The Flash #11 – Review

By: Francis Manapul & Brian Buccellato (story), Marcus To (pencils), Ray McCarthy (inks), Ian Herring (colors)

The Story: Barry’s leaving behind the girl he loves and making a new life—country song, if I ever heard one.

The Review: I find it pretty amazing how much stuff can happen and how little actually changes.  I mean this in any given context, but most especially with fiction.  Probably the clearest mark of a weak story is one where all sorts of events and twists take place, and yet the character has barely moved one step forward from where he started.  Quite frankly, that is the situation where the Flash finds himself now.

For all of Barry’s time-traveling escapades, run-ins with emboldened rogues, and city crises, he doesn’t seem all that affected, either within or without.  Think about it.  Has he really shifted in any of his values?  Has he become any more or less confident?  Is he any closer to a true relationship with either Patty or Iris?  Has he developed any personal relationship with any other character?  Have either of the Gem Cities changed permanently from the unfortunate blackout?

The Flash #9 – Review

By: Francis Manapul & Brian Buccellato (story and art)

The Story: For God’s sake, Barry, don’t do anything stupid like quote Planet of the Apes around here.

The Review: The Silver Age of comics might have superficially drawn upon an ever-growing understand of science to tell stories, but that did nothing to stem the tide of totally illogical and bizarre ideas and storylines upon which comics fed.  The Flash (Barry Allen flavor), perhaps as a resulting byproduct of that era, thus comes attached with some seriously wacky history, probably epitomized by his completely random relationship with gorillas.

It’s always been hard to take DC’s gorilla villains seriously—and yes, I use the plural because DC actually has at least two reputable villains of simian persuasion.  If you’ve watched Young Justice, you might know Monsieur Mallah, a hyper-intelligent gorilla who wears a beret, speaks French, and is a mutually reciprocated romance with an out-of-body brain.  Gorilla Grodd thus seems plausible by comparison, a hyper-intelligent, telepathic ape who feeds on brains to increase his mental power, but he’s still just too goofy to be considered a legitimate threat.

The Flash #8 – Review

By: Francis Manapul & Brian Buccellato (story and art), Ian Herring (colors)

The Story: Having to look at a stranger’s life for untold years would drive anyone crazy.

The Review: I often talk about “lack of direction” on this site, and that’s a stuffy, English-major type word that deserves explanation.  If you’re going to invest your time and interest into a long-form piece of fiction, you need more out of it than simply a series of entertaining tales; you need to see a clear progression in either the characters’ development or an overarching plot/theme.  If you hit issue eight and neither has changed much from the first, the title clearly lacks direction.

Now, obviously there have been a few changes to the status quo from #1: the Flash discovering the Speed Force’s effects on time and space, a couple villain clashes, a new girlfriend.  But if you take a step back and examine the book as a whole, these alterations are largely superficial.  They’ve done nothing to make our hero a different person than when he started, nor have they established a clear path or tone for what this series wants to be.