Uncanny Avengers #19 – Review

By: Rick Remender (Writer), Daniel Acuña (Artist/Cover Artist), VC’s Clayton Cowles (Letterer)

The Story:
Somebody told me that you had an ally that looked like an enemy that I had last story arc.

The Review:
We all know about “flow,” that psychological state where everything else slips away and all you are aware of is the object of your focus. The best movies, shows, video games, etc., all have this state as their ever-elusive goal, and one of the best things I can say about Uncanny Avengers is that it consistently brings the flow. Whether it’s the villain Eimin guiding the discussion of the alternate X-Council, Havok and Kang coming to terms with their objectives as “heroes,” and how it all blends together in an extended fight sequence, I find myself gripped by the worlds and characters being explored here, and surprised when the final panel appears. In this case, it’s Thor about to throw down against the Big Bad, a cliffhanger to keep me baited until the next issue.

This flow is partly achieved by the ethical dilemma and high stakes that have been established for the characters and their world. On one hand, there is absurdly high stakes that risks the lives of millions and the very nature of time/space itself. On the other hand, you have the very personal stakes of a man, a woman, and the potential loss of their love and their child. Both extremes are completely melodramatic and over-the-top. I’m usually one to rail against “threat escalation” as it’s become a tired trope, but in this case it works. There’s something about a 4-color cape-and-tights world that embraces the absurdity of extreme situations, and it makes me curious to see how it plays out.

In the same way, the comic offers layers of ethical dilemma here. Havok and his team have to contend with accepting villains as allies, consider the costs of keeping a false world, and the limits of personal responsibility in regards to a community, the price of leadership, and more. They can all be summarized with the biggest one of all, the cornerstone of any superhero story, really: will you make things right, even if it might cost you everything? There are some pretty big, postmodern implications to this, of course: “who’s to say what’s right?” That last part, unfortunately, is a bit more implicitly handled, as Havok has no time to pursue that one too far.

Uncanny Avengers #12 – Review

by Rick Remender (Writer), Salvador Larroca (Artist), Frank Martin (Colorist)

The Story: As Havok and the others try to infiltrate the lair of the Apocalypse Twins, Wanda and Simon needs to make a decision concerning the future relations between humans and mutants.

The Review: We all have an author or an artist that we’ll follow wherever he goes. As the careers of those in the industry continues, they may produce a piece of work that gathers them fans for whatever they may do next, which is how the whole thing functions. When Rick Remender made his excellent run on Uncanny X-Force and the superb independent series Fear Agent, it would be safe to say that he gathered a particularly strong following. I can definitely say that I was particularly pleased with those two runs, as I had decided that I’d give a shot to a lot of things he would write from now on.

It’s a bit sad to say, but considering this series, I am getting a bit uncertain about the wisdom behind my choice, as Uncanny Avengers never did meet the same quality level that some of his previous work had once reached (although there are some moments where it did came close to that level), with this issues providing plenty of examples as to why. While it clearly isn’t supposed to be the same type of book that Remender did previously at Marvel, there are simply some elements that he isn’t handling in the best of ways.

One of the best example is the main dilemma that fuel the series itself, the human vs. mutant debate. While the main plot do tend to gravitate toward a new take on the whole thing, bringing along Kang, Red Skull and other elements in order to make things more interesting, it seems that Remender is spinning its wheels a bit before actually moving things into place. While the debate and the arguments that are said by the characters are pretty faithful to the characters speaking them, most of them either are ill-placed in the story or slows it down to a crawl as the other elements suffers because of it.

Ultimate Comics: The Ultimates # 28 Review

By: Joshua Hale Fialkov (Writer), Carmine Di Giandomenico (Penciler), Lorenzo Ruggiero (Inker), Jim Charalampidis (Colorist)

Review: First of all: Yeesh! Try typing out the names of that creative team. Go on, try it. It tests everything you ever knew about the layout of the QWERTY keyboard to its utmost limits. I felt like a monkey tasked with typing out the entire Human Genome with single-stroke key taps while I was entering that…testing stuff.

Second: All such effort was totally worth it because now I can get to the good bit – telling you exactly how awesome Fialkov and co have made The Ultimates. I was pleasantly blown away by the last issue, and this one continues to impress. Humpries’ run seems like a distant memory now (one that I’m keen to forget) and even though some of Fialkov’s moves lay claim to similar structural traits as those laid out by his predecessor, this team actually makes them work – and work brilliantly. It’s full of the kind of grand ideas, great character moments and high stakes that make this book an undeniable keeper.

Actually, the storyline also has shades of Hickman’s time on the title, as well as a touch of the Phoenix Force Five’s A vs X exploits. Reed’s band of villains have set about winning the hearts and minds of Earth by building a better world than the Ultimates were ever able to give them. Quicksilver’s doing what is, I guess, community outreach work, Banner’s bringing about an ecological revolution (and the odd bit of smashing) to Africa, and Reed’s Herbietrons are fixing and securing pretty much everything else.

Uncanny Avengers #9 – Review

By: Rick Remender (Writer) Daniel Acuña (Artist/Colorist)

The Story: The Apocalypse twin tries to plan for what they want to make happen to the world as the Avengers deals with dissension in their ranks.

The Review: Rick Remender is not a man that is afraid to go big. As he tried and succeeded in creating a big stories with lasting effect with his memorable run on Uncanny X-Force, he tries to go even bigger with this run as he incorporate many elements from the Marvel universe, including some from his own tenure on his previous title. However, does he succeed in this attempt? Is he able to give us something bigger?

