Uncanny X-Men #509 – Review

By Matt Fraction (Writer), Greg Land (Pencils), Jay Leisten (Inks), and Justin Ponsor (Colors)

Some Thoughts Before The Review: Uncanny X-Men frustrates me. Read my review of Uncanny #508 for an explanation of why that is. The series is very close to being good (or even great), but a number of kinks must be worked out before it can make the jump.

The Story: The mutant community gets quite a jolt when news of Proposition X, legislation that would make chemical mutant birth control mandatory, hits the airwaves. Meanwhile, Beast’s X-Club learns that the key to solving the mutant birth problem may actually lie within one of the science team’s members. As for the Sisterhood? Madelyn Pryor’s plan gets revealed a bit more as they begin to take the fight to the X-Men.

What’s Good: While many of the usual flaws of the series still pop up, Uncanny X-Men #509 is definitely an improvement over the last issue. Especially in regards to the pacing of the various plots. What that means for the reader is that the storylines finally progress enough to feel somewhat satisfying and are also left dangling at logical, suspenseful moments. I still wish the plot segments weren’t so broken up, but I’ll take whatever improvements I can get.

Matt Fraction continues to do an extremely good job of using his large cast to explore big ideas. From Proposition X and the Sisterhood’s goals, to the X-Club’s mission, Fraction fuses plot and personality in a way that makes Uncanny #509 fun to read even when it falters or frustrates. Heck, even the artwork contributes to the feeling at times (turns out Colossus fits right in with the Oakland Raiders faithful), though I can’t help but wonder where Greg Land gets his source material from, because some of it cannot possibly be safe for work (Emma Frost in bondage restraints is just one of the questionable images).

What’s Not So Good: Even though the latest issue of Uncanny is an improvement, it still disappoints from time to time. The biggest reason for that is because the headlining Sisterhood story arc is proving to be a bit vague with the details and at times, too reliant on knowledge of X-continuity. Also, the artwork remains firmly inside the “love it or hate it” category. And as for the writing, Fraction can rightfully be accused of trying too hard to be hip or clever with some of the dialogue choices.

Conclusion: Uncanny X-Men #509 is a step in the right direction in almost every way. The flaws still prove to be distracting, but the good manages to outweigh the bad for once.

Grade: C+

-Kyle Posluszny

Astonishing X-Men #29 – Review

By Warren Ellis (Writer), Simone Bianchi (Pencils & Inks), Andrea Silvestri (Inks), and Simone Peruzzi, Christina Strain, & Laura Martin (Colors)

Some Thoughts Before The Review: Astonishing X-Men should be better than it has been, especially considering both the talent involved and how long the wait is between issues. The biting humor and high-concept storyline work quite well. The muddy, (sometimes ridiculous) artwork and fairly plodding pace, however, does not.

The Story: The penultimate chapter of “Ghost Boxes” reveals more of the details behind both the ghost boxes and the artificial mutants. In addition, the X-Men learn about Forge’s involvement in a secret war between alternate realities. The information comes mostly from some brutal interrogation techniques used by the team.

What’s Good: I know it sounds terribly simplistic, but the good stuff about the current form of Astonishing X-Men keeps being good in Astonishing #29. Warren Ellis does a great job writing some of the characters (especially Emma Frost) and his storyline continues to be dense and intriguing, but not overwhelming (though it still feels like the plot’s moving a bit slow). The interrogation scenes are particularly amusing, given that they are written with an edge rarely seen in an “X” book that isn’t called X-Force.

What’s Not So Good: Just as the good stuff remains good, the bad stuff remains bad. The artwork is a mess of highs and lows that is incredibly frustrating to look at. For every panel (or page) that looks damn near fantastic, there are a handful that can be described as (feel free to pick more than one) inconsistent, muddy, unclear, or just downright silly looking. Wolverine is shown with a hilariously flat face on two occasions. Cyclops seems to have some relation to Angelina Jolie. Storm is actually lacking facial features in one panel. I could go on, but I assume you get my point. I know how good Simone Bianchi’s work can look. That’s why I have to come down so hard on the art in Astonishing.

Conclusion: The good outweighs the bad in Astonishing X-Men #29, but not by as much as I’d like. The writing rocks for the most part, but the book as a whole is weighed down by the art and the pacing.

Grade: B-

-Kyle Posluszny

Uncanny X-Men #508 – Review

By Matt Fraction (Writer), Greg Land (Pencils), Jay Leisten (Inks), and Justin Ponsor (Colors)

Some Thoughts Before The Review: It seems like nearly every month I wonder why I continue to purchase Uncanny X-Men. It’s as if I face the same irritations every time I read an issue. The story threads are too chopped up, the artwork is in a divisive style, and the arcs as a whole feel somewhat scattershot. While I don’t find the series to be bad or anything, I’ll be the first to admit that there are better comics I could be spending my money on.

The Story: Madelyn Pryor, Cyclops’ former lover, is back and looking to make good use of a captured “X” character. With the help of Spiral, Chimera, and Lady Deathstrike, she raids a cemetery to get just the body she needs. Meanwhile, Beast introduces the final member of his science team and lays out the current situation of mutantkind. Also, Wolverine does some recruiting and Emma attempts to teach the recently rescued Russian women.

