Astonishing X-Men #29 – Review

By Warren Ellis (Writer), Simone Bianchi (Pencils & Inks), Andrea Silvestri (Inks), and Simone Peruzzi, Christina Strain, & Laura Martin (Colors)

Some Thoughts Before The Review: Astonishing X-Men should be better than it has been, especially considering both the talent involved and how long the wait is between issues. The biting humor and high-concept storyline work quite well. The muddy, (sometimes ridiculous) artwork and fairly plodding pace, however, does not.

The Story: The penultimate chapter of “Ghost Boxes” reveals more of the details behind both the ghost boxes and the artificial mutants. In addition, the X-Men learn about Forge’s involvement in a secret war between alternate realities. The information comes mostly from some brutal interrogation techniques used by the team.

What’s Good: I know it sounds terribly simplistic, but the good stuff about the current form of Astonishing X-Men keeps being good in Astonishing #29. Warren Ellis does a great job writing some of the characters (especially Emma Frost) and his storyline continues to be dense and intriguing, but not overwhelming (though it still feels like the plot’s moving a bit slow). The interrogation scenes are particularly amusing, given that they are written with an edge rarely seen in an “X” book that isn’t called X-Force.

What’s Not So Good: Just as the good stuff remains good, the bad stuff remains bad. The artwork is a mess of highs and lows that is incredibly frustrating to look at. For every panel (or page) that looks damn near fantastic, there are a handful that can be described as (feel free to pick more than one) inconsistent, muddy, unclear, or just downright silly looking. Wolverine is shown with a hilariously flat face on two occasions. Cyclops seems to have some relation to Angelina Jolie. Storm is actually lacking facial features in one panel. I could go on, but I assume you get my point. I know how good Simone Bianchi’s work can look. That’s why I have to come down so hard on the art in Astonishing.

Conclusion: The good outweighs the bad in Astonishing X-Men #29, but not by as much as I’d like. The writing rocks for the most part, but the book as a whole is weighed down by the art and the pacing.

Grade: B-

-Kyle Posluszny

The Living Corpse Annual #1 (Guest Starring Hack/Slash) – Review

By Ken Haeser (Writer, Art, & Colors), Buz Hasson (Art), and Chris Hewitt (Colors)

Some Thoughts Before The Review: I’ve never checked out an issue of The Living Corpse, but seeing as how it’s annual features a guest appearance by Cassie Hack and her partner Vlad (of Hack/Slash fame), I figured it was about time to do so. Who knows? Maybe it will hook me enough to make me want to catch up with the series.

The Story: Cassie and Vlad, while investigating the legend of the Jersey Devil, find themselves in The Living Corpse’s territory. While the creature may not be all the legend makes it out to be, there is something worse for the three to worry about…

What’s Good: A simple, fun, comical, and stylish read, The Living Corpse Annual #1 proves to be quite entertaining. While not exactly mind-blowing, the one-shot succeeds largely because it is calibrated to deliver the story in a way that will probably satisfy almost any comic reader (of approriate age this), regardless of how familiar he or she is with the characters involved. And that really counts for something when so many comics are so heavily steeped in continuity or part of some longer plot. The dialogue is mostly humorous, the story is interesting enough, and the artwork is quite unique and eye-catching (love the way the Jersey Devil looks). In short, you really can’t ask for a whole lot more from a one-and-done comic character crossover that seems to be attempting to be welcoming to (mature) readers of all sorts.

What’s Not So Good: By far the biggest negative about the book is the price tag ($4.99) it’s stuck with. I’m all for simple and fun entertainment, but something as lightweight as The Living Corpse Annual should have a comparably lightweight price. Simple as that.

The other negative involves the artwork. For every few impressive panels, there is one that is lacking in some way. Either it suffers from looking too simplified (especially in small panels) or has character work that just looks odd. I mean throughout the book Cassie Hack seems to have a head that morphs into different shapes. And, as another example, in one panel Vlad almost looks like a teddy bear…seriously.

Conclusion: If you are looking for a slick, fun horror-comedy comic book, you can’t really go wrong by picking up The Living Corpse Annual. Then again, there are better comics that can be bought at a much cheaper price.

