The Thanos Imperative #4 – Review

By Dan Abnett and Andy Lanning (writers), Miguel Sepulveda (artist), Jay David Ramos and Wil Quintana (color artists)

I have cancer.

Non-Hodgkin’s Lymphoma, to be exact.

It’ll probably kill me at some point, assuming I don’t drink myself into oblivion before then, but I felt compelled to share with you because that is the frame of mind I’ve been in as I read Abnett and Lanning’s latest, and possibly most disturbing, space epic for Marvel. I’ve long been a fan of DnA’s work for this corner of the Marvel Universe, and applaud how they have carved out and defined a territory that has been vastly under-utilized by creators for decades now. These guys have succeeded in forging Marvel’s universe a chaotic, exciting, and utterly terrifying place to tell stories in. With every epic they’ve crafted, they’ve gradually raised the stakes in ways that seem logical yet infinitely more perilous. Now, with The Thanos Imperative these guys are building one of their finest stories to date, one that forces me to consider my own mortality in a way that is deeply disturbing.

At the heart of this tale is the simple, eternal conflict between Life and Death. Specifically, it is the tale of a universe where Death died and Life prevailed. A universe that is now trying to infiltrate our reality in a desperate attempt to find more space to continue growing and living. Where this story excels though is in the way it fucks with our expectations by portraying Life as a vile, cancerous entity and Death as, if not The Good Guy, then certainly a necessary deterrent to the threat of Life unbound. Thematically, it’s a strange concept and not something we’re accustomed to endorsing; our education as readers of fiction has trained us to view Life as being Good and Death as being Evil, but here Abnett and Lanning do what good writers do and play with our expectations, twisting them in ways that make us reconsider what we thought to be true. I don’t know about you, but I like that.

The action in this issue is unparalleled and furious, even if the plot was rather sparse. Sepulveda has a wonderful understanding of these characters and his gritty style is perfectly suited to the large canvas Abnett and Lanning like to work on. I loved the contrast of Nova and his strikeforce leading an incursion into the Cancerverse while Lord Mar-Vell and his Revengers stalked our universe in pursuit of the Avatar of Death. With every issue, this cat and mouse game is becoming more intense and bloodthirsty, the stakes are being continuously raised as each side fights relentlessly to gain the winning advantage, and after this issue I’m at a loss to see where the creative team could possibly go from here with the story.

Nova #36 – Review

By: Dan Abnett & Andy Lanning (writers), Andrea DiVito (art), Bruno Hang (colors) & Cory Petit (letters)

The Story: After a multi-issue battle with the Sphinx, Nova returns to Earth.  Will his stay there be quiet?

What’s Good: I’m excited for the Thanos Imperative, and this issue of Nova was a nice lead in.  I was a little afraid that this issue would be an issue to get Nova ready to become a Secret Avenger and perhaps focus on his relationship with the not-dead-anymore Namorita, but DNA don’t give us any of that.  Instead we get evil Quasar and parasitic mind-control organisms, as Nova returns to Earth and Project PEGASUS, only to find an open portal to the Fault down in the basement with one of those big, nasty, tentacled, pointy-toothed monstrosities coming through.  Cool story and a nice lead in to the Thanos Imperative!