Avengers #21 – Review

Jonathan Hickman (Writer), Leinil Francis Yu, Gerry Alanguilan (Artists), Sunny Gho (Colorist)

The Story: The resistance against the builders gains a lot of momentum as the Ex Nihilii tries to create a miracle.

The Review: Infinity is cosmic done right. As Jonathan Hickman advances with his larger story in the main title, the books tied to it also deals with the main themes without letting it own go away, creating a symbiosis of sort in terms of storytelling. The threats are huge, the players numerous and the events occurring in the pages are simply gigantic in scope.

Readers who were fans of Dan Abnett, Andy Lanning and Keith Giffen cosmic corner shall find much to love here, as many a great things are referenced directly from their contribution to the larger Marvel cosmology. The Annihilation wave, Annihilus, Gladiator, Kl’rt the Super Skrull, Ronan, the Imperial Guard and Ikon the space knight all appears in some manner in this tale, adding to the large tapestry weaved by Hickman. Not all of them receive meaningful moments like Ronan or Gladiator, though, with most of them being set in the background or participating in the action silently. Still, fans of the older cosmic stories will probably feel like Christmas came early this year with how those elements are handled.

Another element that is handled in a very competent manner is the tone, which makes the actions and the setting even bigger than it seems. Most of the tone is set in the narration and the dialogue itself, which may comes a bit cold in some places, yet for the most part it really set the mood of war and the tides turning for the heroes. It’s a space opera, a war comic, a super hero comics and a cosmic one, which makes this issue works really well when it deals with its stakes and with grandeur.

Avengers #20 – Review

by Jonathan Hickman (Writer), Leinil Francis Yu, Gerry Alanguilan (Artists), David Curiel (Colorist)

The Story: Captain America may have found a new strategy in order to deal with the Builders as Ex Nihilo goes on to see just what is going on with his people.

The Review: From what we’ve seen so far, Hickman seems to have rejuvenated this title with Infinity, his big event that ironically enough was build up from pieces introduced in this very title. With a much more focused plot and very clear stakes at play, the strengths came to the forefront that much easier, but with the story moving forward with almost every week of the month, does the book continue to be relevant to the event while keeping its own plotline and a modicum of quality?

So far, so good from what can be seen, as many of the plotlines and characters introduced in this title continue. Many of the threads are played with here quite aptly, with some of them moving the story forward in ways that really do bring surprising twists. One of them would be the scenes featuring Ex Nihilo, a character created by Hickman especially for this series, who deals with the Builders. For quite a long time, the motivations of the Builders to destroy and kill around the whole cosmos was pretty vague, much to the event discredit. In this issue, though, we do get an evolution and some explanations as to the problems that plagues creators that are turning into destroyers and killers. It is a fascinating development that makes this conflict a bit more interesting and that promises to make it even more so in the upcoming issues.

What’s also handled with care and gravitas would be the Galactic Council and how they are trying to pursue this whole conflict. The decisions, the in-fighting and how Captain America is portrayed makes for a rather suspenseful read that put the readers right into an impossibly large conflict. There are twists and a good use of those featured in the main event book without letting it lessen the impact of this book. It’s a neat use of the event, which is central to the book, without destroying the importance and the ongoing subplots of the book. It maintains its identity while it adds up to the whole experience.

Avengers #19 – Review

by Jonathan Hickman (Writer), Leinil Francis Yu, Gerry Alanguilan (Artists), Sunny Gho (Colorist)

The Story: Captain Marvel is captured by the builders as the Avengers and the Galactic Council rest after their battle, tending to their wounded. All the while, a traitor is in their midst…

The Review: It’s an usual and unfortunate thing that event comics drag some other titles in their large plot. It doesn’t always mean it’s a bad thing, but plenty of titles have seen their momentum being a bit lost as several elements of a story that isn’t integral to their own plot and subplots gets shoved in the way. This can destroy the flow and sometime even mean that the readers shall suffer through some plug-ins of other characters and elements alien to their book, which makes it much less enjoyable for those that don’t want anything from those events to begin with.
There are also those that are integral to the story structure, those that actually add something to the whole event or use them in ways that feel organic to the whole narrative. Those are rare, to be sure, but much appreciated, like Journey Into Mystery for Matt Fraction’s Fear Itself or Guardians of the Galaxy for War of Kings. Instead of having to contend with these elements, those stories included them naturally, making them that much stronger for the duration of the event.

What Jonathan Hickman has done with Avengers is even more rare, as he has built up a whole lot of plot points and conflicts throughout his tenure on the title, resulting in an event comics, Infinity. The event, having its own book, is split up in two fronts which are covered by the same author with each of them being in one of the two books. This has caused the main Avengers book to receive a much-needed shot in the arm after what was basically seventeen issues of foreshadowing as Hickman shows full cosmic actions in this title.

