Thunderbolts #22 – Review

by Charles Soule (Writer), Carlo Barberi (Artist), Israel Silva (Colorist)

The Story: Who knew that Hell would be so violent toward those that tries to challenge and overthrow their ruler?

The Review: There are times when, even if one might really like character exploration, big concepts or huge surprises, a person crave for action. With super hero comics being definitely known for delivering on said conflicts and fisticuffs, it’s nice to see that you can sometime count on a genre to deliver on a specific desire.

It is exactly what this conclusion to this arc brings to the table, with plenty of demon-bashing and violent tendencies being shown on the page. However, while a certain aspect might be satisfying, does Charles Soule deliver on other important aspects as well?

It’s a fine enough job, although it certainly isn’t perfect by any means. What work, though, is the continued combination of violence, dysfunctional character and humor that makes the scenes flow very naturally together for the most part. The normalization of violence and the setting in which the team is currently in makes for a strangely effective story, with the focus on action only enhancing the general allure.

What’s also quite good is the way Soule plays around with the character, with him having quite a lot of fun with characters like Ghost Rider, Red Leader, Red Hulk, Punisher and Deadpool. Playing with their quirks, desires and their speech pattern, the humor, action and chaos is accentuated by their reactions, with some moments being satisfying for fans.

Not all characters gets the same amount of work, though, with Elektra and Venom being a bit left on the side. Having few lines and few incidences on the plot, their inclusion seems more like a necessity of the concept rather than a natural and integral part of this present arc. They are present, but certainly not that important.

Still, despite it all, the aforementioned action takes a bit of precedence on the plot, which allows for cool moments and a display of some of the more brutal inclinations. However, the action doesn’t remove the importance of the plot, with the fight for Hell being still a focal point to the evolution of the team in many ways. Mephisto’s machinations, the deal they made and how they want to remove Mercy from their grasp is still dealt with in a manner that is generally entertaining and satisfying.

Thunderbolts #19 – Review

by Charles Soule (Writer), Gabriel Hernandez Walta (Artist), Guru eFX (Colorist)

The Story: Road trips are apparently perfect opportunities if you plan to kill your teammates. At least, Red Leader seem to think so.

The Review: In team books, it’s usually expected that sooner or later an issue will focus on a specific member of the cast. Either a member of the team, one of the antagonists or even an important secondary character may end up getting a chance to be in the spotlight. Usually done before in the first issue of an arc or between two, those kind of issues always present the chance to see how a specific character perceive certain events and how his personality may be in comparison to others. In such a book like Thunderbolts, with a cast full of unsavory characters, the chance to put a shine on these troubled mind could very well end up being a pretty neat thing.

In a way, Charles Soule manage to surprise readers as well as take a big chance as he focus this one on Red Leader, pushing forth Samuel Sterns forth in order to clarify his thinking process and just how he sees this present team. With this character usually seen as a huge presence in many iterations of Hulk, does Soule actually delivers a nice rendition of the character as well as a pleasant issue with this one?

Thunderbolts #18 – Review

by Charles Soule (Writer), Jefte Palo (Artist), Guru eFX (Colorist)

The Story: Red Hulk tries to get Mercy to cooperate and the Punisher and his crew tries to finish off the Paguro . Meanwhile, Deadpool has pizza.

The Review: It’s always disappointing to see a book do well in so many areas, only to see it fail in one where it’s critical to its enjoyment. Perhaps it has really great character interaction and development, but dull antagonists. Maybe it’s really great-looking, yet has really weak colorization. Either way, it always lead to something that you know can be better, yet are powerless to see change in any way. You either stay patient and hope that the problems gets resolved, or go away in order to not feel any disappointment in the future.

This book, unfortunately, has a problem of its own as there is plenty of humor, some great action and the handle on the characters is interesting enough, yet some really weak art and colorization. Many of the elements here are just waiting to be appreciated, yet the deformed and square-looking art remove a lot of potential for the book.

Where this comic goes right is the juxtaposition of humor and rather dark themes. With a team of almost psychotic killers going out of their way to bring the pain to criminals, a good deal of humor is the one thing that really bring some sense of identity and fun to the title, which Soule really brings forward thanks to the great use of Deadpool along with a good sense of comparison between relatively normal situations and surrealist ones. Still, Soule is able to not just rely on humor, balancing things out with darker scenes as well as some pretty neat action.

Thunderbolts #17 – Review

by Charles Soule (Writer), Jefte Palo (Artist), Guru eFX (Colorist)

The Story: The Punisher and his team fight the mob in their bunker, Red Hulk tries to fight the invaders and Deadpool finally gets his pizza.

The Review: I rather like Charles Soule right now. Discovering him as he took over Swamp Thing at DC, he has been in some more books in the previous months and now seems to be doing some work for Marvel as well, with this title as well as She-Hulk coming in February. With a knack for taking over books and giving them either a new direction or focusing on the stronger elements of the core concept, Soule is rapidly becoming a writer on the rise in terms of visibility.

Thunderbolts is one of the book that has received a bit of his skill, to good effect as the mix of rather dark humor to the sensibilities of hard killers makes for a rather enjoyable book. Tying in to Infinity, Soule tries to incorporate those stone-cold killers to the larger Marvel universe, yet does he succeed in making them interesting and his tale good enough for readers to care?

