Quick Hits Reviews – Week of May 11, 2011

Try as we might, there are always a few titles that don’t get the full review treatment here at WCBR.  What can we say…  Those guys publish a LOT of comics and it’s hard to get to them all.

 

The Incredible Hulks #628 – If you’ve followed the news, you’ve probably seen that Greg Pak is ending his LONG run on this title around issue #635 or so.  And, he is really going out with a bang.  This has been a very fun story arc that follows Bruce and Betty Banner as they try to retrieve Pandora’s Box from a bunch of bad guys in a flying fortress.  The Banner’s aren’t getting along all that well, so there is lots of fun, biting banter between the two.  Sometimes it even plays into the story as in one place where Hulk needs to get angrier and she starts telling him that he stinks and when that doesn’t work, she starts telling him about her sexual activities with other men since they broke up. It’s pretty funny, and great superhero action abounds.  It certainly doesn’t hurt to have Tom Grummett drawing the comic.  His classic superhero style doesn’t really have a bad panel in the whole issue and he really nails those scenes when Hulk-action happens and you can almost feel the ground shaking.  Great stuff.  Grade:  A-   

 

X-Men Legacy #248  – A lot happens in this issue as we see the X-Men recovering from Age of X.  Ironically, this mop-up issue ended up being stronger than the actual Age of X story was.  The first part of the issue deals with Emma offering mind-wipes to X-Men who want them, and as you can imagine, not everyone wants the same service: Cannonball wants it all gone, but Frenzy wants to keep her memories of her relationship with Cyclops.  We also dig into Legion a bit and Xavier and Nemesis’s new plan for helping him cope with his personalities.  I’m (personally) not that excited about Legion being a part of ongoing stories, but we’ll see what we get.  There also looks to be some more Rogue/Magneto/Gambit love-triangle stuff going on.   Yawn… But….the big news is that it looks like the X-Men are finally going to go find Rachel, Polaris and Havok who have been missing in space for ~5 years (since the Brubaker run on UXM).  THAT is a story I’m looking forward to seeing.  The art is a bit of a mixed bag.  Jorge Molina has some great panels and some others where characters look funny, but the storytelling is always solid.  Grade: B-

Quick Hit Reviews – Week of March 23, 2011

Amazing what a sneaky heavy week of comics last week was, eh?  But, we here at WCBR endeavor to bring you the broadest coverage possible, even when we can’t get a full review up for every comic on the stands….

Daredevil Reborn #3 – Ugh.  This is really not good!  I hate to be flip at the expense of something that a comic creator put his effort into, but if Diggle’s run on DD were a boxing match, the referee would be stopping the fight and sparing us the final issue of this miniseries.  Let’s just skip ahead to the Mark Waid series coming in a few months and be done with it.  Here we continue seeing Matt Murdock (and his well groomed neck beard….Where does Matt shave btw?) locked into his battle against small-town cops from hell.  The story just isn’t that compelling.  Matt/Daredevil isn’t a creature of the desert…….he’s a man of the shadows and that’s the only place I want to see him.  Did you know he can drive a truck?  Well, he can provided that he kicks out the windshield first so his echolocation works…..  Did you know while driving said truck, he can also tell when he has cars catching up behind the truck?  Don’t know how that one works…..  Grade: D-

Kick Drum Comix #1 – Now this was some electric stuff!  Holy cow did I love this issue that was actually the very LAST off the pile due to his non-standard format (kinda Golden Age height, but not Golden Age width).  Brought to us by Jim Mahfood, Kick Drum Comix offers two stories of urban action that will be loved by anyone with an affinity for 80’s/90’s R&B/Urban/Punk music.  The first story follows the saga of the Popmaster from his roots in early hip-hop music to becoming a take NO prisoners, hard-core music mogul and his eventual struggle with his estranged daughter.  The second story is revolves around two urban youths with a love for Johnny Coltrane.  Mahfood illustrates the whole issue in a crazy style that is really hard to explain.  His panels are SO content-filled that you can just stare at them and continue to notice great new elements.  Just be sure to buy this.  You’ll love it! Grade: A