What’s Good: You have to give Matt Fraction credit for being able to successfully cram so much of the “X” universe into one issue without too much confusion. He makes good use of the powers, personalities, and storylines that make up the mutant ‘verse and the series is all the better for it. Even those unfamiliar with the characters (or confused by Greg Land’s artwork) will feel sufficiently in the loop thanks to Fraction’s clever (occasionally annoying) information boxes. I mention that because Uncannny X-Men #508 is definitely juggling a whole hell of a lot at once….

What’s Not So Good: …And, unfortunately, the entire issue suffers because of it. Quite frankly, the whole thing is just incredibly frustrating to read and look at. That said, in truth, I like the storylines in play for the most part. What I don’t like is the way they are being chopped up into tiny little pieces that rarely feel satisfying. While the latest Uncanny moves plot threads forward more successfully than some of the previous issues, every one of them still feels incredibly stunted when left dangling for next month. In other words, from a story perspective I was left wanting more, but more because things felt incomplete and unsatisfying as opposed to them being genuinely compelling. Allow me to share an example…

During one scene, Wolverine learns of something over the phone and reacts by yelling out and unsheathing his claws. The next time we see Wolvie, he’s totally cool with everything and busy doing some recruiting for the team. Now what bothers me is that there was absolutely zero explanation about (or even mention of) his outburst at any other time in the issue. While it’s easy to draw a conclusion to what caused his reaction, there is no reason given in the book for why the reaction was warranted. I presume it is being left for next month, but for the time being I have to react with a big old “WTF?”

Want to know something else that is not so good? The artwork. While I think Uncanny is one of the better fits for Greg Land’s style considering how “talky” it can be, it would be nice to see the work manage to keep things consistent or appropriately detailed for more than a few pages at a time. The inks and colors do little to help matters either, as I think they definitely contribute to the consistency and detailing problems.

Conclusion: Uncanny X-Men #508 scores points for personality and effort, but ultimately winds up being far more frustrating than fun.

Grade: C-

-Kyle Posluszny

New Avengers #42 (Secret Invasion) – Review

Brian Michael Bendis, (Writer) Jim Cheung, (Pencils), John Dell, (Inks) and Justin Ponsor (Color Art)

With each Avengers comic that comes out, whether it be of the Mighty or New variety, Brian Bendis is a bit closer to fulfilling the promise that all of this Secret Invasion stuff was planned years in advance. I will admit to being skeptical about this grand plan, but so far the payoff for being a loyal reader has been extremely satisfying.

With New Avengers #42, Bendis takes us back to the moment Jessica Drew was replaced by the Skrull queen, Veranke. It goes without saying that more pieces of the bigger puzzle fall into place and those that have been around since New Avengers #1 will find a lot to chew on. For those of you that are fairly new to the Marvel Universe and unfamiliar with the larger scheme of things, I suggest doing some research on both the history of the New Avengers and the events of M-Day as both are key to the story of the Skrully Spider-Woman. While this is an interesting story in its own right, it must be noted that it works best when put into the context of the Secret Invasion. Those looking for something stand alone would be better off looking elsewhere. This is a tie-in story through and through.

The writing by Bendis is spot on in that he answers questions while creating new ones at the same time. It must be noted that a portion of this story really is reused material from old New Avengers issues, but it is hard to fault him for that when it is necessary in order to tell the story. One thing that is very interesting to me is that this issue suggests that there has been Skrull influence through most of the major events of the past few years and, to be honest, it seems like a pretty gutsy move by Bendis. It’s almost as if he’s making more work for himself and I question whether or not he will be able to pull all of this off in a satisfying way. So far so good, but a lot of blanks still need to be filled in as his plot continues to thicken.

The art in this issue is extremely impressive and actually adds to the story being told. The team handles the major Skrull sequences in a way that elevates the entire issue. The transformation sequence the Skrull queen undergoes is somewhat disturbing and the artwork really is in charge of explaining the process. Also, the shadowy meetings of the Skrull agents are put together like a conspiracy theorists dream scenario. This really is good stuff all around, especially the scenes showing the chaos at The Raft from the first New Avengers arc and the imprinting of Spider-Woman’s memories during her transformation. If I have any complaint at all it is that Spider-Woman seems either a bit fat in the face or too square jawed, but that is just a minor quibble.  Also, just an observation, but some of the Skrull agents seen in the meeting scenes look an awful lot like characters that have yet to be revealed, but it’s hard to tell if that was intentional.

I really enjoyed New Avengers #42, but know I would have been a bit lost had I not caught up with the series when I started really investing in the Marvel Universe. This is a good story, but it’s really only a piece of a larger puzzle, so be aware you aren’t getting a complete story with this issue. If there’s any downside, it’s that Bendis expects the reader to do some homework to truly appreciate his story. If you are as hooked on the Secret Invasion as I am, consider this a must read, but make sure to do your homework first. (Grade: B+)

-Kyle Posluszny