The Amazing Spider-Man 2 – Movie Review

It’s just one shock after another for Peter and Gwen… Welcome to our review of (500) Days of Summer, Part III! I kid, but barely. The last Amazing Spider-Man
was so enamored with the gentle, oddball romance of Peter Parker and Gwen Stacy that at times the superheroics felt like an unwelcome intrusion into the story. That doesn’t change in this second outing, even though we have twice—some might say thrice—the number of villains cackling for attention here.

[Major spoiler ahead! Read at your own risk!]

I can understand the desire to put so much focus on the Peter-Gwen relationship, since she is, as she always is, doomed to die by the end of the film. The inevitable, as loudly broadcasted as it is early on (her valedictorian speech concludes with a call to heroism: “Even if we fall short, what better way is there to live?”), still has enough weight to be devastating because we spend so much time enjoying their sincerely cheesy brand of chemistry. But even in this, the film’s strongest point, there’s some shoddy construction.

Ultimate Comics Spider-Man #24 – Review

By: Brian Michael Bendis (Writer), Dave Marquez (Art), Justin Ponsor (Colors), VC’s Cory Petit (Lettering)

Review: Miles Morales fans beware: there ain’t much of him to be seen this month. As you can tell from the cover (and last month’s last-page reveal), this issue is more an introduction to the Ultimate universe’s Cloak and Dagger, a fan-favourite team whose appearance has been loosely teased in the 1610 for years.

I have to admit, I’ve no great reverence for the characters personally. The last time I remember seeing them star in any comic of note was Civil War and that was in…whoa, 2006!? Color me old. Still, if there’s one thing the Ultimate universe could do with right now it’s new blood, and what better place to introduce it than the line’s flagship title.

Ultimate Comics Spider-Man #22 – Review

By: Brian Michael Bendis (Writer), Sara Pichelli (Art), Justin Ponsor (Colors), VC’s Cory Petit (Letterer)

The Review: You may not have noticed but Bendis is putting out another event book at the moment, a small indie title called Age of Ultron about a robot looking for love in all the wrong places. It’s pretty cool, and I recommend you check it out if you’ve not already done so. But away from that side-project, Venom War rages on in the pages of Ultimate Comics Spider-Man; and it’s awesome. While it remains to be seen just how much of an impact AoU will have on its universe, Venom War marches confidently ahead, creating several key moments which are sure to echo down the halls of Ultimate Spider-Man continuity for an eternity. Or maybe not. After all, this issue does end with Miles’ tearing his costume to pieces and shouting “No more!”

Is that a spoiler? Not really. This aspect of future issues has been relatively well publicized by the cover to next month’s issue, a homage to the classic Romita ‘costume in a trashcan’ image from Amazing Spider-Man #50. And as interesting as that destination is, the more interesting thing is the action-packed, heart-wrenching journey that gets us there.

The Amazing Spider-Man – A Second Opinion

By: Too many to list—check out the review, then check out IMDB afterward.

The Story: Boy meets girl.  Girl likes boy.  Boy saves girl from mutant lizard.  Classic.

The Review: I’ve never seen (500) Days of Summer, but believe me when I say I have friends who are so obsessed with that movie that I feel like I’ve seen it—multiple times.  I gather it’s a wistful tale of love found and lost, of a hapless guy trying to win the heart of his dream girl.  Just that tagline alone should explain to some extent the film’s success.  Every decent guy can empathize with the story, and every decent girl has a puppy-dog compassion for it.

In Amazing Spider-Man, director Marc Webb may be capturing the spirit of the film that brought him to mainstream prominence, and certainly the script has shades of (500) Days all over it.  Again, I never even saw the latter film, but the fact that it cast Joseph Gordon-Levitt and Zooey Deschanel as the leads already tells me volumes about the quirky, finely-tuned awkwardness that movie must have generated.

The Amazing Spider-Man – Movie Review

Directed by Mark Webb; Starring Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen, and Sally Field; story by James Vanderbilt

I’d like to share a revelation I’ve had with you. It was when I was watching The Amazing Spider-Man at midnight with a scattering of people (sadly Spidey isn’t selling out midnight openers anymore) and it was the scene where Peter Parker awkwardly tries to ask out Gwen Stacey, who in equal awkwardness tries to say yes… The Sam Raimi Spider-Man films are not that great. It took Raimi 2 movies to get us to feel for Peter Parker; while Webb and Garfield do in about 40 minutes. In a brief breakdown, here are my thoughts for Marvel’s latest reboot…

The Hero: Spider-Man is entering Batman/James Bond territory, in the sense we can start comparing different Spider-Man renditions. Andrew Garfield is in every conceivable way better than Tobey Maguire. Did they change some things about the character? Yes. To the purist, giving Peter a skateboard is like saying Peter kissed Paul, but if you can let go of the continuity reigns, you’ll see that this is still Peter Parker—awkward high school kid, but also realistic. Garfield sells this partly by attending the Mark Ruffalo school of acting. He talks a little awkwardly, fidgets a bit, stumbles over his words. It works very well for Peter Parker. Now, I do have to admit that it was actually my good friend Vonia I Peng (VIP wherever she goes) who spotted that out—also remarking that Garfield is hot like Ruffalo, so for any female readers out there who thought the best scene in Avengers was Ruffalo naked on the floor of an abandoned warehouse, you should totally see The Amazing Spider-Man. Still, while Ruffalo-esque, Garfield isn’t simply trying to be like his peer—it’s what works for the character. He brings something to Spider-Man that Maguire didn’t; kind of like what Downey Jr. did for Iron Man when the mask is on– you’re still watching Peter Parker. With Maguire, when the mask was on, you were watching Spider-Man, the Peter Parker was gone. Not this time. Same persona in and out of the mask. This movie is about Peter Parker, and we have an actor who can give us that.

The Villain: The Lizard was a good choice for this film. One, it took a cue from Batman Begins and didn’t start with one of Spidey’s core villains. I don’t want to say that the Lizard is expendable, but trying to get into the BIG big bad when we still need to learn about Parker would have been unfair to both characters… Yes, I realize that is exactly what Spider-Man did, and yes, it was a mistake. This model sets up for sequel goodness. We went into The Dark Knight with a fully developed Bruce Wayne/Batman. It allowed for the Joker to be fleshed out in a way he couldn’t be if he had been in Begins. Now, with the excessive amount of hints in the movie that OSBORNE IS COMING, we should see what really happens to Peter when a villain like this is introduced.  That was reason one. Two, Dr. Connors is an easy character to develop in a short amount of time. Guy lost his arm and wants it back. You’d have to be a dick not to feel for him. Hell, the first time he “lizards out,” he’s going to stop one of Osborne’s minions from testing the serum on war vets. Of course, he kind of loses his mind after that. Turning into a giant lizard might do that to you, I suppose. Rhys Ifans plays Dr. Connors well. Another lesson from Batman Begins, even for a small part; get actors that know what they’re doing. What Ifans struggles with though, is playing the Lizard; which is of course all CGI, but when the Lizard spoke and it sounded like Ifans, the creature lost its menace. It kind of made you wonder why Spider-Man would struggle against this thing at all. Changing his voice might have been a good idea.