Continuing where the last issues of Avengers and Infinity left off, the team is divided in two as those with Captain Marvel are in captivity while the rest are with the Galactic Council. While the comic switch from two perspectives, it juggles very well with both plots at it manage to connect the two together. The pacing is good as there are multiple events in this comic, with many great development brought to the forefront as well as some good character moments.

Infinity #2 – Review

Jonathan Hickman (Writer), Jerome Opeña, Dustin Weaver (Artists), Justin Ponsor (Colorist)

The Story: Things heat up as Corvus Glaive wants to claim a tribute from the Inhumans and the Avengers are off with the rest of the Universe against the Builders.

The Review: Cautious optimism is an attitude that many readers learn to have when dealing with a great many things. Sometimes, despite the fact that many elements are lining up together in a way that feels too good to be true, it is normal to have some kind of defensive mechanism against too much hype. This kind of position is one that is very connected to event comics, as those type of stories are usually much hyper, with key sentences like ”nothing will ever be the same again” or ”this will have key repercussions across the whole line and the future of the shared universe”. With so many events failing to actually live up to their potential, it seems normal to adapt our desires to being a bit disappointed, as many events begins on a strong note only to falter in its own conclusion as each chapters reveals flaws that just kill the hype for its readers.

By having this attitude, a reader can also receive something that is not the norm to see, yet is always utterly pleasant when it arrives: surprise. This issue of Infinity definitely fits that very description, as the strong, yet mysterious direction does serve the story and the themes quite well. As the two fronts are given some attention, both of them receive either a ton of action and emotions, while the other receive mystery and revelations that really do make for two distinct stories that never really clash against each other.

The first angle being covered is the one on Earth, as Thanos and his Black Order are invading and seeding chaos everywhere they can. Opening up with a scene featuring Abigail Brand and Sydren of S.W.O.R.D., the comic swiftly switches to the Inhumans, then finishes up with the Illuminati. The second angle, all the while, features the Avengers and the Shi’ar with favourites like Mento and Gladiator fighting against the Builders. If there’s one thing that Hickman is doing right in this event so far, it’s selling the point that this is a story encompassing the Marvel universe, with a special emphasis on the universe part.

Infinity #1 – Review

Jonathan Hickman (Writer), Jim Cheung, Mark Morales, John Livesay, David Meikis (Artists), Justin Ponsor (Colorist)

The Story: The Builders are wreaking havoc everywhere in the cosmos as the Avengers prepare to face them in order to defend Earth. However, Thanos might just see this as an opportunity in disguise…

The Review: Event fatigue is something very real for readers. The world can be in crisis so many times before we can get jaded and tired of the fact that Earth (or America) always seems to be the target for whatever catastrophe is coming. Skrulls, political unrest, old Norse gods and so forth have tried to change the Marvel universe in a permanent way, yet nothing real stuck out in terms of quality*, nothing that people really called as timeless or flawlessly executed. However, this one is written by Jonathan Hickman himself, a master of long-form storytelling capable of reaching a rather large scope in terms of stories and conflicts. Could he be the one to actually deliver a Marvel event that could very well be satisfying?

It is, of course, much too early to say, as this is solely the first issue, yet this is a very promising debut. Hickman picks up a vast number of plot threads from his Avengers and New Avengers runs to create something that is logical and organic to his stories. The Builders, the destruction of the infinity gems, the fact that the universe is undergoing a certain crisis, all of these elements are brought to the forefront to create a large conflict that seems to expand as the issue goes on. People that followed both ongoing by Hickman shall be thoroughly pleased by this introduction.

Avengers #17 – Review

Jonathan Hickman, Nick Spencer (Writers), Stefano Caselli, Marco Rudy, Marco Checchetto (Artists), Frank Martin (Colorist)

*Spoilers alert*

The Story: The Avengers realize that they have to get even bigger and soon as they make concessions for the greater good.

The Review: Payoffs are nice. Readers crave them, cherishing the situations that escalates to a climax as a resolution or conclusion to a particular problem arrive and lead the story or a character to new areas ripe for development or surprises. Payoffs are what nourish the whole industry and pretty much every stories since the beginning of carefully-written fiction.

Well, it seems like both Hickman and Spencer have a rather tenuous grasp on the concept, as this story does not do much in term of satisfying conclusion to an arc or as a prelude to the upcoming event.* In many ways, the story does use a lot of what has been introduced in the multiple stories by Hickman, yet it does not feel particularly satisfying after what has been basically 17 issues of teasing and hinting at bigger things.

