Deadpool Corps #2 – Review

By Victor Gischler (writer), Rob Liefeld (pencils), Adelso Corona (inks) Matt Yackey (colors) and VC’s Clayton Cowles (letters & production)

The Story: Following the “if you can’t beat ‘em, join em’” school of thought, Deadpool decides to stop fighting Champion, and to enlist his help as a member of the Corps instead. Because what this title really needed, after all, was another Faux-Pool character.

What’s Good: Despite the snarky comment in the story summary section, Champion’s induction into the Deadpool Corps is actually one of the best things about this issue (due much more to the character himself than how clever the idea of making him dress up in a Deadpool costume is, but with this title I’ll take entertainment where I can get it.) Champion is an extremely fun character, and is an excellent straight man for Deadpool’s brand of insanity to play off of. The way ‘Pool tricks him into joining the Corps and becoming their “leader” is very clever and genuinely funny. Champ’s hilariously rigid sense of honor and duty—and the comparatively small amount of common sense that goes along with it—reminds me a lot of the (actual mythological) Hercules: extreme power and will to use that power for good, but easily manipulated because he lacks the brains to back up his brawn.

What’s Not So Good: Pretty much everything else, unfortunately.

Deadpool Corps #1 – Review

By Victor Gischler & Frank Tieri (writers), Rob Liefield, Adelso Corona, Matteo Scalera (artists), Matt Yackey, Matt Wilson (colors)

The Story: Pool-Pocalypse Now, Part 1: Respect Your Elders. Deadpool, Headpool, Lady Deadpool and Kidpool are called upon to spearhead a cosmos-spanning battle against a Galactus-like creature that feeds on the consciousness of sentient beings. After ducking a fight with Tryco Slatterus, another would-be champion, the gang lands their ship to refuel… just in time for Tryco to catch up with them again. (Also note, although this book is technically labeled #1, the story really starts out in medias res. You’ll still be able to follow it if you haven’t read the Prelude to the Deadpool Corps miniseries, but you will be at a bit of a disadvantage.) In a second feature, Dead Man Talking, ‘Pool tries to talk through some of his problems on a psychiatrist’s couch…

What’s Good: Gischler’s writing is solid for the most part, and is quite well paced— even when the humor is missing its mark, the plot itself moves along at a good speed. Despite a (rather disappointing) lack of Deadpool speaking to himself, Gischler does capture the character’s voice well. (Almost too well; of the Corps members, only Headpool really has his own voice; the others just sound like a parrot of Deadpool himself.) The book also provides a couple genuinely funny moments—the way the Deadpools deal with Slatterus made me laugh out loud, as did the christening of the team’s new ship.

What’s Bad: The unnecessary nature of this comic itself, in the first place. Don’t get me wrong, Deadpool is very near and dear to my heart, but someone needs to send Marvel the definition of the word “over-saturation.” Really, Marvel? Not only a fourth Deadpool book, but one that involves four spin-offs of the title character? Really?

Publisher issues aside, the book also suffers from simple misuse of the character. Although Gischler writes him well enough, Deadpool is just not well-served by this overabundance of sidekicks. He is at his best when playing off of straight (that is, serious) characters, whose reactions feed off his rather demented sense of humor. Playing off characters so similar to himself does Deadpool no favors. When all you hear is attempted punchline after attempted punchline, the humor becomes forced. It’s no longer funny, and the whole scene loses its impact.

The art, while competent, does nothing to help elevate the proceedings either. Many of the characters, especially Deadpool himself, are oddly proportioned, with very small heads and massive limbs. The action is neither kinetic nor exciting, which is a big problem in a Deadpool story. Matt Yackey’s colors, on the other hand, are excellent—bold, bright, and extremely effective use of contrast.