Damaged #1 – Review

by David Lapham (writer), Leonardo Manco (art), Kinsun Loh, Jerry Choo, & Sansan Saw (colors), and Todd Klein (letters)

The Story:  Old-timer police captain Frank Lincoln, on his way out, realizes that his little brother Henry has returned, determined to bathe the streets in criminal blood.

What’s Good:  There are certain things in storytelling, particularly genre storytelling, that simply works time in and time out.  This is particularly the case with crime comics, and Damaged certainly hangs tight on numerous tropes.  For instance, we get the haggard, world-weary detective and we match him up with the young, bright-eyed newbie.  We’ve also got the gritty narration by said old-timer and, naturally, the Mayor and the higher ups in the police force are jerks.  It’s all sort of familiar, which naturally limits how good this comic can be.  However, it also limits just how bad it can be as well.  Reading Damaged at times feels like putting on an old, favourite shoe.  It’s  unremarkable, but it’s also comfortable.  If you like crime comics at all, you won’t have any strong dislike for Damaged.

Certainly, David Lapham does do some things quite well.  The narration by Frank Lincoln, politically unpopular police captain, is well executed and full of exactly the sort of downcast mood and atmosphere you’d hope for in a comic like this.  Indeed, Frank’s voice is strong enough that the narrated pages end up being some of the book’s strongest.  The tableside political banter between the mayor, the police department’s higher-ups, and the new recruit is also well done and feels natural and, again, comfortable.

The Mighty Thor #3 – Review

by Matt Fraction (writer), Olivier Coipel (pencils), Mark Morales (inks), Laura Martin (colors), and Joe Sabino (letters)

The Story: Given an ultimatum, Thor rumbles with the Surfer.  Meanwhile, Volstagg finds himself unwanted in Broxton.

What’s Good: It always feels really good to get your money’s worth with a comic.  I definitely felt like I got a meaty book with Mighty Thor #3.  Despite having no more than the standard number of pages to work with, Matt Fraction covers quite a lot of ground this month.  While the plot progresses at your standard rate, a great deal happens and plenty of characters are visited.  There’s the big Surfer/Galactus plot, of course, but there’s also an amusing scene of kid Loki mischief, a subplot involving Volstagg and the residents of Broxton, and the lingering issue of Thor’s mysterious wound.  All of these elements are, for the most part, disparate which removes any sense of decompression and delivers a more rounded and comprehensive reading experience.

Many characters receive solid treatment.  Loki’s scene with a very naked Sif is admittedly a digression, but it’s a fun one that only continues to make kid Loki one of my favourite Marvel characters right now.  Volstagg is as humorous as ever and his exaggerations regarding the citizens of Broxton’s newfound hostility is a lot of fun, all the more because if ever there were deaf ears for those citizens to speak to, they’d be Volstagg’s.

As far as the main plot goes, I’m still really loving this Galactus/Asgardian clash, as it brings together the high fantasy of Thor with the cosmic in a way that continues to feel fun and fresh.  The fight between Thor and Surfer is awesome, if only due to the participants.  Best of all though, I really liked how Fraction hinges much of the plot on who between Odin and Galactus is less trustworthy.  That’s a major conundrum, to say the least, and one that has me looking forward to next issue.

Thor #616 – Review

by Matt Fraction (writer), Pasqual Ferry (art), Matt Hollingsworth (colors), and John Workman (letters)

The Story: Volstagg tries to get Thor to listen to a grave warning as the god of thunder comes to a decision about Loki.

What’s Good: One of the things that has me most excited about Matt Fraction’s run is his bringing back the goofy sci-fi element to Thor.  Aside from the odd Marvel Universe cameo, sci-fi has really been wholly absent from Thor since the title’s return under JMS.  Though I’ve liked all of the series since that relaunch, it really is the right time.

