Infinity #5 – Review

by Jonathan Hickman (Writer), Jerome Opena, Dustin Weaver (Artists), Justin Ponsor (Colorist)

The Story: It’s an Avengers universe, with plenty of planets declaring that those people from Earth are pretty okay in their book. On Earth, things gets a bit more dire though…

The Review: Jonathan Hickman sure do work in ways that are impressively different than other writers. While this could be said of anyone, as Bendis is surely very different than Brubaker and so on, there’s a certain way that Hickman builds concepts and how he use them that makes him the somewhat unique writer that he is. Ambitious is a word that could describe him, full of plans could work as well. However, he does have his share of problems as well, as no writers is perfect.

This issue of Infinity is a pretty complete package of what can make Hickman work or not for readers, as some of his best traits along his worst are on display here. With this being a big event comic, it makes only sense for things to get huge, meaning the analysis of the qualities and negative traits become that more obvious on the pages.

To start on a positive note, some of the concepts on display are simply awe-inspiring, with the ”Avengers World” idea presented at the very beginning of Hickman’s tenure on Avengers getting to a whole new level here. The very idea that the way humanity could be perceived on a universal scale throughout their actions in the war against the Builders is changing is a very sound one. The note on which the whole battle against the alephs ends, when looked upon with the strength of the theme and their presentation makes for a rather satisfying take on things.

Avengers #21 – Review

Jonathan Hickman (Writer), Leinil Francis Yu, Gerry Alanguilan (Artists), Sunny Gho (Colorist)

The Story: The resistance against the builders gains a lot of momentum as the Ex Nihilii tries to create a miracle.

The Review: Infinity is cosmic done right. As Jonathan Hickman advances with his larger story in the main title, the books tied to it also deals with the main themes without letting it own go away, creating a symbiosis of sort in terms of storytelling. The threats are huge, the players numerous and the events occurring in the pages are simply gigantic in scope.

Readers who were fans of Dan Abnett, Andy Lanning and Keith Giffen cosmic corner shall find much to love here, as many a great things are referenced directly from their contribution to the larger Marvel cosmology. The Annihilation wave, Annihilus, Gladiator, Kl’rt the Super Skrull, Ronan, the Imperial Guard and Ikon the space knight all appears in some manner in this tale, adding to the large tapestry weaved by Hickman. Not all of them receive meaningful moments like Ronan or Gladiator, though, with most of them being set in the background or participating in the action silently. Still, fans of the older cosmic stories will probably feel like Christmas came early this year with how those elements are handled.

Another element that is handled in a very competent manner is the tone, which makes the actions and the setting even bigger than it seems. Most of the tone is set in the narration and the dialogue itself, which may comes a bit cold in some places, yet for the most part it really set the mood of war and the tides turning for the heroes. It’s a space opera, a war comic, a super hero comics and a cosmic one, which makes this issue works really well when it deals with its stakes and with grandeur.

New Avengers #11 – Review

Jonathan Hickman (Writer), Mike Deodato (Artist) Frank Martin (Colorist)

*I strongly urge people to read this week’s Avengers #21 before reading this story. You have been warned.*

The Story: The Illuminati gets to see why and how and the Builders destroys worlds as Thanos gets in the Necropolis after his assault on Wakanda.

The Review: This issue should be called ”how to use events to propel a book forward”. While it was to be expected that Jonathan Hickman would find the better use for his event called Infinity in his own titles, it seems that there were some ideas that he was keeping for his ongoing.

What Hickman successfully do here is tying in the incursion events, the problem in the multiverse, the Builders and many other elements together in a cohesive manner. Better yet, he is also able to add quite a lot of depth to the concepts he introduced in Infinity as well as in his other book, Avengers. What he accomplish here is nothing short of impressive, as not only he is able to surprise his readers, yet he keep the progression of his themes going without slowing down any threads.

This all begins with the incursion as the Illuminati tries to see how it is and whether or not they should use the same technology as last time, when a particular being comes to meet them, inviting them to see the end of the world and the very reason why the Earth cannot be left alive. The Illuminati and their encounter with this specific group is a fascinating second point-of-view to what is happening in their own universe and how Infinity can be perceived by other beings in other universes. Hickman also manages to bring in a few character moments as well as he is still able to bring what makes some of the Illuminati interesting to begin with. Not all characters gets the spotlight, but it is still entertaining to see how Beast, Reed and the others reacts to these revelations.

Infinity #4 – Review

Jonathan Hickman (Writer), Jerome Opena, Dustin Weaver (Artists), Justin Ponsor (Colorist)

The Story: The terrigen mists causes immediate change to the planet, as Thor negotiates with the Builder on Hala.

