Fables #143 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Bigby threatens to bring down Fabletown, with neither huffing nor puffing.

The Review: One of the many ways I’m a little off in the head is the way I treat stories like people. On first acquaintance, I’m open-minded, relatively forgiving of small quirks and flaws, and cautious to make any hasty conclusions. If it rubs me the wrong way, my judgment can become scathing, and it can be quite difficult to return to my good graces. If I really take to one, my loyalty is steadfast; even if things don’t go well for a while, I’ll still be by its side.

To me, Fables is a bit like my clique of coworkers at a transition job after grad school. We met somewhat late in life and I’ll always remain a bit of an outsider, but we get along well and make each other’s lives that much more pleasant. When we part, it’ll be with regret and hugs, but not tears. This is all a roundabout way of saying that even though I haven’t known the Fables that long, I’m fond enough of them to be really grieved when bad things happen to them. And Willingham seems set to unleash quite a lot of bad things on many of them, even the most beloved.

Fables #142 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Sisters, sisters, never where there such destructive sisters.

The Review: Last issue, when Maddy came around Wolf Manor declaring that war between Snow and Rose was practically inevitable, I wondered idly how Maddy expected Snow to fight a war all by herself when Rose had an entire kingdom at her back. I had forgotten about Winter’s preparations for this very possibility back in #137, which goes to show just how involved and sprawling and foresighted Fables can be. [It also goes to show my memory is shot since bar prep began, but I digress.]

But what are Winter’s plans, anyway? There must be something more delicate going on than a meet-force-with-force strategy, otherwise she wouldn’t be so threatened by Maddy’s interference. Then again, considering the forces she’s gathered (which now includes all her wolfish uncles), the outcome can go either way: mutually assured destruction or stalemate by threat of the same.

Fables #141 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: No need for minutes—this is a witches’ meeting!

The Review: As a lover of most things magical, some of my favorite Fables by default are the Thirteenth Floor witches. In most respects, they live up to the typical spellcaster mold: distant and a little bit distracted, always with an air like they’re seeing something you’re not, which they probably are. But they also have an unquestioned loyalty to Fabletown that’s somewhat surprising for such powerful characters. Mages are not well known for their charity.

It made sense for the witches to ally with Fabletown when they had Gepetto as a common enemy, but that’s all over now. Not only has the war been fought and won, the need for Fabletown itself is fading, as even the witches recognize. Yet they continue to stick to their customary meetings, discussing various Fabletown concerns, and even going so far as to consider prospective replacements for their dead/missing/departed peers. With one exception, none of these topics of conversation hold as much weight as their passing remarks.

Fables #135 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Russ Braun (finishes), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: Rose realizes that castles don’t just grow on trees.

The Review: It doesn’t take too long in life before you run into that one person who teaches you about the danger of forgiveness, the one who makes you doubt the human capacity for redemption.  That’s the thing about second chances; not everyone makes good on them.  With some people, even third, fourth, fifth, a whole plethora of chances won’t do the trick.  And all the time, the people giving those chances are draining their lives to maintain their faith.

This is the risk of second chances that Rose doesn’t seem to have much appreciation for, which is surprising, considering how long it took and how many disappointments she caused before she finally got her act together.  Perhaps this lack of reflection is caused in part by the people she repeatedly disappointed.  Despite the current acrimony between her and Snow, she says confidently, “…Snow will forgive me eventually.  It’s what she does.”

The Unwritten #54 – Review

By: Mike Carey (story), Peter Gross (art), Mark Buckingham (pencils), Dean Ormston (inks), Chris Chuckry (colors)

The Story: And they all died unhappily ever after.

The Review: Hiya, folks—just filling in for Dean while he’s out of the country.  What that, let’s get to it.  Like most crossovers, The Unwritten Fables has offered its share of fun, but is mostly overshadowed by sharp deviations from the ongoing plots in its participating series (Fables seems blithely ignorant that a crossover is going on at all).  Unfortunately, this arc has also fallen into the trap of quarantining its story so that it has no lasting impact beyond the crossover itself.