Really, when read with a critical eye, that generic return, and earlier absence, are what this comic is all about as Fraction crafts the central conflict of this arc around this battle of genres.  Thoth and his minions, wacky cosmic villains that they are, can sort of be seen as personifications of old school Marvel science fiction.  Thus, it’s very, very effective how Fraction scripts Thor and Balder’s treatment of the quantum cosmologist that Volstagg brings; they’re too busy wandering about Odin’s trophy room, doing very Asgardian type things.  They have come to be in ignorance of those sci-fi threats, and that’s what this arc is all about, really.  When approached by science fiction, Thor rejects it with hostility and incomprehension, preferring instead to stay in the strictly mythological arena that the comic has been hugged to since the relaunch.  Cosmology, science, and sci-fi threats are, well, far too alien and other to the world Thor and his buddies have become accustomed to.

Of course, Fraction’s point is that these elements can’t be ignored.  Thor is going to have to fight these dudes and recognize “quantum cosmology.”  And so, Thor will eventually grow accustomed to the book’s sci-fi elements once again.  It’s beautiful writing by Fraction and very nuanced and I hope most people see what he’s doing.  This story is less about thumping bad guys than it is stamping out Thor’s generic territory and such remarkable writing in mainstream superhero comics needs to be commended.

On a more “down to earth” level, there’s a lot to like here, much like last month.  Volstagg is still a blast to read, Fraction’s take on Broxton’s residents is different from JMS’, but no less charming, and Ferry and Hollingsworth continue to crank out gorgeous, lush artwork that distinguishes Thor from anything else on the stands.  It’s amazing how well Ferry can go from Thoth, to Broxton, to Asgard.  Ferry and Hollingsworth suit each other so well and make for a glorious visual product.  Oh, and the book has one heckuva cliffhanger.

Thor #609 – Review

by Kieron Gillen (writer), Billy Tan, Batt, & Rich Elson (art), Christina Strain & June Chung (colors), and Joe Sabino (letters)

The Story: Loki faces the consequences, Kelda stands and fights, and Volstagg picks himself up.

What’s Good: With Thor not being present this month, several supporting characters pick up the slack.

Kelda, a character I’ve enjoyed since JMS introduced her, still strikes a sympathetic portrait.  Her defending Bill’s parents was touching and it was nice to see them come together.  Of course, it’s always a blast just to see Kelda kick some ass.  She’s one of those characters’ whose potential we’ve never been sure of and I’m glad to see her in a more empowered position this month.

Having a similar “fist-pump” moment this month is Balder, who reminds the world why his name is “Balder the Bright.”  Gillen does his best to make Balder personify the Heroic Age.   When he lights himself up to rally the troops and owns the Hood in a Matrix-like fashion, it’s all kinds of awesome.  Balder has bumbled around quite a bit and it’s nice to see him take up position as the quintessential hero.

Siege #1 – Review

by Brian Michael Bendis (writer), Olivier Coipel (pencils), Mark Morales (inks), Laura Martin (colors), and Chris Eliopoulos (letters)

The Story: Norman Osborn finds his reason to begin his assault on Asgard.

What’s Good: This is some really impressive, massive work by Coipel and Martin.  The art here is gorgeous and some of the best stuff I’ve seen from Coipel.  The assault on Asgard, with its horde of fighter jets, is truly impressive and the mandatory explosions look great.  The book is maintains the “high budget” feel a book like this requires.

Perhaps unexpectedly, the most enjoyably written character in this first issue is actually Ares.  His disagreement with Osborn and the generally badass way Coipel illustrates is a blast (he rides into battle on a fighter jet, bent on one knee).  It’s clear Bendis wants this to be a war comic, and he’s placed Ares in the General position.  The result is a nice fusion of modern combat and ye olde fantasy heroism (the obligatory motivational speech in front of a horde of cheering warriors).  Seeing Ares lead modern HAMMER troops and superheroes as though they were Camelot’s finest is a lot of fun.

Beyond that, Bendis seems to want to make this issue, and this event, as straightforward as possible.  At the very least, you’re guaranteed not to get the sort of convoluted mess that other recent events have devolved into.

