Fables #143 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Bigby threatens to bring down Fabletown, with neither huffing nor puffing.

The Review: One of the many ways I’m a little off in the head is the way I treat stories like people. On first acquaintance, I’m open-minded, relatively forgiving of small quirks and flaws, and cautious to make any hasty conclusions. If it rubs me the wrong way, my judgment can become scathing, and it can be quite difficult to return to my good graces. If I really take to one, my loyalty is steadfast; even if things don’t go well for a while, I’ll still be by its side.

To me, Fables is a bit like my clique of coworkers at a transition job after grad school. We met somewhat late in life and I’ll always remain a bit of an outsider, but we get along well and make each other’s lives that much more pleasant. When we part, it’ll be with regret and hugs, but not tears. This is all a roundabout way of saying that even though I haven’t known the Fables that long, I’m fond enough of them to be really grieved when bad things happen to them. And Willingham seems set to unleash quite a lot of bad things on many of them, even the most beloved.

Fables #142 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Sisters, sisters, never where there such destructive sisters.

The Review: Last issue, when Maddy came around Wolf Manor declaring that war between Snow and Rose was practically inevitable, I wondered idly how Maddy expected Snow to fight a war all by herself when Rose had an entire kingdom at her back. I had forgotten about Winter’s preparations for this very possibility back in #137, which goes to show just how involved and sprawling and foresighted Fables can be. [It also goes to show my memory is shot since bar prep began, but I digress.]

But what are Winter’s plans, anyway? There must be something more delicate going on than a meet-force-with-force strategy, otherwise she wouldn’t be so threatened by Maddy’s interference. Then again, considering the forces she’s gathered (which now includes all her wolfish uncles), the outcome can go either way: mutually assured destruction or stalemate by threat of the same.

Fables #141 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: No need for minutes—this is a witches’ meeting!

The Review: As a lover of most things magical, some of my favorite Fables by default are the Thirteenth Floor witches. In most respects, they live up to the typical spellcaster mold: distant and a little bit distracted, always with an air like they’re seeing something you’re not, which they probably are. But they also have an unquestioned loyalty to Fabletown that’s somewhat surprising for such powerful characters. Mages are not well known for their charity.

It made sense for the witches to ally with Fabletown when they had Gepetto as a common enemy, but that’s all over now. Not only has the war been fought and won, the need for Fabletown itself is fading, as even the witches recognize. Yet they continue to stick to their customary meetings, discussing various Fabletown concerns, and even going so far as to consider prospective replacements for their dead/missing/departed peers. With one exception, none of these topics of conversation hold as much weight as their passing remarks.

Fables #140 – Review

By: Bill Willingham (story), Steve Leialoha (art), Lee Loughridge (colors)

The Story: Never get in the way of a cat-and-dog fight, unless you want to get bitten.

The Review: I almost decided against writing a review for this issue, so turned off was I by its predecessor and so disgusted by its lazy execution. But then I remembered that part of a critic’s job is to grapple with the trash with as much vigor as he revels among the gems. “Trash” is a harsh word, I admit, but keeping in mind that I rarely throw those kinds of insults around, it’s one I think is entirely appropriate for describing the quality of this issue.

I actually don’t think Willingham would disagree with me, either. At one point, Danny Boy reminds the others about the danger of the Brochan Weir, “He cannot be killed. Except by a creature called No Man, who’ll come ages in the future to slay him at a crossroads.” Anyone who’s read The Return of the King knows exactly how this particular plotline would turn out. It doesn’t take, as it does for Briar Rose, “decades of badly written television” or training “by a legion of hacks to always look for the obvious twist.” But doesn’t the fact that things play out exactly as she guesses suggest that this, too, is “badly written,” “obvious twist” by a hack?

Fables #139 – Review

By: Bill Willingham (story), Steve Leialoha (art), Lee Loughridge (colors)

The Story: Oh, Danny Boy, the groupies are calling…

The Review: I can’t believe I’m saying this, but I’ve reviewed Fables for nearly three years, which is a ghastly sort of time commitment to a venture which yields almost no profit whatsoever. But the enduring power of this series is truly a testament to its consistency. Though I have yet to read a truly extraordinary issue of Fables, nearly every issue has been well-crafted—at least, they’ve always given me something to talk about.