Unlike some folks, including perhaps Dean himself, I had no problem with at least the notion of a Fables/Unwritten team-up.  The premise itself is sound; Unwritten revolves around the nature of stories, and the Fables have an awareness of their fictional nature and their place in the story-worlds that fits very well in Unwritten’s explorations.  The problem is the plot quickly became less about metafiction and more about a fruitless battle against the embodiment of all evil.

Fables #134 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: You have plenty of time for deep conversations when you’re death.

The Review: This sure has been a year for seeing Fables long dead, hasn’t it?  Like Prince Charming, Boy Blue was a character who had already passed away well before I ever hopped aboard this series, but whose reputation was such that even without once encountering him personally, I knew instantly from this issue’s cover that he’d be appearing and what a big deal that would be.  For some characters, as for some people, death diminishes their presence little.

I must say, after getting a chance to experience Blue up close, he really is something.  He just has a quiet magnetism to him, in sharp contrast to the flamboyance of Charming or Jack Horner, but different still from Fly’s similarly reserved charisma.  It doesn’t surprise me that Fly and Blue were close once upon a time; they share a mixture of purity and wisdom which sets them apart from the rest of the generally embittered and cynical Fables.  If anything, dying has only enhanced the virtues which Blue already possessed in abundance.

Fables #131 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha (inks), Lee Loughridge (colors)

The Story: It’s pretty hard to do an autopsy when the cadaver keeps interrupting you.

The Review: The best thing I can say about this title is that even on its worst months, it always has something worth coming back for.  Mostly this comes from his ability to constantly juggle multiple plotlines featuring various characters at once, frequently setting one aside and then picking it up again later without breaking his flowing pace.  You suspect that he can probably continue in this fashion for another hundred issues at this rate.

This issue makes the perfect example.  You’ve got the fate of shattered Bigby in the witches’ hands, an undertaking that could take ages by their own accounting before it’s complete.  Obviously, it won’t be literally ages if Willingham intends for us to see Bigby’s revival during his lifetime, but the ongoing work of putting our wolf-man back together could be interesting to return to from time to time as the series inexorably advances.  As a fan of the magical stuff, I admit to having a particular interest in everything the witches do, no less because of the seeming altruism of their actions.  What benefit do they get from “magically track[ing] down each and every mote”?  There’s got to be some great need for it that we don’t see just yet.

Fables #130 – Review

By: Bill Willingham (story), Barry Kitson (art), Gary Erskine (finishes), Lee Loughridge (colors)

The Story: Someone did exterminate Castle Dark before we all moved in, right?

The Review: I can’t say that I always have my head wrapped around how the Fables exist, but one thing I do know is they depend on our investment in their stories to survive.  As the recent resurrection of Prince Charming attests, the more powerful their fictional impact, the more resilient they become.  With that in mind, it’s crucial that the Fables’ children generate worthwhile tales of their own, lest they become forgettable inferiors to their parents.

Sadly, Junebug, the fair child of former wooden soldiers Rodney and June, will probably always remain a well-liked but unmemorable member of the next-gen Fables (though on the plus side, she has the best chance of surpassing the fame of her parents).  Her little sojourn in Castle Dark is, like herself, lively, charming, and generically defined.  It’s good enough to pass a bus ride on, but not nearly good enough to make its mark on your memory once you get off.

Fables #129 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: With that, Snow officially has the worst love life of all the Fables.

The Review: I find it quite interesting that for this arc, Willingham has chosen Ambrose to narrate the last few issues.  I don’t know if this will be a permanent thing, seeing how his destined role is to judge the past through his journalistic histories, but I do wonder why now, for this particular story?  In some ways, his hindsight vision ends up stealing some of the suspense from the plot, as he hints at the chain of events to come.

Perhaps allowing Ambrose to serve as narrator is an act of compassion on Willingham’s part for a character doomed to be sidelined.  In Ozma’s prophecy, all the Cubs are fated to do great things (and some already have), all but one, who is merely to judge the actions of the rest.  He promise of survival is his doom; he exists to observe, rather than participate, in Fables’ great events.  “My life in a nutshell,” he muses, with no small hint of ruefulness, “insignificant bits and pieces of other stories.”