Grade: C (+ or – depending on your opinion of the price issue)

-Kyle Posluszny

Deadpool #9 (Magnum Opus Pt. 3) – Review

By Daniel Way (Writer), Paco Medina (Pencils), Juan Vlasco (Inks), and Marte Gracia (Colors)

Some Thoughts Before The Review: If you take a minute to check out our “Best and Worst of ’08” feature, you’ll find that “Magnum Opus” was one of my most anticipated things of 2009. Now, with half of the crossover finished, I have to say that it is almost living up to expectations. It’s fast, it’s fun, it’s funny, it’s action-packed, and the conflict between Deadpool and the Tbolts makes for some extremely entertaining reading. The only real problem is that I would much rather have the old Thunderbolts (more effective?) team facing Deadpool as opposed to the new one. I’ve got to say though, the new team is starting to grow on me.

The Story: Deadpool, while attempting to score points with Black Widow II, teams up with the Taskmaster to take on the Thunderbolts. I wish there was more to it then that, but there really isn’t. There is a variety of attempts at different types of humor, a lot of action, and a healthy dose of violence…in other words, business as usual.

What’s Good: The highlight of Deadpool #9 is how Wade Wilson interacts with both Taskmaster and Black Widow II. The exchanges he has with both are, in my opinion, downright hilarious and they are made even funnier by the ever present voice inside Wade’s head. Simply put, Daniel Way brings the funny in the third chapter of the “Magnum Opus” crossover.

Also of note is how great the whole book looks. Paco Medina’s cartoony style is a perfect fit considering the tone and his action scenes are just a lot of fun to look at. Juan Vlasco’s inks and Marte Gracia’s colors deserve to be mentioned as well, because the visuals really are the total package.

What’s Not So Good: For as fun as Deadpool #9 is, both as a visual experience and a reading experience, it definitely has a few flaws worth mentioning. One of them is that everything just feels extremely basic, like Daniel Way is just going through the (very funny) motions. If it wasn’t for the Thunderbolts, the latest Deadpool would feel very much like any other. In fact, it still does, though in nearly any other context that wouldn’t be a bad thing. I guess it’s just that it’s something of a shame to see a crossover so loaded with potential lean so heavily to one side. Also, and I know I can’t be the only one, I continue to be disappointed with how rather easily Deadpool is dealing with his enemies. While it’s fun to see Wade get the upper hand, it also undermines the effort being made to try and have the Diggle Thunderbolts fill the very big shoes left by the Ellis Thunderbolts.

Conclusion: Deadpool #9 works better as an issue of Deadpool than it does as the third chapter of “Magnum Opus.” I found it to be extremely entertaining (hence the high grade), but couldn’t really shake the fact that it didn’t lend itself well to the whole crossover thing. It just seems like “Magnum Opus” could be (or should have been) so much more.

Grade:  B

-Kyle Posluszny

Deadpool #6 (Dark Reign) – Review

By Daniel Way (Writer), Paco Medina (Pencils), Juan Vlasco (Inks), and Marte Gracia (Colors)

Some Thoughts Before The Review: With Deadpool #6, the series heads into Dark Reign by putting the Merc with a Mouth on a collision course with Norman Osborn and the Thunderbolts. But first, as revealed last issue, Wade Wilson must deal with Tiger Shark. Should be fun to see how that plays out…

The Story: Deadpool battles Tiger Shark, meets a potential love interest, and comes to the conclusion that someone wants him dead. Also, the titular character cracks jokes and inadvertently becomes part of a hostage crisis. In other words, it’s pretty much business as usual in this issue.

What’s Good: While it certainly isn’t the deepest comic on the stands, the sixth issue works well because the creative team knows exactly what makes a character like Wade Wilson work. On the writing end, Daniel Way’s script revels in dark, offbeat humor and graphic (sometimes gratuitous) violence, while still managing to keep the character thoroughly fun to follow. And with the addition of a possible love interest, it’s almost impossible not to want to root for the main character. As for the art, it continues to be perfectly suited for the tone of the book. Paco Medina and his art team make Deadpool’s world (and the events that take place in it) slick, stylish, and loaded with personality.