It’s impossible for any title to not have its duds, though, and this arc seems from the start to be one of those. Willingham started on the right note by featuring the Fabletown band, a collection of the most musically gifted Fables: Baby Joe Shepherd (drums), Peter Piper (flute), Briar Rose (guitar/vocals), Seamus McGuire (harp), and Puss in Boots (fiddle).* Had Willingham taken the band on some wild, silly adventure that involved travel by van/bus to a gig of expectedly unexpected danger, this could very well have turned into a very fun break from the main Fables narrative.

Fables #138 – Review

By: Bill Willingham (story), Russ Braun (art), Lee Loughridge (colors)

The Story: Geppetto proves that being a tree-hugger isn’t necessarily a good thing.

The Review: The superhero genre has plenty of belief-stretching conventions, but one worth discussing for the purposes of this issue is the constant cycle of defeat and revenge where villains are concerned.  I always find it incredible that the likes of the Joker, or Count Vertigo, or any number of evil nemeses, would be allowed to return time and time again to plague heroes and innocents alike.  It just seems logistically irreconcilable and fictionally futile.

No wonder that in most other genres, a villain that goes down more often than not stays down.  Once their big play is undone, everything else that comes after seems mostly like anticlimax.  This is why allowing Geppetto to live was a noble move on Flycatcher’s part, but one that could only lead to two predictable courses.  Either Geppetto makes a genuine effort to reform or he goes back to his evil ways, striking again when the other Fables are occupied with other matters.  The first option would be ideal, from a humanist perspective, but almost certainly cheesy and sentimental, defanging a powerful antagonist.

Fables #137 – Review

By: Bill Willingham (story), Mark Buckingham (layouts), Russ Braun (finishes), Lee Loughridge (colors)

The Story: Winter shows her oft-quoted discontent.

The Review: I may be a cold fish in a lot of ways, but even I hate to see the innocence of kids disturbed.  They already have the rest of their lives to grow cynical, bitter, and pessimistic, right?  So I’ve been distressed to see so many of the Cubs saddled with depressing fates.  Darien committed suicide and has passed; Therese is a grown queen of discarded toys; and Winter has become a force beyond reckoning, with all the burdensome responsibilities that entails.

And now we see that beneath all our noses and against Snow’s extra vigilance, Winter has already taken up those burdens in full.  The North Wind exists on countless worlds, which requires not only her power, but her presence, the experience of which in turn accumulates in her.  “Against my wishes, I’m already old and wise,” she tells the other Cardinal Winds, but more than that, she’s already gained the capacity to be ruthless.  When the other Winds attempt to horn in on her command, she takes the form of the tyrannical North Wind she dreamed of in #114.  She successfully resists their ascendancy, but she also takes a step forward to becoming the fear-mongering dictator her grandfather used to be.

Fables #136 – Review

By: Bill Willingham (story), Mark Buckingham (layouts), Russ Braun (finishes), Lee Loughridge (colors)

The Story: Rose begins to regret all those times she ever dozed off during history lessons.

The Review: A few months ago, back when Rose started this new Camelot business, I questioned the wisdom of modeling her enterprise after a fable that so clearly went wrong in the end.  And considering the nature of these characters, you could guess that they’d be more susceptible to foreordained endings than most.  But that’s the nature of Rose’s virtue, isn’t it?  Always hoping that things might turn out differently this time around?

Not to disparage hope, but it’s clearly going to take a lot more than positive thinking to get over the doom of Camelot.  Rose would be wise to take to heart the wisdom and knowledge of no less than the original Lady of the Lake herself.  Although Lake states that fate itself—or should I say, the Fates themselves—poses the biggest danger to Rose’s plans, such forces require instruments to come to pass.  A lot of our interest in this storyline, therefore, is speculating who will take on the roles Guinevere, Lancelot, Morgan le Fey, and Mordred played in the first Camelot’s fall.

Fables #135 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Russ Braun (finishes), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Rose realizes that castles don’t just grow on trees.