The Review: Events comics have many things to accomplish, but the most important one would be to possess a sense of spectacle. Things need to be big, memorable, surprising on an even grander scale than usual. In a world where resurrection and world-saving battles are the norm, it can be hard to excite readers that can be jaded with the constant event-mode that is on-par for the big two.

Well, believe it or not, Hickman delivered with this issue, as not only there are big moments and rather spectacular twists, but he also manage to actually deliver on a saying that has become some kind of a joke these days in the comic fandom: the ”nothing will ever be the same” paradigm. It may be too soon to say so, as the ramifications of this event will probably be felt in the coming months after this event is done, yet there is a huge sensation of importance in display.

The issue is split in two bigger scenes, with one dealing with Black Bolt and the terrigen mist while the other deals with the war against the Builders. The former one is actually much more focused on the results of Black Bolt and Maximus action’s rather than moving the plot forward. The strength of this scene, though, is on narrating the ramifications of such events, with a good number of people now being changed as Hickman does some massive change in the Marvel universe. The way things are narrated and the way the scene switch from the effects of the terrigen mist to Black Bolt and Thanos fighting makes for a rather neat reading experience, enhancing the tension and letting the gravitas of what Black Bolt has done reach the readers.

Avengers #20 – Review

by Jonathan Hickman (Writer), Leinil Francis Yu, Gerry Alanguilan (Artists), David Curiel (Colorist)

The Story: Captain America may have found a new strategy in order to deal with the Builders as Ex Nihilo goes on to see just what is going on with his people.

The Review: From what we’ve seen so far, Hickman seems to have rejuvenated this title with Infinity, his big event that ironically enough was build up from pieces introduced in this very title. With a much more focused plot and very clear stakes at play, the strengths came to the forefront that much easier, but with the story moving forward with almost every week of the month, does the book continue to be relevant to the event while keeping its own plotline and a modicum of quality?

So far, so good from what can be seen, as many of the plotlines and characters introduced in this title continue. Many of the threads are played with here quite aptly, with some of them moving the story forward in ways that really do bring surprising twists. One of them would be the scenes featuring Ex Nihilo, a character created by Hickman especially for this series, who deals with the Builders. For quite a long time, the motivations of the Builders to destroy and kill around the whole cosmos was pretty vague, much to the event discredit. In this issue, though, we do get an evolution and some explanations as to the problems that plagues creators that are turning into destroyers and killers. It is a fascinating development that makes this conflict a bit more interesting and that promises to make it even more so in the upcoming issues.

What’s also handled with care and gravitas would be the Galactic Council and how they are trying to pursue this whole conflict. The decisions, the in-fighting and how Captain America is portrayed makes for a rather suspenseful read that put the readers right into an impossibly large conflict. There are twists and a good use of those featured in the main event book without letting it lessen the impact of this book. It’s a neat use of the event, which is central to the book, without destroying the importance and the ongoing subplots of the book. It maintains its identity while it adds up to the whole experience.

Infinity #3 – Review

by Jonathan Hickman (Writer), Dustin Weaver, Jerome Opena (Artists), Justin Ponsor (Colorist)

The Story: After the attack of the Builders, Captain America decides he’s had enough. All the while, Black Bolt gives a definitive answer to Thanos about the tribute question.

The Review: Things gets dire before they get better. This is something that writers knows very well to do, as tension and drama adds much more to a story instead of an even-level or smaller happenstances. Considering the cyclical nature of most stories in our general culture and how superheroes comics really do stick out in terms of cycle, it rings even more true when it comes to events.

In the tie-ins and the main book, the war against the Builders and the arrival of Thanos on Earth had not exactly been without any struggle for our heroes, which built up the importance and the level of the conflicts rather sharply, which is good when it comes to event comics. However, something that many writers try to accomplish, with varying results, would be something I’d like to call the ”Oh snap!” moments. Those scenes are usually the result of build up, resulting in the payoff being immensely surprising or satisfying to the readers. While those moments are subjective to the readers, there are perhaps two of such moments that could very well be established as such in this issue alone.

However, to arrive at those moments of pure super heroic pleasure, Jonathan Hickman makes good use of the two fronts he has established with both of his titles. This time, the issue is divided exactly in two, with one portion completely devoted to the Builders cosmic war and the second half delegated to the Earth, with special devotion to the Inhuman side of the conflict. The pacing for both of those scenes is especially well done, as the comic has a forward momentum that never allows it to spin its wheel incessantly. There is a good balance between exposition, narration, development and action that do bring out the grandeur of this tale that unfolded in the pages of both Avengers and New Avengers.