What’s Not So Good: Despite the fact that there’s a lot to like about Deadpool’s encounter with Tiger Shark and the chaos that ensues, Deadpool #6 might be the weakest issue of the series so far; considering how strong the others are. But don’t take that as a big negative. The biggest problem is that it feels as though a few parts of the issue only exist to get a laugh. Now I;m not saying I have something against the style of humor Way employs, but this time around some of it just simply gets in the way. For example, a nearly four pages are spent on Tiger Shark’s encounter with a guy in charge of the shark tank at an aquarium. Was it funny? Sure, to an extent. But it feels like the pages could have been used for something much better.

Conclusion: While not quite as strong as other issues, I still consider the Merc’s latest story a hell of a fun read. In addition, it serves as a nice, lighthearted appetizer before the Deadpool/Thunderbolts crossover takes the series into darker territory. Check it out.

Grade: C+

-Kyle Posluszny

Deadpool #4 – Review

By Daniel Way (Writer), Carlo Barberi & Paco Medina (Pencils), Juan Vlasco (Inker), and Marte Gracia & Raul Trevino (Colorists)

Some Thoughts Before The Review: Fresh off an incredibly entertaining Secret Invasion launching point, Deadpool #4 marks the true test of whether or not the “merc with a mouth,” has the power to carry his own solo series. In my opinion, if the work done by the creative team for the Secret Invasion tie-in is any indication, Wade Wilson is in good hands. He should have no problem having a successful (and lengthy) run.

The Story: Since Deadpool’s last two jobs proved to be busts, he finds himself in need of cash and looking for work. This leads him to see Zeke, an old acquaintance that specializes in the type of work Deadpool is looking for. The job offer? A million dollars to investigate a zombie holed up in a castle that may have done something to Zeke’s wife.

What’s Good: Nearly everything (as long as you aren’t looking for something deep or serious that is). The artwork is vibrant, full of life, and incredibly well suited for the material. As for the story, it is a nice mix of silly and sinister that plays to the character’s strengths. And the writing? Entertaining as can be. Daniel Way knows how to serve up the funny in a variety of ways. Dry humor and sly remarks? Check. Wacky, totally silly randomness? Check. Off the wall situations? Check. I promise that the book will make you laugh at some point; and that definitely counts for something when so many comics these days aim for dead seriousness. Also worth noting is how Way gives Deadpool depth through a few surprisingly revealing comments. He doesn’t beat you over the head with it, yet it makes Wade an even more likable character overall.

What’s Not So Good: Very little. My only real complaint, a minor one, is that it seems as though Way is employing the “throw everything and see what sticks” approach to the humor. While it is sure to make everyone laugh at some point, it feels like a bit much when the shtick falls flat.

Conclusion: Deadpool #4 goes a long way in proving that the series is under control and in capable hands. The writing, artwork, and storyline all come together to form one of the most entertaining packages that Marvel offers.

Grade: A-

-Kyle Posluszny

The Goon #30 – Review

By Eric Powell (story and art), Dave Stewart (colors)

The Story: As Goon’s battle with the Labrazio and the Lonely Street gang rages on, the Buzzard continues his mission to discover the secret to destroying Labrazio, but is betrayed by the Priest.  Meanwhile, Franky is challenged with a moral dilemma that has nothing to do with a knife to the eye…yet.

The Good: Ever since the release of the original graphic novel Chinatown, The Goon has matured and evolved into a more dramatic, thoughtful story; and although I first resented that change, much preferring the blatanly tongue-in-cheek humor, I have since found myself thoroughly drawn into Eric Powell’s new direction on the book.  What I love most about this title is how Powell is able to draw from so many influences and weave them into such consistently entertaining stories.

