Mystery Men #2 – Review

By: David Liss (writer), Patrick Zircher (artist), Andy Troy (colorist), John Denning and Rachel Pinnelas (assistant editors)

The Story: The Operative and the Revenant must learn to play nice to start making headway on the investigation of the death of Alice Starr. And Alice’s sister, who happens to have built a jetpack, also wants a piece of the action.

What’s Good: I’m loving Zircher and Troy on the art chores. The period costumes feel authentic (check out the leather flying gear, the cut of the police clothing and the Operative’s suit and fedora) as do the sets (like the police bar). And while the layout choices are, for the most part, pretty standard, I did enjoy Zircher’s ease at switching viewing angles within a scene for dramatic effect (check out the harbor opening page). At the same time, I did enjoy the variation in the number of panels per page to manage the pacing of the story. Zircher picks a whole lot of panels to space out conversation and make a car ride look more tense, while later taking broader panels to slow down a conflict between the General and the Operative that in real life would have been a tense few seconds. His technique of having background in some of the shots and using solid, undetailed colors in other panels for effect was also cool.

Quick Hit Reviews – Week of April 13, 2011

Try as we might, we can’t always do full reviews for every comic on the stands.  Thus, the Quick Hit Reviews….

Steve Rogers: Super Soldier Annual #1 – Leaving aside the awkwardness of having an Annual for a title that was a 4-issue miniseries that wrapped up ~6 months ago (silly editors!), this was a pretty hot issue.  This is Part 2 of the Escape from the Negative Zone that is mostly an X-Men story.  In the Uncanny X-Men Annual a couple weeks ago, we saw Cyclops, Hope, Namor and Dr. Nemesis get sucked into the Negative Zone and come into conflict with Blastaar.  As you might guess, in this issue Steve Rodgers goes in to save them and fun ensues.  This issue (written by James Asmus) is just packed full of Steve kicking ass, Cyclops and Hope kicking ass, Namor being really well written (not too haughty) and Nemesis being 100% smart-ass fun.   Ibraim Roberson & Jim Charalampidis combine to give the book a very pretty, painted look.  I (personally) like to see a little more inking in my comic art, but I know some people just go bat shit for this painted stuff and this issue is really well done and beautiful.  Grade: A-

Incredible Hulks #626 – Even though I dropped Incredible Hulks during that boring Dark Son story arc ~8 issues ago, I had recently reread the Planet Hulk story and said, “THAT was awesome.  Maybe I should be reading Incredible Hulks again!?!”  This is a fun story that sends Banner off to track down Betsy.  Betsy and he aren’t getting along and she has fallen in with a bad crowd, but the real problem is that her continual use of her Hulk powers is threatening to get her stuck in Hulk form.  OH NO!!!   Banner wants to stop that, but to find her he has to go to a black-tie affair in Italy.  Of course, not everything goes smoothly and thanks to some unstable molecules, you get to see Banner transform into the Hulk without ripping up his tuxedo (which was pretty awesome).  This is a worthwhile Hulk story and Grummett’s art is very much the old-school, superhero art that I like.  Looks like I’m back on Hulk for a while!  Grade: B

Black Panther #517 – It is not a good thing when you sit down to do the Quick Hit Reviews, look at Black Panther #517 and think, “What was that about?  I remember that Francesco Francavilla’s art was gorgeous, but other than the title nominally being about Black Panther dealing with eastern European gangsters in Hell’s Kitchen, I don’t remember anything about the plot.”  While that is surely a sign that Dean gets too many comics, it also means that this story has run its course.  Like many Marvel story-arcs: It would make a snappy 3-4 issues story, but just doesn’t have the meat to be 6 issues.  Never really understand stretching out stories so that they make better trade paperbacks.  BP is probably selling ~30K units in the direct market, so Marvel will mess up a good story (by stretching it out) only  to have 6 issues to collect into a trade paperback that will probably sell a combined 1,000 units between the direct market and everywhere else.  That’s smart right there! </sarcasm>  I usually don’t pick on covers, but I will here: The cover text promises Black Panther vs. Luke Cage (because we all know that the kiddies love black-on-black fights), yet the cover seems to show Black Panther with his hands around the throat of some white guy.  Bad coloring!  Oh….and SPOILERS….there really isn’t that much to the BP vs. LC fight anyway.  Grade: C (good art, story getting long in the tooth)

Quick Hit Reviews – Week of March 30, 2011

What a strong week for comics!  Almost everything last week was at least “pretty good” and that makes us happy at WCBR.  Even though we’ll do out duty and tell you when a comic SUCKS, we don’t take any pleasure in doing so and it’s a LOT more fun to talk about what was good.  However, even though we review a TON of books in-full, there are always a few stragglers that get lost in the shuffle.  Thus, the Quick Hit Reviews….