He starts with the right footing as the first thing he seems to be doing well is creating a nice balance between plot and humor, advancing the story without putting too much emphasis on the horror of what the characters are doing. The pacing in itself in terms of development is good, with each scene getting to the point and delivering something worthwhile for readers, like how outgunned the mob is against Venom, Punisher and Elektra or when Deadpool finally get the pizza slice he wanted in the first place. There is enough going on in this issue that it doesn’t feel decompressed in the slightest, giving a central conflict with many smaller problems on the side for the characters to resolve in the issue. In terms of storytelling, it’s good.

Thunderbolts #16 – Review

by Charles Soule (Writer), Jefte Palo (Artist), Guru eFX (Colorist)

The Story: Red Hulk and Red Leader tries to fight off the alien invasion as the rest of the team continues their work against the Paguros.

The Review: It’s always a bit disappointing to keep hoping for ameliorations in some specific areas only to find others lacking as a result. While the Daniel Way run had its share of problems, it seems that Soule has its own, which are completely different from the previous writer. It’s one step forward, two backwards as they say as Thunderbolts soldiers on with its cast of killers.

Where it did improve and it keeps on improving would be the handle on the killers themselves, as Soule really do seem to get how they work and how their interactions could very well be entertaining. Everyone gets a bit of panel time in this issue, with most of the cast receiving close to equal spotlight, which is commendable enough. From Venom being the somewhat idealistic, Deadpool’s shenanigans about searching for a slice of pizza and Red Leader being mysterious and threatened by a member of the Black order, close to everyone do make their presence known in this issue in ways that count. I say close, as Elektra seems to have nothing much to say or do except participate in the action, with little else to give for readers and fan of hers.

There is also quite enough space given to the villains, with the alien goons and the Paguros contributing quite well with the issue. Those characters do permit for Soule to throw in some concepts which are solid enough, like what exactly happens to the criminals, gangsters and unsavory elements when a big threat arrive in New York? How do the Paguros actually get themselves protected in times of dire need? All those concepts really do bring a new vision on the underworld of the Marvel universe, as they do make sense considering the high number of costumed vigilantes in New York alone.

Thunderbolts #15 – Review

by Charles Soule (Writer), Jefte Palo, Terry Pallot (Artists), Guru eFX(Colorist)

The Story: The Thunderbolts reach New York and do their best to help Frank Castle with his mission. As they do so, Thanos and his army invade Earth.

The Review: Charles Soule is not a lucky writer. Not only does he take on a book that the core idea was not one of his own, but he does so right when a huge event comic is on the verge of releasing. As a writer, he has to play with dynamics previously established by someone else, but he needs to tie-in some plot elements from a story that is not his own. Decidedly, it’s not a recipe for contentment or success.

Such is why seeing him succeed in most parts is actually quite surprising as not only Soule play with the dynamics and the characters quite well, but he also seems not to rush in with the Infinity plot points. There is a certain balance with a lot of the characters on this team that not every book is able to maintain, which is commendable of Charles Soule skills as a writer.

What he seems to be really getting is most of these characters and their psychology, with Red Hulk being restless when he’s out of the action, Punisher being solely driven by his mission, Elektra with her subtle manners and so forth. Soule gets bonus points for Deadpool though, as he is a character that a lot of writers simply write in a comedic tone and nothing else. He has a certain balance with his personality, his humor and just the way the character is that he doesn’t become the buffoon he can be written as. The scene in the subway is a true testament to this vision of his, which forebodes good things with Soule at the helm for this character.

Thunderbolts #13 – Review

Charles Soule (Writer), Phil Noto (Artist), Guru eFX (Colorist)

The Story: General Ross explains to Venom just how he got Mercy to be on his team.

The Review: While he had a less than stellar introduction to the Marvel universe, the Red Hulk soon became, under the pen of some talented writers, a character that has evolved to a point where he could be called a fan-favourite. As we followed his adventures, we soon saw that this man was one who had to pay for his past mistakes as he went on to make new ones, being part of a cycle that was almost unending, much to the satisfaction of the readers. With his solo title being given away to his daughter, it made sense to put him in a title consisted of other fan favourites with similar mindsets and even similar backgrounds to continue his adventures, thus a new and very different volume of Thunderbolts was born.

However, I have to admit that this title really did not sink me when it started, as it never went really far beyond the concept and the general tone of putting such characters on the same team. While it had the potential to be somewhat akin to Uncanny X-Force, it never reached that level. It could, however, see a boost in its quality as we now have a new writer, Charles Soule, who you may have heard of from the Distinguished Competition. Does he have the capability to make this title reach the level it could very well have?

As we have seen in the last issue, which had also been written by Soule, he is not only able to play with the characters and plot points that Daniel Way had set before, but he can also use them as his to propel for further conflict and stories in his own tenure on the title. Here, we get a tale that is about two characters: Red Hulk, also known as General ”Thunderbolt” Ross and Mercy, a character created by Peter David in the end of the 80’s. What he does here not only explain to us how Ross got such a powerhouse on his team, but what it could also mean to have her around them in the long run.