The Review: It doesn’t take too long in life before you run into that one person who teaches you about the danger of forgiveness, the one who makes you doubt the human capacity for redemption.  That’s the thing about second chances; not everyone makes good on them.  With some people, even third, fourth, fifth, a whole plethora of chances won’t do the trick.  And all the time, the people giving those chances are draining their lives to maintain their faith.

This is the risk of second chances that Rose doesn’t seem to have much appreciation for, which is surprising, considering how long it took and how many disappointments she caused before she finally got her act together.  Perhaps this lack of reflection is caused in part by the people she repeatedly disappointed.  Despite the current acrimony between her and Snow, she says confidently, “…Snow will forgive me eventually.  It’s what she does.”

Fables #134 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: You have plenty of time for deep conversations when you’re death.

The Review: This sure has been a year for seeing Fables long dead, hasn’t it?  Like Prince Charming, Boy Blue was a character who had already passed away well before I ever hopped aboard this series, but whose reputation was such that even without once encountering him personally, I knew instantly from this issue’s cover that he’d be appearing and what a big deal that would be.  For some characters, as for some people, death diminishes their presence little.

I must say, after getting a chance to experience Blue up close, he really is something.  He just has a quiet magnetism to him, in sharp contrast to the flamboyance of Charming or Jack Horner, but different still from Fly’s similarly reserved charisma.  It doesn’t surprise me that Fly and Blue were close once upon a time; they share a mixture of purity and wisdom which sets them apart from the rest of the generally embittered and cynical Fables.  If anything, dying has only enhanced the virtues which Blue already possessed in abundance.

Fables #133 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Lord help the sister who gets between her and her man.

The Review: The fact that we almost all love a good redemption story attests to our belief in the essential goodness of human beings.  But make no mistake that it is mostly faith that spurs on that belief, and much less in the way of evidence.  Your views on the merits of punishment and rehabilitation often turn on how changeable you feel people can be.  Before one ever get to the redemption stage, one often requires a lot of forgiveness and trust first.

You can see this conflict play out between Rose Red and Snow White as they bicker on the fate of Brandish, someone who both needs serious redemption and for whom redemption seems impossibly out of reach.  Rose is correct in saying that if Brandish can be reformed, then that is incontrovertible proof of the power of second chances.  But can a man who seems to have been a bad egg since childhood (see #132’s matricide), who’s allied with the most purely evil forces in history, who literally has no heart—can such a man even live with himself if he actually develops a conscience?

Fables #132 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha (inks), Lee Loughridge (colors)

The Story: Joining the Round Table is a bit like trying out for Glee Club, except less singing.

The Review: I took an Arthurian legend class once, and the one thing I took away from it was how grim most of the stories ended up.  In every version of the Arthurian tales,* Camelot, which stands as a shining city of ideals against the Dark Ages, ultimately falls to mankind’s baser instincts.  The chivalric code and the Round Table are undermined by the fatal flaws of the knights, the court, and Arthur himself.  Virtue crumples in the face of human weakness.

So how shall we take Rose’s big idea to bring back the Round Table and to establish “a new order of knighthood, here at the Farm, dedicated to the ancient ideals of chivalry”?  Given how well that turned out last time, can we possible expect Rose to succeed where King Arthur failed?  Erratic at the best of times, it’s clear she’s working out this plan on the fly, though hopefully inspired by, well, hope.  If Rose has one advantage over the legendary king, it’s a sense of realistic expectations.  Her first table looks more like a setting for an AA meeting than a future Camelot, but, as she points out, “This is a start.”

The Unwritten #51 – Review

By: Mike Carey & Bill Willingham (writers), Peter Gross & Mark Buckingham (art), Russ Braun (finishes here and there), Chris Chuckry & Lee Loughridge (colors) and Todd Klein (letters)

The Story: The Fables – Unwritten crossover continues.

The Review (with SPOILERS): I wasn’t very keen on the first issue of this Fable/Unwritten crossover and judging from the comments on that review, nobody else seemed to love it either.  The main problems were (a) that Vertigo is a publisher that readers choose when they are sick of the crossovers that plague superhero comics and (b) that the story was more of an alt-Fables story than anything remotely connected to the ongoing story of The Unwritten.