Invincible Iron Man #21 – Review

by Matt Fraction (writer), Salvador Larroca (art), Frank D’Armata (colors), and Joe Caramagna (letters)

The Story: The surgery to restore Tony Stark takes place.

What’s Good: The strange desert scenes within Tony’s mind were my high point in this month’s issue.  Last issue, I found these scenes a little too weird and obscure, but this month the meaning and moral lesson are said overtly and are more resonant as a result.  Despite this, the feeling of strangeness and repetition are maintained.  Essentially, Fraction walks the line between weird and meaningful quite a bit better this month, despite these scenes actually having fewer pages.

Much of this issue reads like a “step by step” instructional on how to revive Tony, and it really is fairly cool in this regard.  It’s almost a narrated montage, as we see various heroes following Stark’s recorded manual.  You really get the feel of our assembled party putting Stark back together piece by piece, moving forward one careful step at a time.   It helps that Fraction has always been great when it comes to writing Stark and his voice remains strong and, at times, humorous and the operation is just the right mixture of medical science and ridiculous superheroics.

Beyond that, Pepper’s strange dissent last issue on reviving Tony is fleshed out a little this month.  While her reasoning still seems a bit stretched, the fact she herself recognizes this does help.  While some might say that Pepper’s explaining this through writing a letter, presented on page, is a bit clichéd, Fraction manages to make it work through including Pepper’s bevy of crossouts in the narrative captions, which helps to show Pepper’s state of mind through an authorial tool that is usually guilty of purely telling.

Larroca generally puts in a much stronger performance than he did last month.  The faces are much more acceptable, the desert scenes remain gorgeous, and there’s one particular Thor spread that is simply awesome.

Thor #604 – Review

by Kieron Gillen (writer), Billy Tan (pencils), Batt (inks), Christina Strain (colors), and Joe Sabino (letters)

The Story: Balder begins his war with Doom, as the Latverian dictator’s experiments stand revealed.

What’s Good: Gillen and Tan have a very unenviable task in following one of the greatest Thor runs of all time.  Thankfully, Gillen tries his best to work in the spirit of JMS’ final few issues.   There are no problematic shifts in character voices.  Balder and Loki in particular remain just as sound as ever.  If anything, Loki seems a little less sinister and a little sleazier under Gillen’s hand.  His manipulations are just a little more blunt and obvious, but for the time being, it works given the circumstances.

Gillen also gets the award for writing the most arrogant and pompous Doom of the month.  At times it’s a little over-the-top, but ultimately, Gillen successfully straddles the line between badass and campy. Gillen’s Doom is a vibrant, scenery-chewing read and really dominates every page he appears on.

In the meantime, there’s a rather humorous Fantastic Four cameo in the book that got a smile out of me and I actually felt Gillen’s Balder to be an improvement over JMS’ portrayal of the character over the past few issues.  While still a far cry from Reed Richards, Balder actually isn’t a dumbass under Gillen’s pen, despite maintaining his standard heroic shtick.

On art, this is some of the best work I’ve seen Billy Tan produce in some time and is head and shoulders over his recent New Avengers work.  It’s clear that Tan put absolutely everything he had into this issue.  It is easily up to the standard that Coipell and Djurdjevic have set for the series.  It’s very detailed, while maintaining a dark and epic atmosphere and mystique.  Tan’s effort is close to faultless and superior to Djurdjevic’s rushed work last week.  Despite my concern, if Tan can maintain the quality he showed this month, he was definitely the right man for the job.  Also, his illustrations of Doom’s “experiments” are fantastic.

What’s Not So Good: I was nothing less than irate over Gillen’s treatment of one of JMS’ original characters.  In my review of last week’s finale, I stated that JMS’ massive change in direction for this character was perhaps the most interesting strand he left open at the end of his run.  Gillen, however, seemed to have nothing for the character and so, decides to kill said character off.  He basically took one of the most interesting dangling plots that JMS left behind and completely snuffed it out.  The fact that he does this in literally the very first scene of the book is nothing less than insulting.

