Guardians of the Galaxy – Movie Review

 

Yeah, these guys are hooked on a feeling—a feeling called life! I may be overgeneralizing out the wazoo here, but ensemble casts really do have a special fit with comedies. In a drama, every character acts for himself and often at odds with each other, because that’s how you generate the layers of conflict that make good drama. But in comedies, no character can truly act for himself. Even when they’re at each other’s throats, they’re really working together to push the comedy forward, and teamwork is part and parcel of an ensemble.

That’s what makes Guardians so powerful a movie and, in some ways, one with far more personality and perhaps even likability than The Avengers. When the Avengers fight amongst themselves, they get in each other’s way and almost slow down the action; when the Guardians fight, the speed and rhythm of the action kicks up, and their every move is choreographed to get a laugh every few seconds. That takes a hell of a lot of good writing, so director-writer James Gunn and writer Nicole Perlman deserve high credit for the hit they’ve produced.

Of course, no amount of craft would be of any use if not for interstellar performances from the cast. The actors behind the Guardians themselves commit so thoroughly to their strange, misfit roles that even the characters who nearly 100 percent CGI come across more alive than the actual human players. Bradley Cooper’s biting, cocky, gun-happy depiction of Rocket will make the space raccoon everyone’s favorite character and Vin Diesel works wonders with the vocabulary-limited Groot, proving that a good actor really can make the most of the sparsest lines (“I am Groot.”). But it’s Chris Pratt as Peter Quill who keeps the ensemble centered, anchoring their wildly extreme personalities from spinning out of control. His innate charm and complete lack of mean-spiritedness turns what might have been an insufferable character into the movie’s most likable one, which probably explains how he manages to rally the Guardians at all. By opening the film with a goofy dance routine through an ancient alien temple, he proclaims the spirit of fun that carries you through the remaining two hours.

Avengers #18 – Review

Jonathan Hickman (Writer), Leinil Francis Yu,Gerry Alanguilan (Artists), Sunny Gho (Colorist)

The Story: Many of the empire and civilization of the entire Marvel universe gathers together, Avengers included, to prepare the battle against the builders.

The Review: Infinity is finally here, with the build up to it being behind us as 17 issues of Avengers were needed in order to prepare for its arrival. Now that the event has started, though, does it mean that the book has gotten the shot in the arm that it needed most of the time?

The answer, thankfully, is a resounding yes as this issue brings many interesting concepts and do something that the series hasn’t done for quite a while: go big in a very explicit way. While the earlier concepts of that title always hinted at big things, those were mostly teasing or hint at what was to come. Now that the very event has arrived, the comic benefit as it brings us many new elements into play while using some of the older one.
The first one and best, in my own humble opinion, would be the very cosmic tone of the story as the scope of the story gets incredibly bigger. It’s no secret that I have a particular fondness for stories set in space, yet this one really bring a lot of the best of what these stories are about, as Hickman use the galactic council created by Bendis to great effects, showing a cohesion of the major empires to vanquish a greater threat. Many of the cosmic favourites are present, as the Shi’ar, Brood, Kree are present as well as characters like Ronan, Gladiator and Annihilus.

Another race that Hickman plays really well with are the Skrull, who gets a welcome reintegration to the larger Marvel universe as the writer use both what happened in Annihilation and Secret Invasion to build up from there, showing us a race that is on the brink or death, yet fight will all of its might to survive and stay relevant. The scene featuring Kl’rt, another fan-favourite, and the other warlord as they try to fight the builders shows a human side to these aliens as well as some nobility that really heighten the whole race. I sure do hope that Hickman will continue writing them during the tie-ins, as the rejuvenation of these aliens and the cosmic aspect makes for some interesting comics.

Fantastic Four #601 – Review

by Jonathan Hickman (writing), Steve Epting (pencils), Rick Magyar & Mark Pennington (inks), Paul Mounts (colors), and Clayton Cowles (letters)

The Story: Johnny brings the cavalry.

The Review:  This past summer, Marvel and DC both put out company-wide events that were pretty underwhelming.  Truth be told, however, I haven’t really, really enjoyed an event from Marvel or DC since Civil War.  Blackest Night was all right, while everything else since has ranged from “sucked” to “disappointing.”

This arc of Hickman’s Fantastic Four, and issues like this one, show that Hickman succeeds where these events have failed.  In this issue, for instance, he manages to tell a story with universe wide implications and a fairly large cast, but at all times, there is an emotional core to the story that makes it all meaningful and gives the story heart.  Hickman balances the large-scale events with personal emotions in his characters, and the result is what I’ve been waiting for: an event that actually has a soul.

Of course, that’s the irony, isn’t it?  This isn’t an event at all, it’s just a story-arc set within Fantastic Four and FF.  That alone shows how impressive this issue is.  Despite being highly centralized, it feels massive in scale and effect.  The battles are immense, the stakes are enormous, and there is a substantial number of moving parts in the story.  The result is something that feels downright epic and, moreover, it all feels like it has been built up accordingly.  A lot of events are promoted as having been built up to for years, but in the case of Hickman’s Fantastic Four, that’s actually true, and one can feel the narrative weight of that.