As I read this issue, I kept hoping or thinking that we might see some little glimmer of The Unwritten lurking in the story.  Something like Pullman showing up in the background or some discussion by the Fables characters of a whale-like creature that feeds on stories (i.e. Leviathan) or even some sense that stories have been damaged and that is what allowed this alt-version of Fables to come to pass…….  Alas, this was not to be.  Our beloved Unwritten seems to be totally buried under the weight of Fables to the extent that you can’t see much trace of The Unwritten.  The only remnants of The Unwritten are the Harry Potteresque Tommy Taylor & Friends and the vampire, Savoy.  I’m not sure that any reader of The Unwritten has been champing at the bit to get a real story about Tommy Taylor (Anyone?  Anyone?) and of all the characters to carry over, why Savoy?

Fables #131 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha (inks), Lee Loughridge (colors)

The Story: It’s pretty hard to do an autopsy when the cadaver keeps interrupting you.

The Review: The best thing I can say about this title is that even on its worst months, it always has something worth coming back for.  Mostly this comes from his ability to constantly juggle multiple plotlines featuring various characters at once, frequently setting one aside and then picking it up again later without breaking his flowing pace.  You suspect that he can probably continue in this fashion for another hundred issues at this rate.

This issue makes the perfect example.  You’ve got the fate of shattered Bigby in the witches’ hands, an undertaking that could take ages by their own accounting before it’s complete.  Obviously, it won’t be literally ages if Willingham intends for us to see Bigby’s revival during his lifetime, but the ongoing work of putting our wolf-man back together could be interesting to return to from time to time as the series inexorably advances.  As a fan of the magical stuff, I admit to having a particular interest in everything the witches do, no less because of the seeming altruism of their actions.  What benefit do they get from “magically track[ing] down each and every mote”?  There’s got to be some great need for it that we don’t see just yet.

The Unwritten #50 – Review

By: brace yourself–Mike Carey and Bill Willingham (writers), Peter Gross, Mark Buckingham, Steve Leialoha and Inaki Miranda (art), Chris Chuckry (colors) and Todd Klein (letters)

The Story: The Unwritten and Fables universes cross over.

Review (with SPOILERS): Ugh….despite being very attractive and nicely written, this is a disaster of a comic from a creative standpoint.

Last month in The Unwritten #49 we saw that Tom Taylor attempted to reach the “beginning” of all stories in his attempt to cure what ails the power of stories.  When he reached the “beginning”, he found himself amidst the characters of Fables.  At the time, it seemed very misplaced and forced.  After all, the Fables aren’t even the most important story characters that DC owns the right to.  It would have made more sense for Tom to find himself in the Fortress of Solitude or the Batcave.  Further, the whole thing smacked of the type of crossover the people read Vertigo comics to avoid.

Unfortunately, this lovely-looking issue doesn’t do anything to make me feel better about things.  Essentially, this turns into an issue of Fables wherein several of the characters have attempted to summon a powerful wizard to aid them in their battle against Mister Dark and his minions.  Naturally, they are somewhat perturbed to have a sloppy looking modern adult (Tom) rather than a “real” wizard. You’d think that a group of characters who shared a publisher with Hellblazer for years would know better than to underestimate a rumbled looking man.

Fables #130 – Review

By: Bill Willingham (story), Barry Kitson (art), Gary Erskine (finishes), Lee Loughridge (colors)

The Story: Someone did exterminate Castle Dark before we all moved in, right?

The Review: I can’t say that I always have my head wrapped around how the Fables exist, but one thing I do know is they depend on our investment in their stories to survive.  As the recent resurrection of Prince Charming attests, the more powerful their fictional impact, the more resilient they become.  With that in mind, it’s crucial that the Fables’ children generate worthwhile tales of their own, lest they become forgettable inferiors to their parents.

Sadly, Junebug, the fair child of former wooden soldiers Rodney and June, will probably always remain a well-liked but unmemorable member of the next-gen Fables (though on the plus side, she has the best chance of surpassing the fame of her parents).  Her little sojourn in Castle Dark is, like herself, lively, charming, and generically defined.  It’s good enough to pass a bus ride on, but not nearly good enough to make its mark on your memory once you get off.