The Not So Good: Also around the time Chinatown was released, and maybe even a little before then, I noticed a significant change in the style of Powell’s art that unfortunately, has never quite agreed with me.  While Powell’s early issues were more illustrative of a typical comic book, his art now has a subdued, streamlined look that seems to want to highlight Dave Stewart’s washed out, sepia toned colors.  In hindsight, I actually think the art and color better compliments the dramatic tone of the story, but there is still a dreary look about it that I’ve never enjoyed.

Conclusion: Month after month, this is one of the few titles that I most look forward to.  The Goon continues to impress with its deft mix of sly humor, drama, and horror.  This is really great storytelling, and a perfect example of why we need to see more creator-owned titles being published and supported.

Grade: B+

-Tony Rakittke

The Incredible Hercules #122 – Review

By Greg Pak & Fred Van Lente (Writers), Clayton Henry & Salva Espin (Artists), and Raul Travino (Colorist)

The Story: Namor and Hercules are at it toe-to-toe up until Namora informs the two men that they are on the same side for the time being. The three go off to investigate the disappearance of Poseidon and start the search by heading straight for the Amazonian queen, Hippolyta. Meanwhile, Amadeus Cho remains a willing captive of the Amazons as he tries to decipher an Atlantean tablet for Hippolyta.

What’s Good: The second chapter of the Love and War arc is notable for how well it brings together all the elements that make The Incredible Hercules so enjoyable as a series. The cartoonish visuals prove to be a perfect fit for scenarios that put the series’ trademark humor to good use. Simply put, the book is an entertaining package.

What’s Not So Good: For as fun as the storyline is, there is no denying that it lacks some of the weight found in other arcs. It proves to be quite disappointing in that respect simply because I have come to expect a bit more from the series. Also, it is worth noting that some people are probably going to be turned off by the visuals, especially when the darker elements of the storyline are introduced.

Conclusion: If you just want to be entertained, you really can’t go wrong with this one. That said, be sure to keep your expectations in check. This arc is not exactly a high point for the series.

Grade: C+

-Kyle Posluszny

Spooks: Omega Team #2

By Ryan Schifrin (Creator), Larry Hama (Writer), Adam Archer (Pencils & Colors), and Nick Bell (Colors)

The Story: The Spooks team follows the trail of the demon queen, Lilithu, all the way to Istanbul and comes face to face with another powerful demon, the Lord of the Flies. Action, violence, and witty remarks rule the day as the team tries to stop two ancient entities from regaining power.

What’s Good: Spooks succeeds almost entirely on concept alone. I say this because it’s difficult to criticize something that I’m having so much fun with. Despite some very obvious flaws (which I will get to in a moment), this book is everything an action-horror comic should be.

The action is fast-paced, the violence delivers for gore-hounds, and good use is made of some very old source material. Definitely a fun read for fans of the genre.

What’s Not So Good: This series seems to be suffering from an identity crisis. The team gives off an almost buddy-comedy vibe, yet the myths and artwork are straight-up horror. I have no problem with mixing genres, but Spooks seems to be lacking the balance needed to pull that off.

The team interaction comes off as silly more often then not, yet some of the images and scenarios are downright nightmarish. Instead of blending these elements into something special, they clash in an uncomfortable fashion.

Conclusion: This series is a lot of fun and is built off of a great concept. That said, it definitely has a few growing pains to work through. Fans of action or horror will eat this up, but I doubt it will create any converts.

Grade: B-

-Kyle Posluszny

Deadpool #3 (Secret Invasion) – Review

By Daniel Way (Writer), Paco Medina (Artist), Juan Vlasco (Inker), and Marte Gracia (Colorist)

The Story: Deadpool fights a Super Skrull and works to complete the mission that was assigned to him by Nick Fury. Violence, witty banter, and general wackiness ensues in a way that only “The Merc with a Mouth” can deliver.

What’s Good: The third issue of the new Deadpool series is the best yet and ends in such an intriguing fashion that I find myself eagerly anticipating what is going to happen next. In every way, Daniel Way and Paco Medina have taken a fairly limiting story situation (the Secret Invasion) and made the absolute most of it. The jokes (a mix of dry humor and slapstick) hit far more than they miss, the artwork perfectly matches the energetic tone of the story, and most importantly, the book is just plain fun. Deadpool is now easily one of the most entertaining and vibrant books that Marvel puts out. If the creative team can keep it up, Deadpool may have a long and successful future.