In ways, the short time he had on this title seems to indicate that he might just be able to do that, as he almost effortlessly incorporates his own ideas into the larger Marvel universe without making them too weird or even out of place amongst the many strange things that are included in this superhero universe. It is, after all, a book that tries to connect the mutant world of the X-Men with the rest of the Marvel imprint. Now, I am no expert on the X-Men, but from what I read, I had always perceived the mutants characters to be almost in a little universe of their own, as they had their own threats, their own saviors, their own events and their own spinoffs, with most of them completely unrelated to what was happening in the rest of the universe they were supposed to be sharing. It seemed to me that those characters were almost better off being literally given their own universe after all, yet Remender makes for a really good case in the more open connection he gives here.

Avengers #6 – Review

by Brian Michael Bendis (writer), John Romita Jr. (pencils), Klaus Janson & Tom Palmer (inks), Dean White (colors), and Cory Petit (letters)

The Story: The Avengers try to reach an agreement with Ultron to stop Kang’s breaking the timestream.

What’s Good: This issue really goes out of its way to establish the Avengers as the central title for the Marvel Universe through its both hinting at, and setting up, major stories to come.  Bendis is able to do this thanks to the story’s conveniently being located in the future.  There’s a really nice reference to the outcome of the “Trial of Captain America” storyline over in Captain America, while the final events of the issue seem to hint at a major Ultron-related storyline that might possibly lead to an event spreading to other titles.  All told, it’s stuff like this that makes the Avengers feel really important as a title.

Bendis does a good job with the wacky time traveling dynamics.  For the first time, I feel as though things not only made perfect sense, but also were actually rather clever.  Bendis puts everything where they ought to be and, unlike previous issues, the timestream stuff is never dubious.  In fact, it actually allows for Bendis to write a really, really nice ending, allowing for this story-arc to end exactly as it began, as the murder of Immortus is explained and cast in a wholly different light given what we now know.  It’s really quite good, so much so that I was taken by surprise by how eloquent and well constructed it was.

The Avengers’ attempting to stop the war from ever happening is also well done; their dialogue with Ultron is tense but logical.  Bendis writes a really good back and forth, doing solid work in making Ultron’s reasoning and thought processes appear calculating and ruthless.  Honestly, Bendis just writes a good Ultron.

Romita’s artwork continues to sharpen and improve.  This may be his most polished issue yet, as it really cuts back on the “scratchiness” that at times gets out of control in Romita’s work and ends up making things look sloppy.  The detail work is solid and characters look Romita-trademarked cartoony, but never deformed.  The action and pyrotechnics are enjoyable and Romita also joins a very, very nice Ultron.

Avengers #5 – Review

by Brian Michael Bendis (writer), John Romita Jr. (pencils), Klaus Janson & Tom Palmer (inks), Dean White (colors), and Cory Petit (letters)

The Story: The Avengers discover the truth behind the breaking of the time-stream and come up with a gameplan.

What’s Good: The new main Avengers title continues to deliver its brand of old-school, pulpy stories, which is a good thing, as combined with Romita’s distinctive, scratchy style, it makes the title stand out among the mass of Avengers-related title, and that’s a major accomplishment in and of itself.

It also provides grounds to use a smattering of characters that can’t be found anywhere else, guys like Maestro, the Next Avengers, and most importantly, Kang.  Kang is presented really well this month, both arrogant and sniveling, seemingly in a constant state of petulance.  There’s a sense throughout this issue that Kang’s up to something that the others can’t quite put their fingers on, despite their suspicions.  I couldn’t help but get the feeling that despite his current downcast state, he’s still pulling the strings somehow, which did intrigue me about the story-arc’s future.  There’s also a certain kind of tragedy inherent to the fact that the broken time-stream has resulted in, or perhaps is caused by, Kang’s fighting the same unwinnable battle against Ultron again and again and again.  It’s a nice statement on the classic comic villain and, combined with Romita’s down-trodden rendition of Kang, makes the character all the more compelling, even sympathetic.

Beyond that, Romita’s art maintains its recent upswing in quality.  Large panels are very impressive, and the bigger the action, the better.  Giant, flamboyant images are clearly what Romita excels at and he attacks any and all action sequences with gusto.  The book isn’t lacking character, and while it may not be for everyone, I found it to be fun.

Avengers #4 – Review

by Brian Michael Bendis (writer), John Romita Jr. (pencils), Klaus Janson (inks), Dean White (colors), and Cory Petit (letters)

The Story: In the future, the Avengers encounter the Next Avengers and their masters while in the present, the remaining Avengers meet an unlikely ally and struggle against total chaos.

What’s Good: This issue is basically total mayhem and, honestly, the crazier and wackier it is, the better.  Spider-Man bumping into Killraven riding a dinosaur and Thor blowing up War of the Worlds style aliens are just part of the fun.  Really, at times things get so ridiculous that they border upon comedic, and certainly Bendis’ dialogue helps that along.  Much like last month, there’s a strong old school vibe here, but also a slight sense of self-awareness.  While a lot of it has to do with Spider-Man, particularly his conversations with Killraven and Jessica Drew, this is an unexpectantly funny book.  Things are completely insane and the fact that the characters are hyper-aware of it makes for a generally fun read.

That feeling of absolute chaos and insanity also makes for Romita’s best issue thus far as he continues to improve after the first two underwhelming months.  Bendis really lets Romita stretch his legs here and let his imagination run wild.  Pretty much every splash and double-page spread is a lot of fun and all of them had me staring for quite a while.  There’s so much packed into them that it feels like a cosmic Where’s Waldo at times.  It’s as though Romita just through as many random, awesome things onto the page as possible.  His work is, overall, just a lot of fun this month.