Fables #128 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: It’s sad a woman can’t even depend on her husband to slay her ex-lover anymore.

The Review: What makes a good throwdown?  Two opponents of equal measure, because a one-sided fight just bores everyone.  Some real stakes in the fight, attached to something internal for the characters: pride, honor, vengeance, justice, etc.  Most of all, you want unpredictability.  You want to be shocked and surprised by a turn of events.  You want the things you least expect to happen to actually happen.  If you have all that, it hardly matters who wins or loses.

That doesn’t stop you rooting for one person or another, however.  In the matchup between Bigby and Brandish, I’m sure most of us would place our bets on our favorite big, bad wolf—or at least, we’d like to bet against the fastidious prince.  But I think going into this fight, we know that on a narrative level, the odds are against Bigby.  With an arc centered on Snow, it wouldn’t be right for her husband to swoop in and end the matter, rendering her no more than your typical damsel in distress.  Willingham would never let that happen.

Fables #126 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: On the bright side, Snow has a husband willing to wait centuries to get to third base.

The Review: Although soap operas rightfully deserve all the jokes about their various and sundry clichés now, there’s a reason why they continue to have a place in our world, whether you’re talking about our American offerings, your Mexican telenovelas, or Asian dramas.  It’s all about their total fearlessness (or utter lack of taste—call it what you will) when it comes to throwing in plot twists that can upend the entire storyline up to that point.

Such was the case with the last-page revelation we got last issue.  Discovering heretofore unknown spouses is basically the bread and butter of your average soap, no?  Here, however, the nature of Snow’s “marriage” to Holt (or Brandish) is a little more questionable than we were initially led to believe, though Holt takes a rather stunted view of things: “[A] ceremony is meaningless in the high law of our land.  The promise is all that matters.”

Fairest #12 – Review

By: Lauren Beukes (story), Inaki Miranda (art), Eva De La Cruz (colors)

The Story: Can a fox outfox a wolf and a witch?

The Review: Call this a critic’s existential crisis, but I often wonder if at the end of the day, my reviews have any sway at all.  I mean, I can’t even sway my two-year-old niece to stop dancing while I’m trying to put her pants back on her.  I can’t sway my friend to stop falling for girls who call him “Idiot” within a week of the relationship.  So what hope do I have of reaching out to strangers on the internet, rather yet the powers that be in the business?

But if I do have any influence in the comic book world, I’d use a lot of it to get Beukes an ongoing title from DC or Vertigo, ASAP.  I’ve noticed a lot of writers can’t hit the proper tension at different parts of their stories, either going too big too early and fizzling out, or sticking to a slow burn for too long then throwing in a whole lot of flash and bang at the last second.  Beukes hits exactly the right note for her penultimate issue; you can actually feel the action rising to a climax, with the various characters drawing closer together, setting the stage for the final blowout next month.  You can tell it’s all going exactly according to Beukes’ plan.

Fables #125 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha (inks), Lee Loughridge (colors)

The Story: Lord help the pedestrian in the way when Bigby learns to drive stick-shift.

The Review: Being a latecomer to the Fables mythos, I probably don’t have as profound an appreciation for its characters and continuity as I should.  It’s hard to get the real flavor of anything from Wiki summaries alone.  Bu that doesn’t make me any less interested in an arc focused on Snow White.  Given Bigby’s more active personality, Snow can get a little sidelined, so it’s good to shift the focus on the only real contender for Fables’ female lead.

At first, you might be misled into thinking that Bigby’s search for their children will take center stage in this arc.  That kind of quest does seem like the more exciting kind of stuff, after all, and once you add Stinky the Badger for a road trip buddy and the promise of Bigby learning to drive a car (a “terrible day,” Ambrose recalls in his future writings), well—that’s about all you can ask for, right?  Besides, we know from #121 that Bigby’s quest will prove fruitless, so actually finding his kids won’t be the outcome of his story.