The Thanos Imperative #4 – Review

By Dan Abnett and Andy Lanning (writers), Miguel Sepulveda (artist), Jay David Ramos and Wil Quintana (color artists)

I have cancer.

Non-Hodgkin’s Lymphoma, to be exact.

It’ll probably kill me at some point, assuming I don’t drink myself into oblivion before then, but I felt compelled to share with you because that is the frame of mind I’ve been in as I read Abnett and Lanning’s latest, and possibly most disturbing, space epic for Marvel. I’ve long been a fan of DnA’s work for this corner of the Marvel Universe, and applaud how they have carved out and defined a territory that has been vastly under-utilized by creators for decades now. These guys have succeeded in forging Marvel’s universe a chaotic, exciting, and utterly terrifying place to tell stories in. With every epic they’ve crafted, they’ve gradually raised the stakes in ways that seem logical yet infinitely more perilous. Now, with The Thanos Imperative these guys are building one of their finest stories to date, one that forces me to consider my own mortality in a way that is deeply disturbing.

At the heart of this tale is the simple, eternal conflict between Life and Death. Specifically, it is the tale of a universe where Death died and Life prevailed. A universe that is now trying to infiltrate our reality in a desperate attempt to find more space to continue growing and living. Where this story excels though is in the way it fucks with our expectations by portraying Life as a vile, cancerous entity and Death as, if not The Good Guy, then certainly a necessary deterrent to the threat of Life unbound. Thematically, it’s a strange concept and not something we’re accustomed to endorsing; our education as readers of fiction has trained us to view Life as being Good and Death as being Evil, but here Abnett and Lanning do what good writers do and play with our expectations, twisting them in ways that make us reconsider what we thought to be true. I don’t know about you, but I like that.

The action in this issue is unparalleled and furious, even if the plot was rather sparse. Sepulveda has a wonderful understanding of these characters and his gritty style is perfectly suited to the large canvas Abnett and Lanning like to work on. I loved the contrast of Nova and his strikeforce leading an incursion into the Cancerverse while Lord Mar-Vell and his Revengers stalked our universe in pursuit of the Avatar of Death. With every issue, this cat and mouse game is becoming more intense and bloodthirsty, the stakes are being continuously raised as each side fights relentlessly to gain the winning advantage, and after this issue I’m at a loss to see where the creative team could possibly go from here with the story.

Guardians of the Galaxy #8 – Review

By Dan Abnett & Andy Lanning (Writers), Brad Walker (Pencils), Victor Olazaba (Inks), and Wil Quintana (Colors)

Some Thoughts Before The Review: I knew it was going to happen sooner than later, but I’m still a bit disappointed by the big War of Kings banner on top of the eighth issue of one of my favorites. You see, the Guardians are really the only cosmic characters I have any interest in (though I may check out the new Inhumans series based on the strength of the Secret Invasion story) and I have very little drive to play catch-up with the bigger picture of the space portion of the Marvel universe. Oh, well. I guess I’ll give the Secret Invasion: War of Kings one-shot coming out on Wednesday a read and use that (along with GotG #8) to evaluate whether it will be worth investing in the latest cosmic crossover.

The Story: Star-Lord goes to Hala to evaluate and investigate how the Kree have responded to the Skrull invasion. He ends up trading barbs and fists with Ronan the Accuser, a fight that leads to the predicament seen at the end of the last issue. Meanwhile, the “new” Guardians continue to battle the Badoon and Adam Warlock takes the fight to the Church of Universal Truth with the help of Gamora.

What’s Good: I have to hand it to Dan Abnett and Andy Lanning for really drawing me into the bigger events at play in a corner of the Marvel U. that I am less than familiar with. While I have no investment in (and little knowledge of) the Kree, Blastaar, or the aftermath of either Annihilation event, the efficient, witty dialogue quickly got me up to speed. No small feat considering we’re talking about years of continuity. Also good about Guardians of the Galaxy #8 is the quality artwork and enjoyable characters (but you probably already knew that).

What’s Not So Good: The only thing that took away from my overall enjoyment of the issue (besides some gaps in my knowledge of continuity) is the artwork. While it looks great for the most part, it also looks a bit different from what I am used to. The characters just don’t look as lively or vibrant as they do when drawn by Paul Pelletier and inked by Rick Magyar.

Conclusion: High marks all around for the first GotG tie-in for the War of Kings, especially considering how I initially approached the issue with quite a bit of hesitation. Now, in addition to looking forward to more of the usual Guardians goodness, I find myself more interested in the cosmic War than I had ever thought possible. Not sure if my wallet is particularly happy about that fact…

Grade: B

-Kyle Posluszny