Dark Avengers/Uncanny X-Men: Utopia #1

By Matt Fraction (Writer), Marc Silvestri (Pencils), Michael Broussard, Eric Basaldua, Tyler Kirkham, & Sheldon Mitchell (Pencil Assists), Joe Weems w/ Marco Galli, Eric Basaldua, Rick Basaldua, Jason Gorder, Jay Leisten, Sal Regla, Jon Sibal, and Ryan Winn (Inks), and Frank D’Armata (Colors)

The Story: A riot breaks out as the March for Humanity (led by Simon Trask and his Humanity Now! coalition) reaches San Francisco’s mutant population. The confrontation sparks a wave of violence between mutants and humans that spreads throughout the streets of San Francisco and other nearby cities. With chaos reigning, Norman Osborn sends his Avengers in to restore some order by any means necessary. There is also another plan at work, something far more sinister…

What’s Good and What’s Not So Good: The best thing about the first chapter of Utopia is its strong ending. It’s genuinely surprising and it brings to mind a number of interesting possibilities. What’s disappointing though, is how long it feels like it takes to get the ending that makes the Utopia one-shot worth reading.

While Matt Fraction does a very nice job of ramping up the tension in San Francisco and establishing a sense of scale to the mutant/ human conflict, too much of Utopia #1 feels like fluff. What Fraction establishes in over thirty pages could have easily been taken care of with less than twenty-five. Now, with that said, just because it’s padding, doesn’t mean it’s bad.

Fraction does a lot of great things with the various characters he is allowed to play with. Fluff or not, there’s no denying how well written Utopia is. The scene between Cyclops and Toad is absolutely fantastic, as is the short Hawkeye/ Bullseye appearance. The page showing how others are reacting to the San Francisco mess is also very effective in a “short, but sweet” way.

What bothers me about Fraction’s story is that it makes Cyclops look rather foolish early on. The March for Humanity had apparently been marching hundreds of miles for quite sometime before reaching San Francisco. I find it hard to believe that a character like Cyclops (or any other “X” leader) would not be on top of things regarding how to deal with Trask’s march. Yeah, I know, that complaint is a bit of a nitpick in the larger scheme of things, but after all the character rehab Cyclops has gone through…

By now you’ve probably noticed that I have yet to mention Utopia’s artwork. There’s a reason for that. You know that phrase “Too many cooks in the kitchen?” Yeah… The artwork in Utopia #1 brings that phrase to mind quite often.

Now I’ll leave the “Top Cow” style stuff for you to decide on (expect subtle scenes to look anything but subtle…poses aplenty). What I will discuss, however, is the fact that the first issue of Utopia has visuals that are, when taken as a whole, quite disappointing. For every great looking scene, there is one that serves as a terrible reminder that the art team is made up of fourteen different people. Simply put, Utopia #1 is wildly inconsistent– visually. At least the whole thing has a cohesive look to it though. It really could have been so much worse considering how many people had a hand in creating the artwork.

Conclusion: The Utopia crossover shows a lot of promise, but it takes a while to understand why. If you can deal with the occasionally rough visuals and the sense that things have been stretched out a bit, you’ll find a lot to like about the Dark Avengers/Uncanny X-Men: Utopia one-shot.

Grade: C+

-Kyle Posluszny

Witchblade Annual – Review

Some Thoughts Before The Review: I’ve been a fan of Witchblade for a long time. It’s surprising that the annual is the first one the series has ever had. It’ll be interesting to see what one of my favorite writers, Jay Faerber, does with one of my favorite characters.

“If Looks Could Kill” – Jay Faerber (Writer), Eric Basaldua (Pencils), Rick Basaldua (Inks), Dulce Brassea & Alix Minjarez (Ink Assists), and John Starr (Colors)

The Story: A beautiful woman commits murder and then has no recollection of the event. As it turns out, she’s not the only one suffering from a case of the murder and amnesia combo. The only thing the ladies have in common is that they all had work done by the same respected plastic surgeon. Coincidence? Sara Pezzini doesn’t think so.

What’s Good and What’s Not So Good: The first story in the Witchblade Annual, “If Looks Could Kill” is a classic Witchblade story in every way. Whether that’s a good or bad thing is something that I’d rather leave up to you, the reader, to decide. If you miss the days when Witchblade was a T and A fest with some action and supernatural mystery thrown in, then you’ll definitely find a lot to like about the first part of the Annual. If you prefer how Witchblade is now, a cop story/supernatural epic that stays in touch with it’s roots thanks to a small side of T and A, then you will probably find “If Looks Could Kill” to be pretty basic (and probably somewhat obnoxious).

Personally, I prefer how Witchblade is now as opposed to how it used to be. That said, I have to give credit where it is due. “If Looks Could Kill” is definitely a success on a technical level. The writing is sharp and the visuals do a nice job of taking advantage of the story being told (even if the all supermodels populating the story do look a bit inconsistent and interchangeable).

“Ned” – Joshua Cozine & Joe Henderson (Writers), Sheldon Mitchell (Pencils), Rick Basaldua (Inks), Dulce Brassea & Alix Minjarez (Ink Assists), and Blond (Colors)

The Story: Number thirteen, that’s how Ned is known in the prison he has been sent to. Why number thirteen? Because Ned is the thirteenth cellmate Mr. Ian Nottingham has had. But all is not as it seems with the timid Ned…

What’s Good and What’s Not So Good: “Ned” is an odd story, especially in comparison to “If Looks Could Kill.” The first story works as a standalone read, but “Ned” seems to be all about laying the groundwork for future Witchblade stories. Longtime readers will no doubt recognize the name “Nottingham” and all the rest will no doubt be intrigued by the introduction of the mysterious inmate Ned. So, I guess what I’m trying to say is that “Ned” is an interesting read that features some compelling dialogue and sufficiently moody artwork, but it seems like the story would be better suited as a backup story in a regular issue of Witchblade as opposed to the Annual.

Conclusion: The first Witchblade Annual presents two very different, though quite decent stories in a way that should please both new and longtime fans. I recommend checking it out if you like Witchblade or have wanted to give it a try.

Grade: B

-Kyle Posluszny