Fables #123 – Review

By: Bill Willingham (story), Gene Ha (art), Art Lyon (colors)

The Story: The first and last time a lord of monsters took advice from a dainty turtle.

The Review: As I’ve mentioned, I try not to let my fictional preferences show around these parts, but I think it’s pretty obvious that I’m something of a fantasy nut.  Maybe not so much in the dragons ‘n’ sorcerers sort of way, but I do love tales of the hidden and unknown, the idea that there’s a whole world in our world that we don’t know about, that sometimes superstitions and stories are hinting vaguely at something much bigger and real.

So between the Japanese folklore in Fairest and the intersection of myth and fairy tales here, you can safely conclude that the Fables series have been rocking my boat this month.  These kinds of stories really get at the heart of why we started telling stories in the first place: to pin down the unknowable, to try to make sense of a world where good people die young and crooks get away scot-free and folks who take more than one sample at Costco don’t get severely beaten.

Fables #122 – Review

By: Bill Willingham (story), Gene Ha (art), Art Lyon (colors)

The Story: The only thing that can make a giant wolf lose his appetite is his own ennui.

The Review: I’d never have predicted that of all the many comic book titles I’ve ever reviewed, Fables would end up being the one I covered the longest.  Granted, the DC relaunch messed with the numbers a little bit, but facts are facts.  At eighteen issues, it still rests solidly on my pull list and I imagine it will remain so for a long time to come.  The world Willingham’s chosen to explore has few real limits and enduring appeal; it’s as eternal as it makes itself out to be.

And when you have different parts of folklore meet, especially with the spin that Willingham puts on them, the possibilities are endless.  Some meetings, however, have more inherent story potential than others.  I’d say a chance encounter between the Big Bad Wolf in his primal glory and a woman “from the deep realms” with the power to assign fates falls into that category.  Is it even possible to write something unoriginal, given such a premise?

Fairest #8 – Review

By: Lauren Beukes (story), Inaki Miranda (art), Eva de la Cruz (colors)

The Story: And here you thought the most dangerous thing about origami was the paper cuts.

The Review: I consider myself a cautious optimist by nature and practice.  I don’t blind myself to risks, but I tend to bet on the best possible outcome.  With showcase titles, I always look on the next feature with the hope that it’ll be better than the last.  Fairest has so far produced only one complete arc, a harmless but not outstanding affair whose art far surpassed the story.  The standalone that came after, well—I still waver between calling it bad or just mediocre.

But when every new storyline comes attached with a whole new creative team, there’s always a chance a pleasant surprise lies in wait.  Beukes gets your attention right away by setting a trend of defeating expectations.  At first, Rapunzel’s morose opening monologue leads you to believe you’re in for a sizable set-up to a simmering drama, but then the windows burst, showering her and her loyal haircutter Joel with a thousand origami cranes and shards of glass, and you know you’re in for a different kind of treat.

Fables #117 – Review

By: Bill Willingham (story), Mark Buckingham (pencils), Steve Leialoha & Andrew Pepoy (inks), Lee Loughridge (colors)

The Story: On the bright side, Therese, pretend cake is less fattening than actual cake.

The Review: I have to say, it’s a nice change of pace that Willingham has scaled back his multiple storyline format for a more focused, and thus more driven, plot.  In some issues the constant gear-shifts from one Fable’s story to another could get frustrating, especially when they had no connection to each other.  Besides, when you only have so many pages to tell three stories at once, you can’t help feeling each one gets shortchanged a little to make room for the others.

So it’s been a real luxury to spend so much time on just two central characters whose respective plotlines are bound to each other anyway.  Aside from a one-page excursion to the returning citizens to Fabletown (who play right into Spratt’s hands by moving onto her home turf), and your usual dose of Bufkin & Co. (whose tale of revolution grows less captivating every issue, despite Shawn McManus’ charming art), the issue keeps the spotlight on the boldest of Snow White and Bigby’s children.

Fables #114 – Review

By: Bill Willingham (writer), Mark Buckingham (penciller), Steve Leialoha (inker), Lee Loughridge (colorist), Shawn McManus (feature artist)

The Story: Now’s the perfect time to say, “Toy boat, toy boat, toy boat.”

