New Warriors #2 – Review

By: Christopher Yost (writer), Marcus To (artist), Daniel Curiel (color artist)

The Story: Spurned by the X-Men, the Evolutionaries throw millennia of planning out the window and decide to back a new, more human, horse.

The Review: With the team’s final member making his appearance at the start of issue #2, New Guardians is clearly taking care with how the titular heroes come together. It’s an impressively varied group, but this is the time to prove that the execution will live up to its concept. In that respect, New Warriors #2 is a bit unsteady.

Picking up where we left off last month, this issue opens with our disparate heroes facing off with teams of Evolutionaries. These adversaries are imposing, thanks in no small part to Marcus To’s artwork, but despite the sheer number of conflicts, none of them justify the issue. It’s not that the book lacks spectacle, but that none of these fights feel like the core struggle. I suspect that this will seem less of a problem in trade, but as it’s probably going to be half a year before we see one, Chris Yost should really be providing a stronger arc in each issue.

The Evolutionaries also lose some of their menace this go around. At times this seems like a conscious choice, but in some cases it just diminishes the story. They whine too much and retreat too frequently, though hints of a greater plan keep them aloft.

With thirteen pages devoted to battles with the Evolutionaries or superhero infighting, Yost has to make his remaining seven count. Justice gets some much needed time to shine in the form of a visit to Avengers Tower. This scene could probably have sped up its exposition slightly, but is decidedly helpful to new readers and conveys Justice’s concern without making him seem dull. Then again, maybe it’s just the fact that he’s standing next to ol’ Slim Summers.

Avengers #13 – Review

By: Jonathan Hickman, Nick Spencer (Writers), Mike Deodato (Artist), Frank Martin (Colorist)

The Story: Don’t threaten Hyperion’s children while his Avengers buddies are here. Just don’t.

The Review: This run on this title has been a weird affair so far. There are amazing ideas being thrown, some great characters set in the teams that could very well expand the base idea of what the Avengers could very well be and a progression that is still building up to something greater.

With all those qualities, however, it seems that there are a lot of setbacks. For all the cool ideas, there is some really cold dialogue ripe with exposition. For all the cool buildup, there is close to no resolution or any sight of payoff. While none of the issues were an actual bore, this title lacked excitement in a ‘’rollercoaster’’ kind of way, with some issues being close to solid, while some were just confusing.

FF #4 – Review

by Jonathan Hickman (writer), Barry Kitson (artist), Paul Mounts (colorist), and Clayton Cowles (letterer)

The Story: The Doom conference on Reeds continues as Sue, Alex Power, and Spider-Man raise to stop a civil war erupting in Old Atlantis.

The Review:  A single good concept can go a long way in carry a comic.  In this case, the continuing conference of FF bad guys led by Victor von Doom continues to be a very, very good concept.

There’s something so naturally awesome about the idea of a group of bad guys having a meeting in the Baxter Building about how to beat Reed and Hickman does a fantastic job of portraying the various personalities on display here.  Each villain is a different sort of bad guy and it’s so much fun watching them bounce off one another.  From Doom’s arrogance, to Diablo’s sly villainy, to the Wizard’s evil, this is great stuff.  Hickman also does an uproarious job in writing the Mad Thinker, who is everything his name suggests he is.  Throw in Reed, Val, and Nathaniel and this is merely an opportunity for Hickman to have strong personalities clash.

Furthermore, as grave and serious as the subject matter of this meeting is, there’s a constant undertone of humor, as you may expect given the cast involved.  From Reed’s telling Doom of what the his fellow Reeds do to the Dooms they find, to Reed’s muttering “this is a disaster,” this is just so much fun to read.

Also fun is the art provided by Barry Kitson.  I really like Steve Epting as an artist, but while his darker style suited the tone of the “Three” arc and the death of Johnny, he was quite the right fit for the FF moving forward.  Kitson brings a brighter more upbeat style that serves the series much better.

Fantastic Four #583 – Review

by Jonathan Hickman (writer), Steve Epting (art), Paul Mounts (colors), and Rus Wooton (letters)

The Story: While the FF do battle in the Neutral Zone, Val strikes a deal with Victor von Doom after discovering some of her father’s secrets.

What’s Good: This month sees the start of a new story-arc and Steve Epting taking over art duties.  I’ll start off by saying that Epting’s art this month is fantastic and he very well-matched for the Fantastic Four.  I love Epting’s art, but I was a bit concerned over how his darker, more shadowed art style would work on FF, but work it does.  Epting’s style gives the book a heavier sense of mystery and epic scope, as well as a high-budget feel of polished professionalism.

