
By: Richard Starkings (writer), Axel Medellin (art)
The Story: A resetting of the Elephantmen universe makes for a strong jumping on point for new readers.
What’s Good: This issue is part recap and part new story. When you put this issue together with last month’s one-shot Man and Elephantman (which could have been #30.5), we have the first two parts (out of three) of a story arc that is bouncing around the Elephantmen universe, visiting with all the various characters to explain who they are and what they’re up to. I think sometimes long-term readers get irritated when series do this, but this is just the necessary medicine you take with any creator-owned series in this sales environment. Series that don’t pause to let new readers catch up simply don’t survive because the unfortunate truth is that new readers see the #31 on the cover and think, “I’ve heard good things about this comic, but I’ve missed too many issues to catch up.”
So, you folks who have been interested in Elephantmen, but haven’t jumped in before: This is your shot! Richard Starkings is slowing the bus down right now for you to jump aboard with this Man and Elephantmen story arc. True, you won’t understand everything, but you’ll be able to run with the story from here (and if you like it, it’s pretty easy to find the collected editions).
As alluded to above, it is pretty impressive how Starkings and Medellin are giving this recap while also establishing the next phase of the story. No character gets a lot of attention, but in just a few pages you get what tragic characters the Elephantmen are and how impressive their close group of human companions are.
Medellin has really settled in nicely as the series regular artist (now on about his ~7th issue) and it has been impressive to watch him grow as an artist before our eyes. In this issue he trots out about 4 unique and distinct styles that are each wonderfully suited to what he is trying to accomplish on that page. I’m unclear if he is coloring this work himself or whether there is a dedicated colorist, but Medellin modifies his linework to fit the colors that will be used on the page: strong colors tend to have heavier lines around them whereas pages that are more muted and painterly have a more nuanced line. Elephantmen has always featured beautiful art and Medellin is maintaining that tradition.
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Filed under: Image Comics | Tagged: Axel Medellin, Dean Stell, Elephantmen, Elephantmen #31, Elephantmen #31 review, Image, review, Richard Starkings | 4 Comments »

