
By: Grant Morrison (writer), Cameron Stewart & Chris Burnham (artists), Nathan Fairbairn (colorist)
The Story: Now that’s a boat ride you’re not bound to forget.
The Review: While it’s unclear where Batman Inc. fits into this refreshed DCU, with everyone still in the youth of their vigilante careers, it’s obvious Morrison’s grand idea for the next step of Bat-policing will stick around for a while (note that the final word of this issue says “to be continued” in 2012, not “to be concluded”). But to stay on the safe side, it’s probably best to consider most of this story out-of-continuity, lest we run into unexplainable paradoxes later.
In fact, we could very well run into in the first act of this oversized issue (which, at seven bucks a pop, requires a major leap of devotion to take home), as it stars Stephanie Brown as Batgirl. With Steph’s existence in the new 52 is still up in the air, fans will be glad to see possibly her last appearance under the cowl, especially since Morrison writes a pretty terrific version of her. She comes with all her liveliness and charm intact (“…kiss my kung fu.”), and by infiltrating a finishing school for privileged girl assassins, she shows almost more competence than in her now-defunct solo title.
By itself, the Steph-as-Batgirl tale is great fun (with some tenderness in the background as Batman shows up as backup, giving her some much-desired praise as only a father figure can), but included as a finished product with the rest of the issue—it feels very disjointed, to say the least. You have to remember, though, Morrison never intended for his story to be packaged in this way; the DC relaunch made the mash-up an unavoidable necessity.
That doesn’t entirely excuse the thoroughly confusing nature of remaining story, however. Like with most Morrison tales, the surface of the plot is straightforward: Batman and his many Robins (with Dick Grayson still wearing a bat on his chest) arrives at a Leviathan freighter for a final showdown with Dr. Dedalus and take down his invasive organization for good. The moment Bruce actually confronts the ex-Nazi mastermind, however, things go off the loopy end but good.
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