Avengers #19 – Review

by Jonathan Hickman (Writer), Leinil Francis Yu, Gerry Alanguilan (Artists), Sunny Gho (Colorist)

The Story: Captain Marvel is captured by the builders as the Avengers and the Galactic Council rest after their battle, tending to their wounded. All the while, a traitor is in their midst…

The Review: It’s an usual and unfortunate thing that event comics drag some other titles in their large plot. It doesn’t always mean it’s a bad thing, but plenty of titles have seen their momentum being a bit lost as several elements of a story that isn’t integral to their own plot and subplots gets shoved in the way. This can destroy the flow and sometime even mean that the readers shall suffer through some plug-ins of other characters and elements alien to their book, which makes it much less enjoyable for those that don’t want anything from those events to begin with.
There are also those that are integral to the story structure, those that actually add something to the whole event or use them in ways that feel organic to the whole narrative. Those are rare, to be sure, but much appreciated, like Journey Into Mystery for Matt Fraction’s Fear Itself or Guardians of the Galaxy for War of Kings. Instead of having to contend with these elements, those stories included them naturally, making them that much stronger for the duration of the event.

What Jonathan Hickman has done with Avengers is even more rare, as he has built up a whole lot of plot points and conflicts throughout his tenure on the title, resulting in an event comics, Infinity. The event, having its own book, is split up in two fronts which are covered by the same author with each of them being in one of the two books. This has caused the main Avengers book to receive a much-needed shot in the arm after what was basically seventeen issues of foreshadowing as Hickman shows full cosmic actions in this title.

Continuing where the last issues of Avengers and Infinity left off, the team is divided in two as those with Captain Marvel are in captivity while the rest are with the Galactic Council. While the comic switch from two perspectives, it juggles very well with both plots at it manage to connect the two together. The pacing is good as there are multiple events in this comic, with many great development brought to the forefront as well as some good character moments.

Infinity #2 – Review

Jonathan Hickman (Writer), Jerome Opeña, Dustin Weaver (Artists), Justin Ponsor (Colorist)

The Story: Things heat up as Corvus Glaive wants to claim a tribute from the Inhumans and the Avengers are off with the rest of the Universe against the Builders.

The Review: Cautious optimism is an attitude that many readers learn to have when dealing with a great many things. Sometimes, despite the fact that many elements are lining up together in a way that feels too good to be true, it is normal to have some kind of defensive mechanism against too much hype. This kind of position is one that is very connected to event comics, as those type of stories are usually much hyper, with key sentences like ”nothing will ever be the same again” or ”this will have key repercussions across the whole line and the future of the shared universe”. With so many events failing to actually live up to their potential, it seems normal to adapt our desires to being a bit disappointed, as many events begins on a strong note only to falter in its own conclusion as each chapters reveals flaws that just kill the hype for its readers.

By having this attitude, a reader can also receive something that is not the norm to see, yet is always utterly pleasant when it arrives: surprise. This issue of Infinity definitely fits that very description, as the strong, yet mysterious direction does serve the story and the themes quite well. As the two fronts are given some attention, both of them receive either a ton of action and emotions, while the other receive mystery and revelations that really do make for two distinct stories that never really clash against each other.

The first angle being covered is the one on Earth, as Thanos and his Black Order are invading and seeding chaos everywhere they can. Opening up with a scene featuring Abigail Brand and Sydren of S.W.O.R.D., the comic swiftly switches to the Inhumans, then finishes up with the Illuminati. The second angle, all the while, features the Avengers and the Shi’ar with favourites like Mento and Gladiator fighting against the Builders. If there’s one thing that Hickman is doing right in this event so far, it’s selling the point that this is a story encompassing the Marvel universe, with a special emphasis on the universe part.

Avengers #18 – Review

Jonathan Hickman (Writer), Leinil Francis Yu,Gerry Alanguilan (Artists), Sunny Gho (Colorist)

The Story: Many of the empire and civilization of the entire Marvel universe gathers together, Avengers included, to prepare the battle against the builders.

The Review: Infinity is finally here, with the build up to it being behind us as 17 issues of Avengers were needed in order to prepare for its arrival. Now that the event has started, though, does it mean that the book has gotten the shot in the arm that it needed most of the time?

The answer, thankfully, is a resounding yes as this issue brings many interesting concepts and do something that the series hasn’t done for quite a while: go big in a very explicit way. While the earlier concepts of that title always hinted at big things, those were mostly teasing or hint at what was to come. Now that the very event has arrived, the comic benefit as it brings us many new elements into play while using some of the older one.
The first one and best, in my own humble opinion, would be the very cosmic tone of the story as the scope of the story gets incredibly bigger. It’s no secret that I have a particular fondness for stories set in space, yet this one really bring a lot of the best of what these stories are about, as Hickman use the galactic council created by Bendis to great effects, showing a cohesion of the major empires to vanquish a greater threat. Many of the cosmic favourites are present, as the Shi’ar, Brood, Kree are present as well as characters like Ronan, Gladiator and Annihilus.

