Flashpoint: Wonder Woman and the Furies #3 – Review

By: Dan Abnett & Andy Lanning (writers), Agustin Padilla (penciller), Jose Aviles (inker), Andrew Dalhouse (colorist)

The Story: Anything Arthur and Diana do, Orm and Penthesilea can do better.

The Review: Batman may be a man of mystery, but Wonder Woman and Aquaman, for all their fame and stature, are easily the most enigmatic characters in the Justice League.  They have a devoted following, and no one doubts their status as icons, but you don’t really have a handle on who they are or what they really stand for.  You can know everything to know about their origins, ideals, and powers, but you still won’t catch a glimpse into their hearts, minds, or souls.

So it makes perfect sense that even with a major Event whose storyline is half-built around these two characters, it turns out their every action has been strung along by others.  In fact, by the end of this issue, you’ll know way more about Penthesilea and Orm’s goals, and the attitudes that drive them, than you do about their starring kin.

Not that getting an understanding of these Machiavellian schemers poses that much difficulty.  Both only care about preserving the traditions of their respective cultures, mostly by making sure the outside/surface world’s ridiculous ideas of progress (e.g., peace and diplomacy) never catch on.  They offer an interesting, though vastly divergent, parallel to Arthur and Diana.  The passion of their beliefs draws them together; whatever romance they feel for one another seems largely incidental, almost irrelevant.

Flashpoint: Emperor Aquaman #3 – Review

By: Tony Bedard (writer), Vicente Cifuentes (artist), Diana Egea (inker), Kyle Ritter (colorist)

The Story: I know I killed your wife, but do you have to act like such a jerk?

The Review: We’ve known for a while now that Prince Orm of Atlantis and Penthesilea of the Amazons have worked together since day one (see Flashpoint: Wonder Woman and the Furies #1) to raise Cain between their peoples.  Even though it’s never been explicitly stated, you can pretty much deduce, especially given Orm’s character history, that power-lust motivates their partnership to some degree, but how they came to work together still remains a mystery.

Well, hold on to your britches, because here comes a spoiler that will blow your mind.  As Diana reveals to Arthur, “…[Orm’s] not dead!  It’s worse…I walked in on your brother and my aunt Penthesilea kissing!”  Bedard’s love for melodrama defeats whatever impact this “revelation” can have (which is slim to begin with), but worse, it just makes the characters look silly.  Their overblown disbelief (Arthur: “That’s…no…that’s just not—”) makes them sound like kids who can’t believe their parents made out because it’s just plain icky.

Once you get over your violent spasm of eye-rolling, you’ll also have to take issue with the execution of this scene.  It feels very soapy with its fraught fact drop and lack of substantiation.  Surely this merits a flashback of some kind, especially since it changes the entire flow of the story now that the real villains stand revealed.  Possibly we’ll get to see Orm and Penthesilea’s lip-locking in the next issue of F:WWATF, but that just seems like poor editorial planning.

Flashpoint: Secret Seven #3 – Review

By: Peter Milligan (writer), Fernando Blanco (penciller), Scott Koblish (inker), Brian Buccellato (colorist)

The Story: This wouldn’t be an inappropriate time to bust into Gnarls Barkley’s “Crazy,” right?

The Review: The key to a really great ensemble cast is a broad diversity of characters.  The more far apart in personality and background they are, the richer their interaction becomes.  In superhero comics, you also have to consider their power sets.  Too many redundant abilities, and the range of obstacles they can face drastically narrow.  Most of all, you need a writer who can give each member life and motivations of their own, so they don’t just disappear into the group.

Secret Seven has a great ensemble.  Whereas previous issues dragged from Shade’s ceaseless moans over his questionable sanity, the back-and-forth among the team once Zatanna, Raven, and Mindwarp show up has great pop and crackle.  Interestingly, despite their animosity and suspicion towards Shade (even after he admits he may be responsible for some of their deaths) they demonstrate a kind of sympathy, even loyalty, to him, trying to gauge how far he’s gone.

But once the kid gloves come off, none have any qualms about getting their hands dirty, a sequence made all the more entertaining by their specific range of powers, a mixture of the occult and psyche very much in tune with the spirit of this title.  Zee’s incantations, though put to some dark uses here (“Raet reh trapa!”), seem restrained in contrast to Enchantress’ wild magic, while Raven, Mindwarp, and Shade’s psychic manipulations prove capable of some grim effects.

It’s particularly good to see Shade in action, as we finally get a sense of just what his vest can do: “The M-Vest has used the psychic energy of their anger…to turn their souls into amorphous solids.”  We also see how unsettling his abilities can truly be; his attempt to reanimate the broken Amethyst’s corpse strikes a perfect chord of creepiness (“Hello, Shade.  Hello, June.  I’m twelve years…  I’m twelve years…”), showing why Shade’s grip on reality may have so degraded.

Flashpoint: Wonder Woman and the Furies #2 – Review

By: Dan Abnett & Andy Lanning (writers), Augustin Padilla (penciller), Jose Aviles (inker), Val Staples (colorist)

The Story: Boy, that decision to not sign a pre-nup sure takes on new meaning now, doesn’t it?

The Review: In the thick of war, neither party can claim to be innocent of wrongdoing, which is often the same case when trying to piece out who started it.  But in the Flashpoint world, with the aggressors on either side including characters we normally see as heroic to the core, you have to be a little interested to see what kind of incident can provoke them into all-out ruthlessness.

DnA do a very good job making the war a tragic chain of events beyond either Wonder Woman or Aquaman’s control, making them sympathetic figures even as they commit some fairly unconscionable acts.  On the one hand, you can’t help feeling like Diana gets the truly rough of the stick, losing first her mother, then her best friend and homeland, but knowing what you do about who’s really pulling the strings here, it’s impossible to blame Arthur.

In fact, you’ll have just as much pity for him after seeing his genuine dismay and horror at the damage inflicted upon Diana’s family and home, and his desperate attempt to make things right even his efforts are futile (“Diana!  We’re all being deceived!  Diana!”).  Again, I marvel at the difference in Tony Bedard’s totally hardcore portrayal of Arthur over in Flashpoint: Emperor Aquaman, and DnA’s loving, trusting, and peaceful (at first) version of the character here.