What’s Not So Good: The fact that this series is still stuck within the Secret Invasion for this issue. I have definitely had my fill of Skrulls, no matter how entertaining the book they are in is. It is time to move on to different (probably better) things.

I also feel I should mention that the tone of this book may not be to everyone’s liking. Daniel Way goes little bit overboard trying to make a joke at every opportunity and Paco Medina’s stylized, cartoony artwork may be a bit much for some. Personally, I am a big fan, but I know many prefer comics with a darker edge.

Conclusion: By injecting some (much needed) fun into the Skrull invasion, Deadpool joins Ms. Marvel and Black Panther as a prime example of how to use event trappings to the fullest. Well worth picking up.

Grade: B+

-Kyle Posluszny

Deadpool #1 (Secret Invasion) – Review

By Daniel Way (Writer), Paco Medina (Pencils), Juan Vlasco (Inks), and Marte Gracia (Colors)

After quite a hiatus, the “merc with a mouth” is back in his own series and I, for one, couldn’t be happier. That said, Deadpool’s return leaves a bit something to be desired because it is saddled with the unfortunate burden of debuting during the Secret Invasion. Maybe it is just event-fatigue kicking in, but I really didn’t feel like reading another story about attacking Skrulls meeting, discussing, and then battling unexpected resistance.

Let me just get it out of the way now and say that Deadpool #1 is pretty much exactly what I expected it was going to be. Skrulls attack a baseball game, realize there is some anomaly located in the stadium, and find themselves facing off against a well armed, armored mascot. As you have probably guessed, the mascot suit is being donned by none other than the ever-sarcastic Wade Wilson. While nothing particularly special, the Deadpool factor is what makes this book worth a look. His personality, mental instability, and taste for the wacky keeps things light and fun; something missing from a lot of Marvel books these days. While I would have preferred for this series to have debuted outside of the Secret Invasion stuff, the ending in this issue (only possible in a Deadpool series) gives me hope that the best is being made of a frustrating editorial situation. As a side note, I must mention that little is done to introduce Deadpool as a character. His personality takes front and center, but those unfamiliar with his history or completely new to the character might want to do a little research first.

On the technical end, let me just say that the creative team knocks this one out of the park (pun intended). Writer Daniel Way absolutely nails the goofy, off-the-wall tone necessary to keep the Invasion aspects from feeling stale. He perfectly hits a comfortable sweet-spot somewhere between cheesy/silly and genuinely funny. As for the artwork, the bright, vibrant and surprisingly violent visuals couldn’t be more fitting.

I strongly urge all Marvel fans to at least give Deadpool #1 a look. The book does a nice job reintroducing a fan-favorite to the masses, and the it’s refreshing and unique despite the fairly predictable Secret Invasion framework. While I do have my complaints, there is something to be said about a book that is just flat-out entertaining…and this one is. (Grade: B)

-Kyle Posluszny

Marvel Zombies #4 (of 5) – Review

By: Robert Kirkman (Writer), Sean Phillips (Pencils)

Marvel Zombies 2 has been a good follow up to its predecessor, but it’s been missing a lot of the crude humor that made the first one so much fun. Granted, this sequel is more story driven, but the humor has been spotty at best.

Not anymore! Marvel Zombies 2 #5 actually made me laugh out loud a couple of times. And it just made me realize why I loved the first series so much. Black Panther’s son was pronounced brain dead last issue, but Forge being the genius he is, grafted Colonel America’s brain to his body! In what can be described as a hilarious Frankenstein (or broken toy) moment, Colonel runs around spouting famous lines like, “Avengers Assemble” and “This ends now!”. Spidey’s reaction to this is just priceless. Kirkman proves that he’s still got it.

Compared to earlier issues in this run, not much is accomplished in this one, but the funny dialogue more than makes up for it. Also, the zombies finally start their *real* civil war – and there are casualties! Bring on issue #5. (Grade: B)

-J. Montes