Another race that Hickman plays really well with are the Skrull, who gets a welcome reintegration to the larger Marvel universe as the writer use both what happened in Annihilation and Secret Invasion to build up from there, showing us a race that is on the brink or death, yet fight will all of its might to survive and stay relevant. The scene featuring Kl’rt, another fan-favourite, and the other warlord as they try to fight the builders shows a human side to these aliens as well as some nobility that really heighten the whole race. I sure do hope that Hickman will continue writing them during the tie-ins, as the rejuvenation of these aliens and the cosmic aspect makes for some interesting comics.

Infinity #1 – Review

Jonathan Hickman (Writer), Jim Cheung, Mark Morales, John Livesay, David Meikis (Artists), Justin Ponsor (Colorist)

The Story: The Builders are wreaking havoc everywhere in the cosmos as the Avengers prepare to face them in order to defend Earth. However, Thanos might just see this as an opportunity in disguise…

The Review: Event fatigue is something very real for readers. The world can be in crisis so many times before we can get jaded and tired of the fact that Earth (or America) always seems to be the target for whatever catastrophe is coming. Skrulls, political unrest, old Norse gods and so forth have tried to change the Marvel universe in a permanent way, yet nothing real stuck out in terms of quality*, nothing that people really called as timeless or flawlessly executed. However, this one is written by Jonathan Hickman himself, a master of long-form storytelling capable of reaching a rather large scope in terms of stories and conflicts. Could he be the one to actually deliver a Marvel event that could very well be satisfying?

It is, of course, much too early to say, as this is solely the first issue, yet this is a very promising debut. Hickman picks up a vast number of plot threads from his Avengers and New Avengers runs to create something that is logical and organic to his stories. The Builders, the destruction of the infinity gems, the fact that the universe is undergoing a certain crisis, all of these elements are brought to the forefront to create a large conflict that seems to expand as the issue goes on. People that followed both ongoing by Hickman shall be thoroughly pleased by this introduction.

Avengers #17 – Review

Jonathan Hickman, Nick Spencer (Writers), Stefano Caselli, Marco Rudy, Marco Checchetto (Artists), Frank Martin (Colorist)

*Spoilers alert*

The Story: The Avengers realize that they have to get even bigger and soon as they make concessions for the greater good.

The Review: Payoffs are nice. Readers crave them, cherishing the situations that escalates to a climax as a resolution or conclusion to a particular problem arrive and lead the story or a character to new areas ripe for development or surprises. Payoffs are what nourish the whole industry and pretty much every stories since the beginning of carefully-written fiction.

Well, it seems like both Hickman and Spencer have a rather tenuous grasp on the concept, as this story does not do much in term of satisfying conclusion to an arc or as a prelude to the upcoming event.* In many ways, the story does use a lot of what has been introduced in the multiple stories by Hickman, yet it does not feel particularly satisfying after what has been basically 17 issues of teasing and hinting at bigger things.

The recruitment of Ex Nihilo and Abyss, two characters that are genuinely interesting and full of potential for further storylines and moral conundrums for the team, it feels a bit hollow in terms of payoff. It makes sense if it’s seen as a series of slow development, yet as far as building up to Infinity and as the conclusion to a good chunk of teasing concerning the fact that the team will have to get bigger and that the universe is still broken. The addition of Starbrand and Nightmask also seems logical and build up naturally to their new role, yet there’s no surprise or twist that makes it fun or merely entertaining. It just happens.

What is perhaps infuriating, or at least annoying down the line, is the fact that despite the fact that several plot points have been handled in this issue, close to none are close to an actual resolution. Worse, Hickman and Spencer continues seeding new subplots and giving us hints that things are coming, something that comes as just annoying now considering that it’s what the title solely did since the beginning of the new volume.

Avengers #15 – Review

By: Jonathan Hickman, Nick Spencer (Writers), Stefano Caselli (Artist) Frank Martin, Edgar Delgado (Colorists)

The Story: As the signal is constantly sent from the Perth site in Australia, the Avengers tries to understand what it is as what it does as they try to stop the madness it causes.

The Review: I have to admit, it is refreshing to see this title being written differently in the past few issues. From what we could see, the pattern that had been seen was that we’d get some action, some exposition and a whole lot of teasing and hinting at something larger. Starting with the prelude to Infinity that began with the latest issue, the whole pacing and the presentation has changed, for the better.

Sure, we still get some exposition, teasing and action, yet the amount in which Hickman and Spencer does so varies by a large margin. Instead of showing quick glimpses of action and of the general situation, both writers focus on a single situation and allow it to develop completely as the Avengers tries to deal with it. It is a much more satisfying read as we can see the depth and the gravitas of what they have to solve.