
By Mark Millar (writer) John Romita Jr. (pencils), Tom Palmer (inks), Dean White (colors)
The Story: Red Mist’s ambush of Dave, Big Daddy, and Hit-Girl, comes to a brutal crescendo with the death of a major character, while Millar and Romita pay homage to the everyday fanboy.
What’s Good: Well, this series has finally caught up to its opening scene of Dave getting tortured and recounting his origin story. If you like the gory, ultra-violent stuff that has characterized this comic to date, then you’ll love this issue. Personally, I have always liked the whole concept/existential aspects of the idea behind this comic and not really cared for the gore. I’m happy to say that Millar does explore these themes a little here and satiates gore-prudes like me.
It’s weird, unique, and borders on great when the characters in this comic talk about comics being just fantasy. It reminds the reader that this comic is “real,” i.e. based on everyday life and no superheroes, but then in clicks that this is still a comic. This dynamic coats a nice “4th wall” layer to the comic in a un-in-your-face, non-Dead Pool manner. So, the way I view this comic is that it is a unique use of the medium to play on the whole comic metaphor, while exploring the real-world sociological effects of comic books.
Outside of all this, there is some interesting character work and Millar does a good job of making Red Mist into a true “villain” and Hit-Girl into a hero.
The artwork is off the hook, but I gotta be honest, something doesn’t sit right with me seeing JRJR drawing guts and blood to this level. I’m not sure why this is, but it is.
What’s Not So Good: Big Daddy’s narrative seemed very, very contrived. I know this is all about fanboy culture, but the specifics of his tale we’re a “Come on, man!” moment. If it wasn’t for JRJR drawing an unbelievable micro-shot of all the great Marvel Silver Age Covers, it would have been a total loss. Also, Dave actually surviving his torture and beat down was far less than plausible. It would have been better to just lighten the torture and make his escape believable. Lastly, Hit-Girl has one of the all-time corny lines ever to be written in a comic. I’ll leave it to the reader to find it (hint: combination).
Conclusion: It’s hard to get into this series’ momentum when issues are produced so sporadically, but KA has so much charge and energy that it is easy to fall back into its kinetic feel. Truly, there is nothing else like this on the stands. It’s one of a kind.
Regarding this issue specifically, it does what every previous issue has done: leaving you excited for more. But in this issues, there is that true heroic pseudo-superhero vibe to the ending and the direction of the series. However, I’m sure Millar will turn this flow around into some twisted, distorted and unexpected fun current.
Grade: A-
-Rob G.
Filed under: Marvel Comics, Reviews | Tagged: comicbook reviews, Dean White, Icon, John Romita Jr., Kick Ass, Kick-Ass #7, Kick-Ass #7 - Review, Mark Millar, Marvel Comics, Marvel Comics Reviews, Tom Palmer, Weekly Comic Book Review, Weekly Comic Reviews, weeklycomicbookreview.com | Leave a comment »




