While Jonathan Hickman’s storytelling/character decisions are far from crippling, they are still somewhat annoying considering that, five issue in, his cast of unknowns remains a cast of unknowns.

Conclusion: Lack of Secret Warriors aside, the latest issue of Secret Warriors delivers the goods. I highly recommend it!

Grade: B+

-Kyle Posluszny

Secret Warriors #4 (Dark Reign) – Review

By Brian Michael Bendis (Story), Jonathan Hickman (Story & Script), Stefano Caselli (Art), Daniele Rudoni (Color Art)

Some Thoughts Before The Review: I can’t get enough of Secret Warriors. It’s an outstanding fusion of story, script, and artwork that proves to be one of the best examples of how awesome the comic medium can be.

The Story: There’s a lot going on in Secret Warriors #4. Daisy and Sebastian head to Australia to recruit an Aborigine named Eden that can bend reality. Nick Fury does a little recruiting of his own by meeting with Dum Dum Dugan and other (former) Howling Commandos. J.T. and Alex (Phobos) go snooping in one of Fury’s offices and find something rather startling. The injured Yo-Yo remains under the watchful eye of Stonewall. Meanwhile, the heads of HYDRA take a vote that will have an impact on the entire cast….

What’s Good: The creative team behind Secret Warriors continues to impress. Jonathan Hickman writes one hell of a Nick Fury, and does a great job introducing a new character’s personality. He also makes the HYDRA members feel as threatening as they have to be in order to be taken seriously against a badass like Fury. As for the visuals, Stefano Caselli and Daniele Rudoni make Warriors one of the best looking books on the stands. The character work is loaded with personality and style (Eden rocks), the colors are extremely eye-catching (love the J.T. and Phobos scene), and the storytelling flows well.

What’s Not So Good: Rarely do I find anything negative about artwork from Stefano Caselli. This time, I have. A few panels look a bit rushed (odd considering that the book missed it’s original street date) and Nick Fury looks like he found the fountain of youth in a panel or two. Fairly small things, I know, but worth noting regardless.

While not necessarily a negative, I must warn that Secret Warriors #4 is a fairly slow read. There’s lots of talking, no action, and a whole bunch of set up. Do I mind? Not at all. But I’m sure that some might.

Conclusion: While a little bit slow, Secret Warriors #4 lights the fuse that promises to give the series an explosive future.

Grade: B+

-Kyle Posluszny

Secret Warriors #3 (Dark Reign) – Review

By Brian Michael Bendis (Story), Jonathan Hickman (Story & Script), Stefano Caselli (Art), and Daniele Rudoni (Color Art)

Some Thoughts Before The Review: To simply say that I was looking forward to the launch of Secret Warriors would not do my anticipation for the series justice. A quick look through the “Best of ’08” feature will reveal that Secret Warriors is being worked on by what pretty much amounts to my personal creative dream team of sorts. And let’s not forget that Nick Fury is one of the main characters… Always a good thing. So since I didn’t review the first two issues, let me just say that I’m loving the series so far and can’t wait to read more.

The Story: The team’s assignment is to head to a shadow S.H.I.E.L.D. psi-agent processing and quarantine facility to make sure Hydra doesn’t get any hands on the vital assets kept there. Unfortunately for Fury’s “Caterpillar” team, the Hydra group targeting the S.H.I.E.L.D. building happens to include the recently resurrected Gorgon. Meanwhile, Nick Fury takes some time out in order to have dinner with an old flame.

What’s Good: Intensity. Only a few issues in and I can comfortably say that nearly every Secret Warriors panel is loaded with it. From the tight writing to the moody, kinetic artwork, no other series brings intensity to the reader so damn effectively. And Secret Warriors #3 may be the best issue yet.
Jonathan Hickman’s slick script is packed with sharp dialogue and great character work. It really is that good. I truly believe you are going to have a tough time finding a more gripping read this April. A particular scene worth noting is the chilling moment between Phobos and Gorgon.  The scene really drives home the type of villains the Secret Warriors are facing. In addition, the dinner scene featuring Nick Fury is prime example of what makes him such a memorable character.
As for the artwork, Stefano Caselli and Daniele Rudoni absolutely knock it out of the park for the most part. The characters are full of emotion and the action absolutely jumps off the page. I do have one complaint though…

What’s Not So Good: If Secret Warriors #3 has any flaws, they have more to do with something the creative team has to overcome as opposed to anything that’s wrong with the individual issue.  For example, since Fury’s team is made up mostly of a group of unknowns, the characters carry around a bit of baggage.
Furthermore, I have found that the battle scenes tend to be a bit confusing, as discerning powers and keeping up with the frantic pace set by Caselli’s artwork can occasionally be a bit frustrating.  In Secret Warriors #3, I definitely found myself trying to decipher an action panel or two.   Also, Phobos, Quake (Daisy), and Hellfire (J.T.) are really the only three team members I feel I know anything about. I thought by now I’d have a better grip on the team as a whole. A small complaint considering how great most of the cast is, but worth mentioning regardless. I’m sure everyone will be fleshed out soon enough, but as of now I can’t help but feel as though some of the character development is a bit lacking.