Fables #129 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: With that, Snow officially has the worst love life of all the Fables.

The Review: I find it quite interesting that for this arc, Willingham has chosen Ambrose to narrate the last few issues.  I don’t know if this will be a permanent thing, seeing how his destined role is to judge the past through his journalistic histories, but I do wonder why now, for this particular story?  In some ways, his hindsight vision ends up stealing some of the suspense from the plot, as he hints at the chain of events to come.

Perhaps allowing Ambrose to serve as narrator is an act of compassion on Willingham’s part for a character doomed to be sidelined.  In Ozma’s prophecy, all the Cubs are fated to do great things (and some already have), all but one, who is merely to judge the actions of the rest.  He promise of survival is his doom; he exists to observe, rather than participate, in Fables’ great events.  “My life in a nutshell,” he muses, with no small hint of ruefulness, “insignificant bits and pieces of other stories.”

Fables #128 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: It’s sad a woman can’t even depend on her husband to slay her ex-lover anymore.

The Review: What makes a good throwdown?  Two opponents of equal measure, because a one-sided fight just bores everyone.  Some real stakes in the fight, attached to something internal for the characters: pride, honor, vengeance, justice, etc.  Most of all, you want unpredictability.  You want to be shocked and surprised by a turn of events.  You want the things you least expect to happen to actually happen.  If you have all that, it hardly matters who wins or loses.

That doesn’t stop you rooting for one person or another, however.  In the matchup between Bigby and Brandish, I’m sure most of us would place our bets on our favorite big, bad wolf—or at least, we’d like to bet against the fastidious prince.  But I think going into this fight, we know that on a narrative level, the odds are against Bigby.  With an arc centered on Snow, it wouldn’t be right for her husband to swoop in and end the matter, rendering her no more than your typical damsel in distress.  Willingham would never let that happen.

Fairest #14 – Review

By: Bill Willingham (story), Barry Kitson (art), Inaki Miranda (finishes), Andrew Dalhouse (colors)

The Story: A crappy meal can get in the way of any date.

The Review: Love is the trickiest of all things to manage and the most difficult to obtain, particularly when it’s true.  Considering how many fables are dedicated to illustrating those points, it should perhaps be no surprise that so many of our Fables have been, to say the least, unlucky in love.  In that regard, the fairest of the Fables endure a special kind of suffering: for all their beauty and other virtues, they live rather lonely, loveless lives, which are the worst kind.

So it goes with Princess Alder, the dryad, who sees the most depressing problem in her life as her “deplorable dating life.”  Honestly, this would be an exhausting premise for a story had this involved any other kind of woman—namely human woman.  Fiction nowadays is inundated with stories about women running the gauntlet of the dating game.  But put a half-tree, forest creature in the same high-heeled shoes and suddenly you have a story that’s funny and kind of brilliant.

Fables #127 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Just as one marriage is in the works, another begins to show the signs of strain.

The Review: With a run spanning over ten years, Fables has had a lot of time to develop its community dynamic.  The bonds among the various characters have changed since they first began (some multiple times), but by and large, they’ve all grown more intimate and affectionate.  They’ve weathered several wars and quite a few lean years together; that kind of communal suffering breeds familiarity and smooth tensions that make for enduring relationships.

So it’s rather nice to see that with Snow White essentially taken hostage by Prince Brandish (and I’ve decided, for the sake of convenience, to use his true name from now on), all of Fabletown rallies to support her.  Unfortunately, they encounter some unexpectedly strong resistance from Brandish himself, who confounds them on both a legal and magical level.  Far from the demurring fencer he started out as, this Brandish is incredibly cunning—and cruel.

Fables #126 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: On the bright side, Snow has a husband willing to wait centuries to get to third base.

The Review: Although soap operas rightfully deserve all the jokes about their various and sundry clichés now, there’s a reason why they continue to have a place in our world, whether you’re talking about our American offerings, your Mexican telenovelas, or Asian dramas.  It’s all about their total fearlessness (or utter lack of taste—call it what you will) when it comes to throwing in plot twists that can upend the entire storyline up to that point.

