Nova #6 – Review

By: Zeb Wells (Writer), Paco Medina (Penciler), Juan Vlasco (Inker), David Curiel (Colorist), Comicraft’s Albert Deschesne

Review: This is Nova all grown up, in a way; Jeph Loeb’s inaugural story arc has finished, and this is the first issue where Sam Alexander has been handled by another writer. Loeb actually did a pretty great job introducing the character and Zeb Wells is an almost pitch-perfect replacement. He’s writes a liekable smartass well, and Sam’s definitely that, though he’s also got a fairly well developed personal life where he’s rendered a bit softer, more insecure. It’s the latter that Wells focuses on for his first time behind the wheel, and while the action gets knocked down a gear as a result it’s still well worth a read.

This issue begins with Sam returning home after helping the X-Men take down Dark Scott in Avengers Vs. X-Men #12. That happened (in the context of this book) a month after Nova #5, which means the events seen here are, what, 6-9 months old? No matter, as there’s not much that occurs here that alters wider continuity. It’s mainly a tour through the important parts of any fourteen year old’s life – the home, school, family, friends and (for all too many of us) bullies that make up the day-to-day.

Nova #5 – Review

By: Jeph Loeb (Writer), Ed McGuinness (Penciler), Dexter Vines & Ed McGuinness (Inkers), Edgar Delgado (Colorist)

Review: A strange thing has happened. I think I’ve actually enjoyed a Jeph Loeb comic book. I don’t know if the events over in Age of Ultron somehow impacted on our own universe, but something is definitely up. This is not the natural order of things.

After reading Nova #5 – the finale to Loeb’s scene-setting inaugural story arc – I’ve been surprised to come away with a keen affection for its eponymous hero. He’s young, headstrong and cocky, three character traits that usually leave me feeling cold. But Loeb’s vision for Sam Alexander is fuelled by an infectious sense of energy and an emphasis on a certain Silver Age approach to superheroics (one that’s proved rewarding for Waid’s Daredevil and Fraction’s Hawkeye); these heroes enjoy the day job. There are tensions and tribulations outside of the mask but freedom and escapism behind it. Sometimes it’s just nice to sit back and watch a superhero have a good time.

Nova #2 – Review

By: Jeph Loeb (Writer), Ed McGuiness (Penciler), Dexter Vines (Inker), Marte Gracia (Colorist), Comicraft’s Albert Deschesne (Letterer)

Review: Space: The Final Frontier. This is the origin of Nova Corps member Sam Alexander. His mission: to beat up a talking Raccoon, to act like a bit of a dunderhead, to boldly go where several hundred heroes have gone before…

Such is the plot of Nova #2, where one young lad plays with his helmet in order to experience pleasures hitherto unknown. We’ve all been there, but it’s not often that the results saw us flying through space headed to the moon (unless you’re some kind of medical anomaly). Yet this is the next stage of Sam’s journey: a seat-of-the-pants induction into the Nova Corps and a crash course in supersonic flight. There’s a surprising amount of charm in Loeb’s story, with Sam Alexander further settling into his role as a likeable, wide-eyed ingénue thrust into an intergalactic Soap Opera. It might not have achieved ‘spellbinding’ status just yet, but it’s definitely on the right path. Bewilderingly, as a self-proclaimed Loeb-denier, I find much about it highly enjoyable.

Nova Vol. 1 – Review

By Dan Abnett & Andy Lanning (writers), Sean Chen, Scott Hanna & Brian Denham (artists)

The Marvel universe (by which I mean that vast expanse of space in which Silver Surfer, Galactus, and Ego run around in as opposed to the Marvel Universe, the corporate umbrella that we gather all of the company’s intellectual properties under when we talk about them) has never been an especially interesting setting to tell stories in.  Weird, right?  I mean, this is space we’re talking about, the final frontier.  An endless, ethereal, expanse of limitless potential and imagination where anything can happen.  And yet, despite the wealth of stories that can be told here, Marvel writers have seemed reluctant to do anything with it.  The last time I ever got excited about a Marvel space story was when “The Infinity Gauntlet” came out, and that was eighteen years ago.

Fast forward to 2006 when I began reading  positive fan feedback and critical praise for “Annihilation” a storyline designed to revitalize Marvel’s cosmic franchise.  The story certainly sounded worthwhile, but I wasn’t quite convinced to invest the time and money to collect it.

And then I found out Dan Abnett was involved with the story.