Conclusion: I highly recommend Secret Warriors #3. And while I wish a few of the growing pains would go away, they do little to detract from the quality of the issue. In this reviewer’s opinion, if you aren’t reading Secret Warriors, you’re missing out on a potential “series of the year” candidate.

Grade:  A-

-Kyle Posluszny

Dark Reign: New Nation #1 – Review

Some Thoughts Before The Review: What it all comes down to regarding Dark Reign: New Nation is whether or not you feel comfortable plunking down about four bucks for what amounts to a handful of extended previews — some of which you already may have seen a bit of in last week’s Dark Reign one-shot (Marvel calls them prologues, but let’s be realistic here). I, for one, decided to take the plunge on the assumption that, in the long run, I would probably be saving myself a bit of cash. Since it would be a bit unfair to judge each story in the one-shot as I normally would an entire comic I will instead give a few thoughts about each and then give a grade to the overall package as a whole.

Secret Warriors: Declaration

By Brian Michael Bendis & Jonathan Hickman (Writers), Stefano Caselli (Art), and Daniele Rudoni (Colors)

Of all the books launching during Dark Reign, I believe Secret Warriors has the most potential. Though, to be honest, the creative team actually draws me to the title more than the concept. Jonathan Hickman’s past works have been quite outstanding and the art team of Stefano Caselli and Daniele Rudoni made Avengers: The Initiative one of the most visually impressive books month in and month out. With all that said, the prologue to Secret Warriors definitely leaves something to be desired. While the artwork looks great, there really isn’t a whole lot to chew on. Nick Fury visits a memorial to Captain America and reflects on the ways Cap is one of the inspirations behind the team of “caterpillars.” That’s about it. While I will still be checking out the series when it launches, the prologue doesn’t consist of anything likely to draw in those that aren’t already interested.

Agents of Atlas: The Heist

By Jeff Parker (Writer), Carlo Pagulayan (Pencils), Jason Paz (Inks), and Jana Schirmer (Colors)

Great looking artwork and an intriguing concept are definitely the highlights of the Agents of Atlas prologue. While I’ve never read the Agents mini-series from 2007, I can easily see the appeal of such an offbeat group of characters. The purpose and information gained from the titular heist does a nice job of building (or creating) interest for a series that is probably going to end up being overlooked by many.

War Machine: Crossing the Line

By Greg Pak (Writer), Leonardo Manco (Art), and Jay David Ramos (Colors)

War Machine’s encounter with someone from his past does a nice job of establishing the character’s mindset and his new place in the Marvel universe. While I’m not exactly sure if War Machine is a series I would follow, the impressive visuals and fairly complete story make “Crossing the Line” the most satisfying prologue in the book.

Skrull Kill Krew: Breakfast in America

By Adam Felber (Writer), Paulo Siqueira (Pencils & Inks), Amilton Santos (Inks), and Chris Sotomayor (Colors)

The Krew’s appearance and subsequent path of destruction in Avengers: The Initiative was one of the more memorable things to happen during Secret Invasion. Now the question is whether or not the fun and brutally over-the-top nature that made the Krew so much fun during the event can be successfully carried over into a new mini-series helmed by a brand new creative team after it. If the cow slaughter in “Breakfast in America” is any indication, it can (and quite easily, I might add).

New Avengers: The Reunion: Suspicion

By Jim McCann (Writer), David Lopez (Pencils), Alvardo Lopez (Inks), and Daniele Rudoni (Colors)

I found The Reunion prologue to be the weakest of the bunch but, the again, I’m not part of the target audience. Since I have no emotional investment in either Hawkeye or Mockingbird, I am pretty much indifferent to the whole mini-series. While the artwork looks nice enough and the storyline definitely has some hooks, I am now actually less interested in The Reunion now I was prior to reading the prologue.