Even if the character isn’t dead, it doesn’t change the fact that Gillen has placed the character in a passive position of distress, in need of being saved.  This would be a massive step backward from the terrifyingly pro-active state JMS left the character in.

Other than that, Doom, while enjoyable, does refer to himself in the third person a little too much.  Also, there’s a bit of dialogue where Donald Blake essentially out-thinks Reed Richards.  That Reed would not be able to figure out a basic line of reasoning, especially one related to technology, is ridiculous.

Finally, in an effort to convey Jane’s shadowed surroundings, colorist Christina Strain somehow manages to change poor Jane’s ethnicity.  I had no idea Dr. Foster was Hispanic.

Conclusion: It’s far from the horrific drop-off some predicted, but there are some small glitches and the character death is absolutely unforgivable.

Grade: C+

-Alex Evans

Thor: Defining Moments Review

by J. Michael Straczynski (writer), Marko Djurdjevic (pencils & inks), Danny Miki & Allen Martinez (inks), Christina Strain (colors), and Joe  Sabino (letters)

The Story: Bill’s final fate is determined while Sif and the Warriors Three battle the doombots.

What’s Good: If you approach this book as just another 22-page issue of JMS’ run on Thor, it really is pretty solid and is consistent with the series’ quality as of late, at least as far as the writing is concerned.  It’s also got a couple of moments that’ll have you saying “hell yeah.”

Chief among these scenes is one involving a very angry and very naked Volstagg that is a perfect combination of comedy and pure awesome.  It is, of course, that same combination that defines the character himself.  The sequence is outrageously badass, but maintains Volstagg’s characteristic charm.  Oh, and Hogun and Fandral are absolutely on fire this month with the fat jokes.

Most readers are probably coming to this issue most concerned about the fate of Bill.  At first, it’s hard not to be a little disappointed.  That said, if you expected him to scream “I HAVE THE POWER,” turn into a god, and battle Doom, you’ll be sorely disappointed, but really, such an ending would be just a little stupid.

Instead, Bill’s ending is the best he can manage by just being Bill, and so Straczynski maintains the integrity of the character and his sub-plot.  Make no mistake, he is a hero and, ultimately, he is accepted as an Asgardian, but he does so without abandoning his humble roots or acquiring superhuman powers.  Bill’s tale has always been about being a mortal, a little guy in a world suddenly populated by the very large.  Bill’s fate is only so poignant because JMS retains this theme; Bill remains that little guy, but even so, he manages become a hero among the biggest of the bigs.

Meanwhile, JMS leaves us hanging regarding Kelda.  I think we all suspected she was more powerful than she let on, and now we’re going to see that in action.

What’s Not So Good: It’s hard not to be a little underwhelmed by this issue.  JMS’ run has had such an epic quality, that it’s hard not to expect his final issue to be grander.  What we get isn’t really any sort of massive flourish or cataclysmic ending.  Rather, we just get another solid JMS issue that simply lives up to the quality of his previous issues, no more and no less.   This final issue really has no feeling of closure and though the cover may say “finale,” that’s not what we’ve gotten.  That said, the issue also didn’t contain the sort of “hot potato” landmark shift in status quo that writers often leave off their runs with.  Ultimately, this feels like the last issue of a story arc, but certainly not the last issue of a run.

Finally, this may be the worst looking issue of Thor that Djurdjevic has drawn.  While the art is by no means unbearable, it’s weak by the standards Djurdjevic and Coipel have set for the series.  It reeks of an artist desperately trying to make a deadline.  The level of detail continually falters, with many of the more zoomed out shots and smaller panels suffering a great deal.  There are also a few panels where Donald Blake looks like a substantially younger version of himself.  Having three different inkers on the book also certainly didn’t help, making the book feel even messier with its details even more in question.  It makes the book feel sloppy, chaotic even.

Conclusion: It’s a strong issue of Thor, but it’s not the “finale” it claims itself to be.

Grade: B

-Alex Evans