
by Jeph Loeb (writer), Ed McGuinness (artist), Mark Farmer (inker), Morry Hollowell & Chris Sotomayor (colorists)
The Story: World War Hulks kicks into high gear as the Intelligencia’s plan to hulkify the world’s super-heroes causes some serious (and painful) problems for the good guys. Meanwhile, Red Hulk has a showdown with Red She-Hulk, in which both of their identities are finally revealed.
What’s Good: Right after delivery, some parents give their newborn sons a sports t-shirt or a teddy bear or rattle. Ed McGuinness’ parents must have given baby McG an issue of the Incredible Hulk on that momentous day because the artist was obviously meant to draw this title. McGuinness’ larger-than-life pencils fit not only the Hulk title itself, but the World War Hulks story in particular. In a blockbuster tale where the likes of the Fantastic Four, Spider-Man, Thor and Wolverine all turn into Hulks, you must be able to bring a certain amount of weight to the proceedings, and McG does this in spades. I’d even make the safe assumption that if any other artist was given the task of bringing this issue to life, they would fail. (Well, okay, maybe not Arthur Adams!) The rest of the art team also deserves some kudos, from inker Farmer to the colorists Hollowell and Sotomayor. Hulk is basically a silly cartoon, complete with (unfortunately) silly cartoon logic but also silly cartoon visuals. And taken for what they are, silly cartoon visuals can be a blast to see (Blackest Night, anyone?). The entire art team makes sure that you get some crazy fun eye candy and they do it well.
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Filed under: Marvel Comics | Tagged: Chris Sotomayor, Ed McGuinness, Hulk, Hulk #22, Hulk #22 review, Jeph Loeb, Mark Farmer, Morry Hollowell, World War Hulks | Leave a comment »