Scarlet #5 – I can see people having two very different sets of thoughts on this title.  If you’re a police officer or otherwise a general believer of the benevolence of the government, you’re going to really hate this comic.  On the other hand, if you’re a more of a free will, distrust of the “man” type of person I can’t see how this doesn’t scratch a Libertarian itch.  I’m in the latter camp and just love Scarlet.  This issue represents the ending of the first story arc that has seen the titular Scarlet go from meting out some justice against dirty cops, to being the sudden leader of a political movements.  All of a sudden she’s Che Guevara, but she isn’t sure that’s what she wants to be OR if she even can be the leader her “people” want.  Meanwhile we are also introduced to some possibly sympathetic heroes within the power structure and that’s good too.  I know some people decry Alex Maleev’s art as “tracing”, but I don’t care.  Even if he is tracing (and he swears he isn’t in interviews), I like the way he’s using it.  He’s just creating art differently than more traditional artists and it is hard to argue with the stylish results.  Grade: A-   — Dean Stell

Captain America #616 – Well, here’s a comic that’ll earn your $4.99, with a main feature and no less than five back-ups.  Better still, for the most part, it’s all pretty good stuff and there are absolutely no reprints or picture galleries to bulk out the package.  This meaty package is all story content and that immediately earns it some points.  The main feature, written by Brubaker and featuring Bucky in a nasty Russian prison, is really dark stuff and a surprising component to an anniversary issue.  That said, if anything, it functions as an effective teaser for what’s to come.  Dark and nasty as it is, it lets Brubaker shine, somehow melding gritty prison drama with giant killer bear deathmatches.  It’s desperate, dire stuff but also a lot of fun and it brings the hard-hitting drama and excitement back to Bucky after a couple of fairly ho-hum arcs.  I hope the actual Gulag story arc keeps this up.  With five back-up features, you know you’re going to get a mixed bag, but Cap #616 actually delivers the goods for the most part.  While the stories by Kyle Higgins/Alec Siegel and Mike Benson/Paul Grist are fairly forgettable, they have the decency to at least look good.  Meanwhile, the Howard Chaykin and Frank Tieri/Paul Azeceta stories are rock solid, really effectively ruminating upon, and making use of, the sense of “history” that is such a big part of who and what Captain America is.  The real barn-burner, however, is the masterpiece delivered by Cullen Bunn and Jason LaTour.  Tremendous artwork and writing deliver a story that not only focuses upon the importance of Captain America, but does so in a manner that relates it to contemporary times and issues in a manner that doesn’t feel preachy or forced.  Bunn and LaTour paint a picture of a troubled modern America that needs a Captain America more than ever.  And it still finds room for AIM spider robots.  It’s the kind of story that has me very intrigued regarding Bunn’s future Marvel work.  Grade: B+   — Alex Evans

Quick Hit Reviews: Week of February 9, 2011

 

Yeesh… What a lot of comics last week, huh?  Especially after the preceding week being so light that we didn’t even need to do a “quick hits” feature.  That’s randomness for you!  But, the upshot of this weekly feature is that all of the writing staff at WCBR have pretty extensive pull lists and despite our best efforts, some issues don’t get a full review.  Thus, we bring you “quick hit reviews”

Black Panther: Man without Fear #515 – Good and bad with this issue and story.  The good: Francesco Francavilla’s art is just incredibly good.  He’s a real master of dark, moody and atmospheric art.  A bonus is that he colors his own work, so there is a very clear sense of lighting.  I’m also enjoying the story by David Liss of a depowered Black Panther fighting eastern European gangsters.  My only quibbles are that the script is a little verbose and that I don’t understand why Marvel doesn’t just let Francavilla do the cover also.  Really?  A Simone Bianchi cover on a Francavilla book?  There is nothing similar about their styles.  Grade: B — Dean Stell

Osborn #3 – What a sneaky good book this is!!!  Ms. DeConnick writes a very creepy and chilling Norman Osborn: Composed and methodical one moment and a frenzied psycho the next.  This is basically the story of how Osborn busts out of federal custody where he has been since the days of Siege.  Emma Rios’ art is a show stealer.  She is really, really talented and gets to draw all sorts of cool detailed stuff in this issue (including a bad ass riot at the super-villain prison).  Grade: B — Dean Stell

Carnage #3 – Zeb Wells spins a really good symbiote story and Clayton Crain sells how creepy the Carnage symbiote is.  The whole story is just hopping along with the symbiote having taken a new host (that kinda made sense) and busted out of his holding cell before running across town to find a BIG SURPRISE!  This is a well-paced and enjoyable comic.  Even though I enjoyed it and am giving it a good grade, I’m going to throw a rock (or two).  Why does Carnage have to come back this way?  Why can’t a C-list character like him have a new chapter with the lady host?  That would have been more interesting (I think).  And I am really warming to Crain’s art, but wish that he wouldn’t darken the panel every time there is action.  I want to see what is going on!  Grade: B-   — Dean Stell