Such was the case with the last-page revelation we got last issue.  Discovering heretofore unknown spouses is basically the bread and butter of your average soap, no?  Here, however, the nature of Snow’s “marriage” to Holt (or Brandish) is a little more questionable than we were initially led to believe, though Holt takes a rather stunted view of things: “[A] ceremony is meaningless in the high law of our land.  The promise is all that matters.”

Fables #125 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha (inks), Lee Loughridge (colors)

The Story: Lord help the pedestrian in the way when Bigby learns to drive stick-shift.

The Review: Being a latecomer to the Fables mythos, I probably don’t have as profound an appreciation for its characters and continuity as I should.  It’s hard to get the real flavor of anything from Wiki summaries alone.  Bu that doesn’t make me any less interested in an arc focused on Snow White.  Given Bigby’s more active personality, Snow can get a little sidelined, so it’s good to shift the focus on the only real contender for Fables’ female lead.

At first, you might be misled into thinking that Bigby’s search for their children will take center stage in this arc.  That kind of quest does seem like the more exciting kind of stuff, after all, and once you add Stinky the Badger for a road trip buddy and the promise of Bigby learning to drive a car (a “terrible day,” Ambrose recalls in his future writings), well—that’s about all you can ask for, right?  Besides, we know from #121 that Bigby’s quest will prove fruitless, so actually finding his kids won’t be the outcome of his story.

Fables #124 – Review

By: Bill Willingham (story), Shawn McManus (art)

The Story: A flightless monkey and inch-tall dame prove that anyone can be heroes.

The Review: In all the many issues in which Bufkin’s adventures in Oz appeared, I’m not sure Willingham ever succeeded in making me care about any of it.  Reading Fables with that back-up was a bit like inviting your one friend with a kid to a dinner party; you wonder why they won’t choose a better opportunity to cart the extra baggage around while tolerating its obtrusive presence as well as you can.

Maybe if Willingham had simply collected all the Ozian material into one issue, it would’ve been easier to care, but I tend to doubt it.  Except for the one moment where Bufkin was right on the verge of getting hanged, there really wasn’t much drama to be had from his rather breezy and whimsical uprising.  Even from a comedic standpoint, “A Revolution in Oz” felt disjointed and a bit pointless, more of a series of random gags than an actual plot.

Fables #123 – Review

By: Bill Willingham (story), Gene Ha (art), Art Lyon (colors)

The Story: The first and last time a lord of monsters took advice from a dainty turtle.

The Review: As I’ve mentioned, I try not to let my fictional preferences show around these parts, but I think it’s pretty obvious that I’m something of a fantasy nut.  Maybe not so much in the dragons ‘n’ sorcerers sort of way, but I do love tales of the hidden and unknown, the idea that there’s a whole world in our world that we don’t know about, that sometimes superstitions and stories are hinting vaguely at something much bigger and real.

So between the Japanese folklore in Fairest and the intersection of myth and fairy tales here, you can safely conclude that the Fables series have been rocking my boat this month.  These kinds of stories really get at the heart of why we started telling stories in the first place: to pin down the unknowable, to try to make sense of a world where good people die young and crooks get away scot-free and folks who take more than one sample at Costco don’t get severely beaten.

Fables #122 – Review

By: Bill Willingham (story), Gene Ha (art), Art Lyon (colors)

The Story: The only thing that can make a giant wolf lose his appetite is his own ennui.

The Review: I’d never have predicted that of all the many comic book titles I’ve ever reviewed, Fables would end up being the one I covered the longest.  Granted, the DC relaunch messed with the numbers a little bit, but facts are facts.  At eighteen issues, it still rests solidly on my pull list and I imagine it will remain so for a long time to come.  The world Willingham’s chosen to explore has few real limits and enduring appeal; it’s as eternal as it makes itself out to be.

And when you have different parts of folklore meet, especially with the spin that Willingham puts on them, the possibilities are endless.  Some meetings, however, have more inherent story potential than others.  I’d say a chance encounter between the Big Bad Wolf in his primal glory and a woman “from the deep realms” with the power to assign fates falls into that category.  Is it even possible to write something unoriginal, given such a premise?