The Review: Fables has such a huge, sprawling universe, populated with so many prominent characters, even prominent feature characters, that when Willingham chooses to check in with even a handful of them at once, an issue feels more like a series of vignettes than a cohesive story.  This definitely applies when none of the running plotlines seem to mesh together, making you feel more than ever like you’re reading a triple-feature.

For a while now, the title has been simultaneously following the Wolf family as they deal with their inheritance from the North Wind; Bufkin and friends and their revolution in Oz; and the rest of the Fables cleaning up after Mr. Dark’s defeat.  No matter how well Willingham paces himself, he can’t do much to prevent the pace from feeling choppy and sluggish with this kind of format.  This time around, however, he hones in on the Wolf family, with only brief departures, letting your attention stay on one track with few derailments, which is a nice feeling, after all.

As it stands, the Wolfs must face two perils.  The first, more personal and immediate, but of lesser scope, involves Therese and the toy boat she received for Christmas in #112.  At the time, the boat seemed like a cute gag Willingham threw in for fun, but here it seems more malevolent than its primary-colored appearance would have you believe.  Aside from Toy Story characters, most talking inanimate objects bode very badly for their owners.  I must say, too, that for a personification of a fictional concept, Snow White’s a little too dismissive of the idea that a toys can have feelings.

The second peril feels more like a long-term complication, as it has bearing on Winter’s ongoing training to become the new North Wind.  On the one hand, she risks turning into a tyrant and fearmonger like her predecessor (who, despite his redeeming qualities, was a crusty old despot at bottom).  Yet if she manages to avoid that destiny, as Bigby insists she can, she opens herself up to the “ascendancy” of her fellow Cardinal Winds, whatever that entails.  What this means for the balance of power, we can only guess.

Fables #112 – Review

By: Bill Willingham (writer), Mark Buckingham (penciller), Steve Leialoha, Andrew Pepoy, Dan Green (inkers), Lee Loughridge (colorist)

The Story: Santa, that toy boat better not have my name on it.

The Review: I have quite a few friends of diverse religion and some of no religion at all.  While most of them find the materialistic and holly-jolly parts of Christmas annoying cloying, none of them are untouched by a sincerely given gift, happy holiday wishes, or a good rendition of “Have Yourself a Merry Little Christmas.”  I suspect this holds true for most people; whatever your feelings of the holiday, it’s the time of year when you take comfort in the simple things in life.

So it goes for the exiles of Fabletown, who after a couple years of anxiety and persecution can finally return home and celebrate.  No matter how cynical you may be, I’m sure you can’t begrudge the sweet sight of this motley crew of talking animals and certified weirdos exchanging presents, making merry, and simply enjoying each other’s company.  Seeing them come together like one massive, oddball family reminds you how much they’ve grown over the years.

And speaking of growth, Rose Red does some of that in this issue as she is dragged by a cricket (who remains nameless, so hard to say if he’s the one and only Jiminy) to meet Hope’s other paladins, or at least, the ones who survived.  Seeing the paladins, the hopes they represent, and what they do to enforce them, offers plenty of the clever and compelling interpretations Willingham so excels at.  Santa Claus as the hope for justice?  Brilliant, as is his reasoning: “I reward those who do good punish those who do bad.  That’s the story of justice in a nutshell.”

Not all is fun and games in this Christmas Carol-like journey, however, as you discover that hope isn’t always strictly a positive emotion.  The meeting with the False Bride proves quite grim, a bitter antidote to the silly, even saccharine portions of the issue (including a pretty funny bit where Santa’s reindeer gossip about his having a fling with Rose Red).  Ultimately, the Bride has the most practical advice for Rose’s future career as a paladin, but she also makes it clear that sometimes the most sinister hopes are the ones that have the greatest chance of fulfillment.

Fables #109 – Review

By: Bill Willingham (writer), Mark Buckingham (penciller), Steve Leialoha (inker), Lee Loughridge (colorist)

The Story: Heavy is the crown the king must wear on his noggin—or whatever.

