Avengers #6 – Review

by Brian Michael Bendis (writer), John Romita Jr. (pencils), Klaus Janson & Tom Palmer (inks), Dean White (colors), and Cory Petit (letters)

The Story: The Avengers try to reach an agreement with Ultron to stop Kang’s breaking the timestream.

What’s Good: This issue really goes out of its way to establish the Avengers as the central title for the Marvel Universe through its both hinting at, and setting up, major stories to come.  Bendis is able to do this thanks to the story’s conveniently being located in the future.  There’s a really nice reference to the outcome of the “Trial of Captain America” storyline over in Captain America, while the final events of the issue seem to hint at a major Ultron-related storyline that might possibly lead to an event spreading to other titles.  All told, it’s stuff like this that makes the Avengers feel really important as a title.

Bendis does a good job with the wacky time traveling dynamics.  For the first time, I feel as though things not only made perfect sense, but also were actually rather clever.  Bendis puts everything where they ought to be and, unlike previous issues, the timestream stuff is never dubious.  In fact, it actually allows for Bendis to write a really, really nice ending, allowing for this story-arc to end exactly as it began, as the murder of Immortus is explained and cast in a wholly different light given what we now know.  It’s really quite good, so much so that I was taken by surprise by how eloquent and well constructed it was.

The Avengers’ attempting to stop the war from ever happening is also well done; their dialogue with Ultron is tense but logical.  Bendis writes a really good back and forth, doing solid work in making Ultron’s reasoning and thought processes appear calculating and ruthless.  Honestly, Bendis just writes a good Ultron.

Romita’s artwork continues to sharpen and improve.  This may be his most polished issue yet, as it really cuts back on the “scratchiness” that at times gets out of control in Romita’s work and ends up making things look sloppy.  The detail work is solid and characters look Romita-trademarked cartoony, but never deformed.  The action and pyrotechnics are enjoyable and Romita also joins a very, very nice Ultron.

Avengers #5 – Review

by Brian Michael Bendis (writer), John Romita Jr. (pencils), Klaus Janson & Tom Palmer (inks), Dean White (colors), and Cory Petit (letters)

The Story: The Avengers discover the truth behind the breaking of the time-stream and come up with a gameplan.

What’s Good: The new main Avengers title continues to deliver its brand of old-school, pulpy stories, which is a good thing, as combined with Romita’s distinctive, scratchy style, it makes the title stand out among the mass of Avengers-related title, and that’s a major accomplishment in and of itself.

It also provides grounds to use a smattering of characters that can’t be found anywhere else, guys like Maestro, the Next Avengers, and most importantly, Kang.  Kang is presented really well this month, both arrogant and sniveling, seemingly in a constant state of petulance.  There’s a sense throughout this issue that Kang’s up to something that the others can’t quite put their fingers on, despite their suspicions.  I couldn’t help but get the feeling that despite his current downcast state, he’s still pulling the strings somehow, which did intrigue me about the story-arc’s future.  There’s also a certain kind of tragedy inherent to the fact that the broken time-stream has resulted in, or perhaps is caused by, Kang’s fighting the same unwinnable battle against Ultron again and again and again.  It’s a nice statement on the classic comic villain and, combined with Romita’s down-trodden rendition of Kang, makes the character all the more compelling, even sympathetic.

Beyond that, Romita’s art maintains its recent upswing in quality.  Large panels are very impressive, and the bigger the action, the better.  Giant, flamboyant images are clearly what Romita excels at and he attacks any and all action sequences with gusto.  The book isn’t lacking character, and while it may not be for everyone, I found it to be fun.

Avengers #4 – Review

by Brian Michael Bendis (writer), John Romita Jr. (pencils), Klaus Janson (inks), Dean White (colors), and Cory Petit (letters)

The Story: In the future, the Avengers encounter the Next Avengers and their masters while in the present, the remaining Avengers meet an unlikely ally and struggle against total chaos.

What’s Good: This issue is basically total mayhem and, honestly, the crazier and wackier it is, the better.  Spider-Man bumping into Killraven riding a dinosaur and Thor blowing up War of the Worlds style aliens are just part of the fun.  Really, at times things get so ridiculous that they border upon comedic, and certainly Bendis’ dialogue helps that along.  Much like last month, there’s a strong old school vibe here, but also a slight sense of self-awareness.  While a lot of it has to do with Spider-Man, particularly his conversations with Killraven and Jessica Drew, this is an unexpectantly funny book.  Things are completely insane and the fact that the characters are hyper-aware of it makes for a generally fun read.

That feeling of absolute chaos and insanity also makes for Romita’s best issue thus far as he continues to improve after the first two underwhelming months.  Bendis really lets Romita stretch his legs here and let his imagination run wild.  Pretty much every splash and double-page spread is a lot of fun and all of them had me staring for quite a while.  There’s so much packed into them that it feels like a cosmic Where’s Waldo at times.  It’s as though Romita just through as many random, awesome things onto the page as possible.  His work is, overall, just a lot of fun this month.

Fantastic Four #580 – Review

by Jonathan Hickman (writer), Neil Edwards (pencils), Andrew Currie (inks), Paul Mounts (colors), and Rus Wooton (letters)

The Story: Franklin, Leech, and Johnny head to Arcade Toys for “the most impossibly awesome toy event ever.”

What’s Good: With wacky characters like Arcade and Impossible Man and most of the action taking place in a madcap toystore, the book reads like a really fun kids movie or cartoon of the sort that adults can also find enjoyment in.  As a result, there’s a lot of energy and gleeful abandon to the book, making it basically impossible to dislike.  It’s the kind of action that just makes the reader happy and that’s never a bad thing.

Certainly, Arcade and Impossible Man’s larger-than-life presences are more than welcome and make the comic a livelier and more welcoming experience.  Both characters suit the kids movie tone perfectly and give the book a sense of familiarity.  They’re two Saturday morning type characters and as such, they offer a bit of a reprieve from the big ideas that Hickman usually layers his books with.  I do love Hickman for those ideas, but giving us a little break now and then can be refreshing and liberating.  That and Impossible Man, when written well, is always a barrel of fun.

Amidst all the wackiness, there is solid character work as well.  I was pleasantly surprised by Hickman’s writing of Johnny this month, who came across as uncharacteristically paternal, loving, and even, dare I say it, responsible.  His relating to Franklin’s situation and the advice he gives his nephew hit home and provided something of a tender moment between the two.  Basically, Johnny acted like the perfect uncle this month.  All of this was still distinctly Johnny, however, with his characteristic narcissistic remarks peppered throughout.

The final scene, which involves the Future Foundation seeking a cure for Ben’s condition, was intriguing as well.  I found it particularly effective due to bittersweet note it ended on.  What the Future Foundation does for Ben is so limited, yet for Ben, that’s already a miracle.  It’s heartwarming to see something done for Ben, but also sad that it took this long and is so deteriorated in effectiveness as a result.  Hickman struck this balance perfectly.