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Dark Horse Presents #2 – Review

By: Paul Chadwick, Robert Love, David Walker, Michelle Davies, Diego Simone, Thomas Mauer, Neal Adams, Moose, Carla Speed McNeil, Jenn Manley Lee, Bill Mudron, Howard Chaykin, Jesus Aburto, Ken Bruzenak, Michael T. Gilbert, Patrick Alexander, Sanford Greene, Chuck Brown, Tyson Hesse, Steve Dutro, Richard Corben, Clem Robins, David Chelsea

The Story: Another round of Dark Horse’s reborn anthology series.

Review: Honestly, this issue was a real slog to get through.  Part of the problem is that there was no singular story that was just electric in this short format.  Some of them might mature into great stories, but anthologies are hard. You have to grab the reader right away!  If the issue starts with 3 stories that fail to capture the attention, the remaining part of the issue might be doomed.

Another problem with this issue was editorial.  By having most of the first half of the issue filled with stories that began in last month’s issue, we got a lot of second chapters.  All told, we got a second chapter of Concrete (Paul Chadwick), Blood (Neal Adams), Finder (Carla Speed McNeil), Marked Man (Howard Chaykin), Mr. Monster (Michael T. Gilbert), Murky World (Richard Corben) & Snow Angel (David Chelsea).  That is just waaaayyyy too many second chapters.  Second chapters don’t have as much novelty, but they also don’t finish stories, so they can be pretty boring.  And this issue was pretty drab.

The few new stories in this issue were the high points.  Robert Love and David Walker give us “Number 13” which is about a post-apocalyptic wasteland, Patrick Alexander gives us The Wraith which is a silly kinda spoof of an evil Batman and Sanford Greene and Chuck Brown trot out Rotten Apple which had an interesting twist on a zombie overrun world.  I really enjoyed all three of these new stories because they were fresh.

Editorial could have helped this issue out a bit by putting the new stories at the front to build some more excitement for the rest of the issue.  It also might be good to stagger the ongoing stories so that we don’t get a whole pile of Chapter 2’s again.
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Dark Horse Presents #1 – Review

By: Paul Chadwick, Howard Chaykin, Jesus Alburto, Ken Bruzenak, Neal Adams, Moose, Carla Speed McNeil, Jenn Manley Lee, Bill Mudron, Michael T. Gilbert, Frank Miller, Richard Corben, Clem Robins, Randy Stadley, Paul Gulacy, Michael Bartolo, Michael Heisler, David Chelsea, John Schork (assistant editor), Scott Allie, Rachel Edidin, Sierra Hahn & Diana Schultz (editors)

The Story: A great name in anthology comics comes back with pretty hot list of creators (see above) tossing a few pages each at the effort.

Anthologies: When I read an anthology, I am looking for something very specific: I just want one electric story that grabs me and makes me want to see more material from that creator NOW.  Other than that, I’m just looking for few nice stories, some nice art, etc.  And, I really don’t care that much if a few of the stories suck.  Just turn the page!  I think you score anthologies based on the high points, rather than the average of all the stories combined.

What’s Good: We have a winner!  In a comic that has a lot of pretty strong efforts from some creators who know a thing or two about creating comics, the best short-story is that of Michael T. Gilbert as he gives us a story of his character, Mr. Monster, fighting with a giant tree-alien calling himself Oooak (get it?).  This story has a very retro vibe both in terms of the language and the art, but it is just zany fun as Mr. Monster tries one thing after another to kill Oooak before he finally resorts to throwing a jar of “Acme Termites” at the bad guy.  This is the awesome sauce that made the whole comic worth buying.

There were a few other nice little stories in here too.  Paul Chadwick contributes a very nice story of his character Concrete.  I don’t even know the last time we got a new Concrete story, but this is some vintage stuff as we get to see the protagonist’s humanity filtered through this character that couldn’t look more different if he tried.  Neal Adams also tosses in a teaser for a new concept he has called Blood.  We get a singular image of the anti-hero Blood, but the rest of the story is recounted via a torture scene as some bad guys sweat the details out of one of Blood’s buddies.  It’s a very original way to lay out a story and Adams is on his A-game with the art too.

I’d absolutely like to see more of those three stories either in future editions of DHP or on their own.

What’s Not So Good: Considering the teaser on the cover for “Frank Miller’s Xerxes!”, it might be nice to have gotten more than 4 splash pages of art/story.  What we see is good, but it was a little disappointing when the name “Frank Miller” was one of the large attractions for the issue.  As if to compensate for the lack of story, we are treated to an interview with Mr. Miller.  I don’t know about you, but I have less than zero interest in reading an interview in my comic book.  For one thing, I pretty much don’t read interviews about upcoming projects; I’ll just look at the work when you get it done, thank you.  For another, in the year 2011, there are a bajillion places to find interviews online without having a few pages of a $7.99 comic devoted to them.
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