With respect to Hickman’s side of the book, this issue is really carried by two people: Val and Doom.  Both of them are wonderfully written.  Val oozes undeniable intelligence and confidence which work in perfect contrast to her age and appearance.  Hickman writes a fantastic Val, as has been the case throughout his run, but here he takes it further, giving us a Val that seems one step ahead of the rest of the book’s cast, even her own father.  Under Hickman’s hand, Val is lovable, heroic, and incredibly smart and I adored reading her, which is significant given my long-standing ambivalence to child characters.

Doom is also pitch-perfect.  He’s brooding and he’s intelligent, and one can practically hear the gears turning whenever he speaks, or even by his body language alone.  Frankly, even when down on his luck, Hickman’s Doom is the total badass that Dr. Doom should be.  Moreover, Hickman does a great job writing Doom’s feelings regarding personal weakness, and how he deals with his own.  The fact that we’ll be seeing a lot more of him in future issues has me giddy.

Brought together, Doom and Val have a really, really strong dynamic.  Their conversation works so well because it’s a mix that reflects both Doom’s being older, while also respecting Val’s intelligence.  There’s a kind of familiarity, even a familial aspect here, and yet there’s also a cat-and-mouse rivalry as well.  It’s perfect and the frame where Doom and Val come to an accord is easily the most memorable image any comic has given me this month.

Uncanny X-Men #516 – Review

by Matt Fraction (writer), Greg Land (pencils), Jay Leisten (inks), Justin Ponsors (colors), and Joe Caramagna (letters)

The Story: Magneto tries to make his position clear and Nation X faces its first attack/invasion.

What’s Good: Magneto is the obvious star of the show here.  Fraction does a solid job of writing the character.  His voice is enjoyable, at once likable and yet impossible not to find suspicious, always carrying that air of sophistication, intelligence, and power.

What’s even better is how his very presence alone only deepens the already present cracks between X-Men.  If anything, Fraction uses Magneto not just as a character, but also as a kind of social phenomenon among Nation-X’s residents.  This leads to a particularly interesting legitimization of Scott, as he puts Professor X in line.  It makes the issue feel intelligent, something that Uncanny sorely needs.

Magneto is also a good fit ideologically within Nation X in his non-combative stance.  It allows a number of interesting discussions.  His conversation with Cyclops over the possibility of continuing the mutant race is a definite highlight, with Scott’s stance of hope standing nicely in contrast to Magneto’s noble pessimism.  It’s a nice debate with both characters occupying rather touching positions.

Art-wise, Greg Land, overall, actually does a pretty good job.  Magneto looks good, with one double-page spread detailing Magneto’s recent history with the High Evolutionary being very impressive.  I’d also be remiss if I didn’t mention that this is probably my favourite Uncanny cover in a long time.  Nightcrawler is also very well done, whether static or in motion.  Thankfully, much of this issue is dialogue, meaning Land can stick to the basics.

What’s Not So Good: That said, Land, even on a good month, commits an atrocity.  This month, I was stunned to see Land seemingly re-use images from last month.  There is one particular panel featuring the mysterious new crew of baddies, with Bouncing Bettie and Verre in the background.  I’m pretty damned sure that Land just took prominent images of the two characters from last month’s issue and pasted them in, hoping that just because they’re now in the background, we won’t notice.  Then later, he uses the same image of Bouncing Bettie again in another panel.  Now, perhaps this is just a case of Land re-using a photo-reference, but it sure doesn’t look it.

Speaking of cutting corners, Fraction clearly wanted to quickly create a rift between Xavier and Summers over Magneto, but chose not to do it in any logical manner.  Magneto removes his helmet and invites the X-Men to read his mind.  Why then would Xavier assume Magneto’s guilt without using his telepathy, let alone launch a psychic attack?  It’s a shame, as the Xavier/Cyclops dynamic is a good one here, but Xavier’s actions didn’t make sense.

Beyond this, I felt that scenes with Scalphunter went on a little too long.  I also don’t feel that Fraction has yet settled on bad-guy leader Lobe’s voice, which veers wildly between formal and colloquial in a manner that’s just strange.

Conclusion: It’s actually a pretty good issue of Uncanny, and mainly because Magneto rules!

Grade: B –

-Alex Evans