The recruitment of Ex Nihilo and Abyss, two characters that are genuinely interesting and full of potential for further storylines and moral conundrums for the team, it feels a bit hollow in terms of payoff. It makes sense if it’s seen as a series of slow development, yet as far as building up to Infinity and as the conclusion to a good chunk of teasing concerning the fact that the team will have to get bigger and that the universe is still broken. The addition of Starbrand and Nightmask also seems logical and build up naturally to their new role, yet there’s no surprise or twist that makes it fun or merely entertaining. It just happens.

What is perhaps infuriating, or at least annoying down the line, is the fact that despite the fact that several plot points have been handled in this issue, close to none are close to an actual resolution. Worse, Hickman and Spencer continues seeding new subplots and giving us hints that things are coming, something that comes as just annoying now considering that it’s what the title solely did since the beginning of the new volume.

Avengers #3 – Review

By: Jonathan Hickman (writing), Jerome Opena (art), Dean White, Frank Martin, and Richard Isanove (colors), and Cory Petit (letters)

The Story:  Cap brings his new recruits to bear on the Garden, fighting the good fight on Mars to save both his friends and his planet.

The Review:  Usually when you think of a book like Avengers or Justice League, or what have you, there’s a bit of an expectation for good old fashioned superhero comics in a very specific mold.  Hickman’s Avengers is anything but.  It’s chock full of ambition and there really isn’t anything else like it on the stands.

A key reason for this is Hickman’s emphasis on scale.  Hickman makes it clear that the sheer scale of the stories and conflicts in his Avengers book are greater than they are in perhaps any other Marvel title.   As such, you could say that with ridiculous powerhouses like Hyperion and Captain Universe on the team to go along with Hulk and Thor, all of them battling entities which are, in essence, gods of a sort, Hickman’s book has taken the old line about the Avengers’ being focused on “foes no single superhero can withstand” to heart.  Here, they are battling gods and as the scale of the threat goes up, so must the size and power-level of the team.  That’s the core concept of Hickman’s run and it shines here, so while Hickman’s run feels very different, you could say that it also is perhaps truer to the core concept of the Avengers.

Avengers #2 – Review

By: Jonathan Hickman (Writer), Jerome Opeña (Artist), Dean White with Justin Ponsor & Morry Hollowell (Colorist), Cory Petit (Letterer)

The Review: I feel like I’m going to be taking a deep breath before opening each issue of Avengers for the next few months – I’m hoping that it succeeds that much. I love the fact that we have Jonathan Hickman writing a head-of-franchise Avengers title, one where he’s holding nothing back, going for grand sci-fi concepts and a brave reworking of the team’s roster and purpose. The first issue promised all of this and more. It’s a shame then that the second gets a little bit bogged down in doing some early stage housekeeping; the great experiment continues, but for the moment we’re still setting up the Bunsen Burner and test tubes.

Dial H #4 – Review

By: China Miéville (story), Mateus Santolouco (art), Tanya & Richard Horie (colors)

The Story: Apparently, it doesn’t take a hero or a dial to dial a hero.

The Review: Last month, I expressed some concern that for all the ambitious, high-concept, clearly ubiquitous material Miéville has been writing, it might come to lead to a whole lot of big ideas with little payoff.  Miéville fans quickly assured me that things will eventually fall into place, that this author knows what he’s doing, even when the story seems haphazard and somewhat obscure.

And indeed, things have fallen into place, so I’m mightily chagrined at having doubted that they never would.  All the loose, disparate elements of the arc finally reveal some clear connections to each other in a way I didn’t think possible.  Of course, it takes quite a bit of creative, out-of-this-world explanation to link a ghetto-talking reptile alien, a doctor/occultist, and a fat dude with a magic telephone dial together, but Miéville manages to do it, which is worth praise in itself.

Dial H #3 – Review

By: China Miéville (story), Mateus Santolouco (art), Tanya & Richard Horie (colors)

The Story: More proof that the telephone is a conspiracy to bring down civilization.

The Review: No matter where you go or what you do, you’ll always run into elitists.  These folks can’t help separating the high-brow from the low-brow, and making you feel like a Philistine if you don’t make those same distinctions.  In the world of comics, these people tend to refer to anything involving superheroes as “mainstream” (said in a condescending tone).  They’ll see the entertainment value, but it won’t live up to their lofty ideals of what comics should be.

And you know, they’re not entirely wrong.  No one can deny that the primary appeal of the superhero genre is all about escapism.  We gravitate towards particular titles sometimes because of the depth of their stories, but mostly because we resonate with those characters and want to embody them in some way.  Dial H taps into that escapist quality, allowing its protagonist to fulfill our secret dreams to be better than ourselves.