The Review: The last couple arcs spent a lot of time building up the tension for when Mr. Dark would rain down his nightmarish power over all the Fables and destroy them all, or at least most of them.  Since all that anxious anticipation pretty much came to nothing, both for them and for us, it now just seems like the title has been spinning its wheels for a while.  While all their current antics offer the usual good times, you also wonder where the next baddie will come from.

As much as Willingham wants to direct our attention to Nurse Spratt—I mean, Leigh Duglas—the idea of her as the Fables’ newest nemesis seems a major step down from the embodiment of bogey-men everywhere.  It’s obvious she’s determined to improve herself in the art of dastardly dealings (familiarizing herself with poisons and the like), and she briefly mentions that “others” will soon join her in an ostensibly spooky way, but it all seems very mundane and unthreatening.

Also somewhat disappointingly, Rose Red and her scouting team find nothing out of sorts on the Farm.  You’d think they’d run into at least one obligatory mystical trap worthy of a panther, crow, tomcat, and redhead armed with a dagger, but no.  In short, things seem to be going swell for all our Fables at home—meaning some horrible disaster must lurk right around the corner, just out of sight, but that doesn’t really do anything for our suspense in the herenow.

Most of the action comes courtesy of Bufkin et al, still getting up to no good in land formerly known as Oz.  We know they plan to start a revolution and to do it they need to sneak out some of the goodies from a bunker full of the most powerful magical weaponry in the Homelands, but everything in between remains a mystery.  The odds certainly are stacked against them, as before they even take their first step, they run into “the Yoop!  And ravening monkey-eating kalidahs!”

Fables #108 – Review

By: Bill Willingham (writer), Mark Buckingham (penciller), Steve Leialoha (inker), Lee Loughridge (colorist)

The Story: Oh, they just can’t wait to be king!

The Review: If you have a series that reaches a hundred issues, and haven’t accumulated a whole slew of engaging, enjoyable characters by then, you’ve done something wrong.  Not so for Willingham, whose epic title has a cast to beat the band.  With such a huge stable to choose from, yielding an endless combination of backgrounds and personalities, it’s quite possible that Fables will never run out of stories to tell.

Of course, the emotional center of all these characters is Bigby Wolf and Snow White, who, after a close save from the armies of Mr. Dark in the previous story arc, now have to face something of a family crisis.  The loss of Bigby’s dad left a major vacancy in the hierarchy of winds, and unless someone fills it soon, things are liable to get ugly, fast.  And so the servants of the late North Wind turn to the Cubs, young and unspoiled enough to take the position with honor.

Thankfully, Willingham doesn’t give too much focus to this question of succession, allowing the family some time to express their mix of emotions at the North Wind’s passing.  Among the Cubs, Darien is unsurprisingly more fixated on the idea of becoming king, much to the chagrin of his siblings, while Ambrose mournfully reminisces on all the good times they had with their “Grampaw.”  Sweetly sincere, these scenes offer an important glimpse into Mr. North’s soft side.

Fables #105 – Review

By: Bill Willingham (writer), Mark Buckingham (penciller), Steve Leialoha & Andrew Pepoy (inkers), Lee Loughridge (colorist)

The Story: Who knew Mister Dark has the most effective beauty treatment regimen in all the homelands?

The Review: Of course, one of the harder parts of writing comics is creating characters who can convince us of their realism even when they may have the least realistic backgrounds in the most unbelievable situations.  With Fables, you’re dealing with some truly outlandish characters, so crafting relatable emotions or personality against our popular understanding of them can be a tricky feat, one which Willingham has done impressively.

When you really consider the fantastic nature of Bigby’s encounter with his father—the Big Bad Wolf trying to prevent the North Wind from killing his invisible son—you’d think it’d be well-nigh impossible to make the scene credible.  But Willingham tunes Bigby’s helplessness in his father’s grip just right, projecting the right mixture of subdued rage and desperation.  Even a “monster” like the North Wind gets a couple instances of honest vulnerability, the most poignant being the crouch and sniff of his subdued son just before he departs to confront Mister Dark.