Tyrannosaurus Rex One-Shot – This was a fun romp.  Not much in the way of story: Caveman village getting repeatedly ruined by a T. Rex.  Village chieftain offers his comely daughter to any many brave enough to slay the beastie.  One randy young man decides to give it a try.  Lots of really good dinosaurs in this comic by Jeff Zornow (including adding the feathers that scientists are now pretty certain they possessed).  The only bummer is that it would have been nice to see a little more of the comely daughter.  Grade: C+ — Dean Stell

Black Panther: The Man Without Fear #514 – Review

By: David Liss (writer), Francesco Francavilla (art/colors), Joe Caramanga (letters) & Bill Rosemann (editor)

The Story: Black Panther continues to come up against eastern European gangsters as he tries to keep Hell’s Kitchen safe for working folk.

What’s Good: The best thing about this issue (for me) is Francesco Francavilla’s art.  The guy is really talented and has a look that is pretty unique in comics today.  His artwork just has a purity to it because he does it all: layouts, finishes AND colors.  With most comic art, those tasks are divided up and the resultant art can vary quite a bit depending on who is doing what tasks and you have to look at a variety of art to say, “This is what John Romita, Jr. looks like.” because he looks a little different depending on who is inking and coloring.  But, that isn’t the case here.  This art is pure Francavilla.

The thing that makes Francavilla so perfect for this Black Panther story is that he has a tremendous capacity to load his panels up with moody atmosphere.  You wouldn’t always want this look.  It would be out of place in She-Hulk or Teen Titans, but it is perfect for this type of story (or Daredevil).  Another thing that I love about Francavilla is that his Black Panther looks like a dude who is wearing clothing.  Most superhero comic art is basically just naked dudes who have been draw without genitalia and nipples who then have their costumes painted onto them.  We don’t get that here: Black Panther looks like he’s wearing clothes that even wrinkle and bunch in all the appropriate places.

The story is perfectly fine.  I have a few quibbles with it that I’ll get into below, but it is very serviceable and contains some interesting drama since Black Panther has lost his powers and wants to test himself as a man. But a special visitor to his diner reminds him that while he’s “testing himself”, that Hell’s Kitchen is tearing itself apart.  I also kinda like the big-bad villain eastern-European-crime-boss who seems to have Gambit like powers to charge up inanimate objects.

WCBR Quick Hit Reviews – Week of 12/15/2010

Sometimes we get a few more comics than we can review in full, so here are the balance of the comics read by the WCBR staff, some good, and some pretty bad.

Thunderbolts #151 – This was a great little story that tells the origin of Ghost (for those who care of such things).  Again, Jeff Parker smashes an incredible amount of story into a normal sized comic.  Goodness do I wish he could rub off on some of his fellow Marvel creators (e.g. Fraction, Matt).  At the end, you’re crystal clear on why Ghost hates corporations and you really don’t blame him.  Very nice art by Kev Walker! Grade: B+ — Dean Stell

Doc Macabre #1 – Why buy this odd horror comic from IDW?  Well, it is drawn by Bernie Wrightson and that is reason enough for me.   Wrightson is a Hall of Fame-level comic artist who still has his fastball.  This comic looks great!  As for the story, it is about some young ghost hunter guy (Doc Macabre) who uses his wizardry and gadgets to get rid of ghosts and zombies for money.  Story is entertaining, but nothing spectacular.  Worth buying if you love beautiful sequential art.  Grade: B — Dean Stell

Captain America: Man Out of Time #2 – By Mark Waid (writer), Jorge Molina (pencils), Karl Kesel (inks), Frank D’Armata (colors), VC’s Joe Sabino (letters) I’m already on record as loving the premise of this book, and this issue has me loving the execution right along with it. Although Cap’s wild and rather exaggerated mood swings could have very easily come across as silly or out of character, Waid brings out just the right note in each episode to not only keep them realistic, but to use them to reinforce Steve Rogers’ essential humanity. (After all, who WOULDN’T go just a little bit nuts after being unfrozen, time-traveled, and brought face to face with an alien in the same two or three hour time span!) Special note has to be taken of the short but very sweet scene where Cap discovers his personal proof that he is not trapped in a dream. Moments like that, while possible in other mediums, are what make comics so special. A perfect marriage of a single, powerful static image and piece of dialog that packs (a rather unexpected) emotional punch. Very well done, and well worth picking up.  Grade: B — SoldierHawk