Echoes #4 – The psychological creepfest keeps chugging into a strong 4th issue.  As if the basic premise of the series wasn’t disturbing enough (whether a 30-ish man has “inherited” from his father a predilection for killing small girls and making tiny dollies out of their skin, bones & hair), now we are teased with a couple of double-reverses to the story that makes me wonder if it is all in the main character’s head.  Joshua Hale Fialkov is really bringing the plot twists in this one!  And Rahsan Ekedal is contributing great B&W art by being the one thing that this series really needs: creepy!  Grade: B+

Marineman #4 – So what if it is a little derivative of Aquaman?  We all wish Aquaman could be this interesting of a character!  Steve Ocean (a.k.a. Marineman) is a really fun character that seems to have all of Aquaman’s abilities, but he isn’t a dick!  In fact, he’s so incredibly likable that you spend most of the issue cheering for him to succeed.  Ian Churchill is doing career-best artwork on this series too.  Everything about his Marineman just screams “larger than life” and I’ve rarely seen more compelling underwater scenes due to the outstanding coloring.  Grade: B+

Quick Hit Reviews Week of Feb. 16, 2011

Some weeks it is just insane how many comics get published.  Despite the intrepid efforts of our writing staff here at WCBR, we simply can’t do a full review of every comic.  Thus, we bring you the quick-hit reviews where we say a few words about some comics that were pretty darn good and some others that are not so much…

Silver Surfer #1 – The story here is pretty good stuff.  It isn’t the best story ever regarding the Surfer, but a very solid story involving Earthly affairs with a surprising guest starring role from the High Evolutionary.  This action seems to dovetail with the High Evolutionary story occurring in the Iron Man – Thor miniseries from Abnett & Lanning.  What really puts this issue over the top is the art.  Stephen Segovia and Victor Olazaba do an awesome job drawing and inking (especially inking) the Surfer and Wil Quintana contributes great cosmic colors.  I am trying to pare down my “non-essential” Marvel titles, but this display of art will probably have me sticking around.  Grade: A-  — Dean Stell

Wolverine & Jubilee #2 – This is a great series so far that casts Wolverine in his best role: as mentor to a younger hero.  Not only is this my favorite role for Wolverine, but it has always been the best way to bring new members into the X-universe.  Jubilee isn’t new, but she is in a new “role” as she adapts to her vampiric powers (which we learn more about in this issue).  Kathryn Immonen even works in some very funny bits such as Wolverine’s revelation that one can apparently get one’s tongue stuck to Colossus if it is really cold outside.  I DEMAND that that story be in the next Strange Tales!  This issue is also telling a neat story that shows Logan and Jubilee finding zombies in Siberia and it would have gotten a better grade if not for a wholly confusing final page.  Seriously, the final page made me wonder if there was a printing error and I’d missed something.  Phil Noto’s art is again wonderfully pretty.  He draws such pretty eyes on his women.  Grade: B+  — Dean Stell

Venom/Deadpool #1 – No character but Deadpool could pull off a comic like this, and I highly doubt that many writers other than Remender could have written it. This fourth-wall slaughtering romp through the Marvel U is a great deal of fun, with in-jokes, creative references and absurdity to spare. The artwork is big and bold (as well it should be for this kind of a tale) and the story itself–Deadpool is on a quest to find the Continuity Cube, thus making himself the single most relevant character in the Marvel Universe–is a very funny concept that both Remender and Moll execute very well. I must admit, I’m glad I bought the single, $2.99 comic rather than trying to piece together the four mini-chapters that were spread out over four different books. The story is good enough, and fun enough, that $2.99 feels just about right. Any more cost–or effort–than that would be a little much though, even for a ‘Pool-addict like myself.  Grade: B    — SoldierHawk