Conclusion: Dark Reign: New Nation serves up a nice taste of the new Marvel offerings, but it is far from essential. Just know what you are getting into if you choose to buy it. I found it to be worthwhile, especially considering that it helped establish my level of interest towards a few things. That said, the price point does sting a bit now that I’ve thought about it a bit more.

Grade: B-

-Kyle Posluszny

Secret Invasion: Dark Reign #1 – Review

By Brian Michael Bendis (writer), Alex Maleev (artist), Dean White (colorist)

In the prequel chapter to this winter’s “Dark Reign” storyline, Norman Osborn, having inexplicably been given control over the country’s superhero Initiative program and all that encompasses, convenes a meeting of high-ranking villains and rogues and offers them a quid pro quo: if they can work together and agree to his requests, he will use his newfound political power to make their lives much, much easier.  The villains are naturally suspicious, but leave the meeting to consider his offer.

The issue includes three, three-page previews of upcoming titles that will spin out of “Dark Reign”.  I had been considering buying all three titles, so I liked being able to preview them first.  Turns out I hated all three and will not be buying them after all, so I’m grateful to have saved some money.

I know there are legions of Bendis fans out there and I respect their devotion, but that is one bandwagon I fell off of a long time ago, having been disappointed with every event storyline he’s helmed since House of M.    His event stories are heavy on dialogue, light on action, and plagued by tacky resolutions that rarely seem thought out.  It doesn’t help that he brought his longtime art partner Alex Maleev on board for this issue.  Where Maleev’s subdued style shines on dramas like Daredevil, they utterly fail on an issue like this that is all about some of the greatest villains in Marvel.  And why is it Namor looked like a balding porn star that hasn’t shaved in a week!?

After the lackluster conclusion to Secret Invasion, Bendis seems ready to disappoint us once again with another mundane “epic” that promises the world but fails to deliver .  Based on this prequel, I’m hesistant to pursue this story any further.  Buyer beware.

Grade: D-

-Tony Rakittke

A Second Opinion

Ok, so some of the characterization is a bit off and the artwork is all sorts of wrong at times, but I can’t possibly call the Dark Reign one-shot a near failure. All it really had to do was establish Norman Osborn’s vision of the future, and it does exactly that in a fairly entertaining fashion. Say what you want about Bendis, but when he has a handle on a character, his work can be extremely fun to read. Such is the case with his handling of Norman Osborn in Secret Invasion: Dark Reign. Maybe it’s just because I’m a huge Thunderbolts fan, but I definitely got a kick out of the way Osborn attempted to appeal to the various personalities at the secret meeting in a way only the madman/politician could. Sure the comic could have been quite a bit better, but it definitely gets the job done.

As for the previews, they really don’t add a whole lot to the overall package. And since it’s tough to establish an opinion about three pages worth of work, I will leave my impressions on hold until I get a full issue in my hands. However, out of all the books launching from Dark Reign, I find myself looking forward to Secret Warriors the most. Jonathan Hickman and Stefano Caselli definitely have the potential to make one hell of a team.

Grade: C

-Kyle Posluszny

Mighty Avengers #18 – Review

By Brian Bendis (story), Stefano Caselli (art), Daniele Rudoni (colors)

From a visual stand point alone, this book is worth buying. I know there’s people out there who may not like Stefano Caselli’s artwork as much as I, and that’s understandable. But if there was ever a comic that looked like it took frames from an animated cartoon, this (and Caselli’s work on Avengers: The Initivative) would be it. Daniele Rudoni deserves as much praise as well. Her use of vibrant colors and shading brings the art to life. Stuff as mundane as barren walls are suddenly given more depth and character thanks to the roughed textures and brushes she employs. She does, however, make a few mistakes like having Quake wear black lipstick in one panel and then no lipstick on the next, but it’s easily forgiven when compared to the overall body of work.

The story is something we’ve all be clamoring: Nick Fury and his new commandos. Last time we saw these guys in an Avengers book, Fury was recruiting them. Now, they’re ready for their first operation. Fury feels he’s trained them enough and he he’s lets them loose. The problem is they’re lacking severely in confidence. This leads to a lot of bickering and some backstory on how far they’ve all come. As annoying as this bickering is, it’s understandable given the difficulty of the mission. The story here is light and mildly entertaining, playing off like a Hollywood heist or caper, but in a rushed manner. Personally, I was hoping for something more exciting, but with the constant pissing and moaning I almost teetered on the edge of hating these commandos.

As you can imagine, the end of the issue brings us up to current events in Secret Invasion – which is good. After this issue, I’d rather pass on the team’s growing pains and just see them kick some butt. Great art, average story. (Grade: C)

– J. Montes