I’d known and been a huge fan of Abnett’s work through his involvement with Black Library’s series of Warhammer 40,000 books (any Gaunt’s Ghosts fans out there?) and it was on the strength of his writing there that I was willing to take another chance on Marvel’s final frontier.  I’m glad I did, because there is new life and abundant imagination to be found here, and nowhere is that more apparent than on Marvel’s flagship space title, Nova.

This inaugral volume collects the first seven issues of the title and spins directly out of the events of Annihilation: Conquest, the sequel to the 2006 crossover.  Following the devastation of the Annihilation Wave, the galaxy has been torn asunder and left in a broken, fragile, and highly volatile state.  There was a time when the Nova Corps was around to maintain law and order, but that time has come and gone and the Nova Corps is all but dead, with only Richard Rider left standing as their sole representative, one man to protect an entire galaxy.  It’s a burden no one person should have to carry, and yet Rider does because he knows it’s the right thing to do and that he’s the only one capable of doing it.

Against this backdrop of one man pushing himself to the limit in order to do the right thing, Abnett and Lanning craft a series of explosive, entertaining stories that are deeply rooted in the continuity established by the Annihilation crossovers, and yet immediately accessible to new readers.  What I most like about this volume, and about the new landscape of Marvel’s universe, is that it is such a fully-realized continuity and fully divorced from mainstream Marvel.

For those of you who, like me, have had enough of mediocre crossovers like ‘Dark Reign’, you have here the opportunity to get your Marvel fix with an excellent comic that has absolutely nothing to do with Norman Osborn for a change.  Abnett imbues this graphic novel with a skilled blend of action, imagination, and pathos that frankly shames anything being turned in by Marvel’s ‘terrestrial’ writers, and if you’re looking for a change of pace in your comics then I wholeheartedly recommend this book to you.  This is damn good stuff to read, and I have a feeling it’ll just keep getting better.

Grade:  A

-Tony Rakittke

 

Nova #31 – Review

By Dan Abnett & Andy Lanning (writers), Andrea DiVito (artist), Bruno Hang (colorist)

Some Thoughts Before the Review: Being a die-hard, loyal Green Lantern fan, it goes without saying that I love a good space story.  It’s with some bewilderment though that I confess I’ve never been a huge fan of Marvel’s space faring heroes.  Sure, I devoured Infinity Gauntlet like everyone else, but haven’t touched this corner of the Marvel Universe until I started hearing good things about their Annihilation storyline.  That feedback, coupled with Abnett’s amazing storytelling, has persuaded me to pay closer attention to Marvel’s cosmic comics.

The Story: In the wake of the “War of Kings”, Nova pursues Darkhawk, his friend and alleged assassin, to the outworld Shard in search of answers regarding his involvement in the murder of the Shi’ar Empress Lilandra.

The Good: I can honestly say I was not expecting to like Nova as much as I did, but this issue made me hungry for more of Marvel’s cosmic continuity (yes, I know I’m abusing the alliteration here, but it’s so much fun I can’t resist!).  I first came to Abnett’s work through his efforts for Black Library’s Warhammer 40k games and books, and easily consider him to be one of the finest writers I’ve ever had the pleasure of reading.  Why it’s taken me this long to get into his comics is beyond me but I’m glad I finally did.  Abnett crafts intelligent, dynamic stories that boldly venture into the unexplored corners of Marvel’s universe and create a new mythology from the ground up.  Through his care, Richard Rider is one of the most engaging characters in Marvel right now.  A young man of unimaginable power, he is tasked with protecting not a city, a country, or even a world, but the entire universe, and in this issue you really feel the weight of that burden as Nova must continue building the ranks of his Nova Corp even as he attempts to apprehend the friend who has been branded a galactic assassin.  This issue walks a fine tightrope between being rich in continuity and accessible to the new reader like me, and that is a damn rare quality to find in a comic.

The Not So Good: If it looks like the art in this issue was utterly breathtaking, take a look again and you’ll realize it was Hang’s brilliant colors that you were really admiring.  DiVito’s art was lifeless and not very interesting to look at, seeming to exist only to give Hang a chance to make it look better than it deserves to be through his beautiful palette.  The confrontation(s) between Nova and Darkhawk were also strangely anticlimactic, with a whole lot of nothing actually happening once you stopped to think about it.

Conclusion: Stellar writing and a richly-developed universe has convinced me that Nova is entertainment worth following.

Grade:  C+

-Tony Rakittke