Justice League of America #54 – What a difference new art makes!  Bagley’s time on this title was pretty drab, but I really, REALLY like the work that Brett Booth is doing in this issue.  Booth’s classic figures (with a beautiful fine line from inker Norm Rapmund) combines really well with Andrew Dalhouse’s understated colors.  I so enjoy this muted color scheme to brilliant and shiny colors.  The story is pretty good too showing Eclipso coming “back” and beginning to recruit shadow-powered villains.  Very little actual JLA in this issue, but that’s fine.  Hopefully this is the arc where James Robinson’s turn on the series finds its footing.  Very promising.  Grade: B  — Dean Stell

Captain America: Man Out of Time #4 – This series continues to be a wonderful character showcase for Steve, and a more overarching look at his current relevance to the Marvel Universe. I especially like Cap’s being forced to face the less-savory parts of American history he’s missed (rather breezily–or perhaps, very calculatingly–passed over by Tony Stark’s version of the temporal tour.) I am and always will be a huge Tony Stark fan, so the contrast we see between his America, and General Simon’s America, was fascinating, and a lot of fun to read. My only complaint is that, in this issue especially (and mostly for the sake of pushing the story along), Steve seems awfully naive. I understand that both he and the 40s are supposed to represent a more innocent and morally straightforward time, but…c’mon. Cap’s a soldier. He fought the Nazis for crying out loud. He’s seen the absolute worst of what humanity has to offer…and he’s really THAT shocked by the fact that, yes, crime and Bad Things still exist in America today? I do understand why he might be disappointed, but Waid and company spend far too much time milking that for the sake of a larger message.  Grade: B-   — SoldierHawk

Daredevil: Reborn #1 – Second Review

by Andy Diggle (writer), Davide Gianfelice (art), Matt Hollingsworth (colors), and Joe Caramagna (letters)

The Story: A wandering Matt Murdock finds himself in a small town filled with secrets and nasty people.

What’s Good: On the art front, this is a comfortable and enjoyable book.  It’s not mind-blowing and some readers may be put off by the cartoony feel, but I’ve been a fan of Davide Gianfelice since his first issues on Northlanders, so seeing him on Daredevil is something of a treat.  Matt Hollingsworth’s colours are also wonderful and work very well with Gianfelice’s art.  If anything, the book ends up looking as different as possible from the Daredevil comics of the past, which I think is thematically appropriate.  Also, thanks largely to Hollingsworth’s fantastic colour choices this month, we get a comic that feels bright, dusty, and a little bleak and, as such, a perfect contrast to Hell’s Kitchen.  While tastes vary, there’s little to complain about on the art front.

As far as the story goes, the best I can say is that I’m glad to see Matt Murdock get back to basics and finally divorced from the larger Marvel Universe after the chaos of Shadowland.  That lack of focus was probably the worst thing about that event, so seeing the old Matt Murdock monologue text-boxes was more than welcome.  Certainly, it’s nice to once again feel connected to, and invested in, Matt.  I’m happy to see him riding solo once again.

Daredevil #512 – Review

by Andy Diggle and Antony Johnston (writers), Marco Checchetto (art), Matt Hollingsworth (colors), and Joe Caramagna (letters)

The Story: Daredevil’s friends deal with the fallout of Shadowland as Matt is nowhere to be found in the city.

What’s Good: I really do enjoy Checchetto and Hollingsworth’s art.  The art has often been the best part of Diggle’s run, and even a more laid-back, conversation based issue like this one, the work really shines.  It’s moody and perfectly Daredevil and as such, it has its own look.  Wherever the Daredevil franchise goes after this, I hope Checchetto, Hollingsworth, and De La Torre have a major role.

Other than that, this is an issue that focuses on examining the emotional toll Shadowland has on series mainstays Dakota, Foggy, Becky, and Kurtz.  I thought that the place Kurtz ends up in is an intriguing one that could be quite fun in the future.  It’s something you could see coming, so I guess it’s not the most imaginative turn of events, but that doesn’t change it from being a good one.  Foggy meanwhile gets some solid characterization as well.  His unflappable dedication to Matt is exactly the sort of thing that makes the character fun to read.