But what makes these scenes most convincing is Bigby ruthlessly pointing out the hypocrisy of his father’s claim that his “nature” forces his hand (e.g., targeting Ghost for being a monster).  It’s an interesting commentary on how much the Fables are actually beholden to their original conceptions.  Most have developed beyond their childish origins, Bigby especially, so it’s fitting he calls out his father, a true force of nature, on pretending to have no control over his actions.

These scenes deliver some nice tension, but they and the rest of the issue feel like a bunch of moments strung together to kill time.  Perhaps it’s the dropped page count, but most of these moments don’t develop or have impact like they should, although some have more meaning than others.  Mister Dark’s lack of appetite and idle wondering whether Frau Totenkinder is to blame hints that the old lady’s last effort to defeat him may be not all in vain, but what significance Ozma’s stumbling onto Bigby and his father’s meeting has is a mystery.

Fables #104 – Review

By: Bill Willingham (writer), Mark Buckingham (penciller), Steve Leialoha & Andrew Pepoy (inkers), Lee Loughridge (colorist)

The Story: It’s up to one team of super Fables to defeat the dastardly Mister Dark—provided Boy Blue doesn’t come back to life and do it himself.

The Review: Jumping onto an ongoing title can be quite daunting, especially with one such an immensely packed history and cast as Fables.  The best way to handle the plunge is simply to roll with whatever the jump-on issue gives you, use a liberal amount of Wikipedia, and try to absorb as much as possible the most important points of the current running plot.  As an English major, I always wanted to give Fables a read, and this issue just happened to be my pick to start.

Of course, a strong, careful writer like Willingham can make things easier simply by delivering the story and characters as clearly as possible, which he does very well.  The first few pages quickly introduce you to the heroes of the moment, the band of warrior Fables known as the F-Men, and their foe in question, the formidable—scratch that—all-powerful Mister Dark.

This issue emphasizes just how dire the situation is for the fairy tale citizens, as every one of them works with the expectation that failure is the likeliest outcome.  Willingham underscores this point with both the F-Men, who become increasingly portrayed like the Fables’ Suicide Squad, and Brock Blueheart’s insistent preaching of Boy Blue’s resurrection as their savior in need.  These are characters that are facing their doom the only way we know how: struggling to the last for survival, and praying for miracles.

Fables #94 – Review

by Bill Willingham (writer), Mark Buckingham (pencils), Steve Leialoha (inks), Lee Loughridge (colors), and Todd Klein (letters)

The Story: Beast makes a deal with the Blue Fairy, while Rose Red reunites with an old friend.  And no, it’s not Boy Blue.

What’s Good: Continuing its recovery, Fables offers up another solid outing that asks questions and opens doors.  As the first issue of a new arc, this does its job.

What will no doubt catch eyes are the very intriguing developments regarding the ghost of Colin the Pig.  We get strong suggestions that Colin may not really be Colin at all.  Rather, he seems to be some sort of shapeshifter.  The identity of this figure has already gotten me incredibly interested, and it’s only been one issue.  It really is quite the mystery and I hope that it ultimately pays off.

However, I’m sure most Fables readers are curious about how the Blue Fairy is handled after the cliffhanger that the “Witches” arc ended on.  While I wasn’t a fan of how the situation was resolved, the character herself was well done.  Her claiming to be Pinocchio’s mother was certainly a nice little twist; it was unexpected, but it made perfect sense.  Then there’s the fact that Pinocchio actually physically attacks her.  Yes, it looks as funny as it sounds.  The image of Pinocchio repeatedly punting her in the gut was something I felt that I shouldn’t find funny, but just couldn’t help smiling at.

This is also a strong outing for Mister Dark, as Willingham reveals a new level of evil and magical deviance in the character.  Apparently, the villain’s has powers we didn’t know about which are much more subtle, and malevolent, than what we’ve seen before.  The scene is very well-executed and very creepy, essentially acting as a slice of horror comic in this otherwise standard issue of Fables.

Oh, and Mark Buckingham is back.  I liked David Lapham’s work, but this is Buckingham’s book, and he asserts that here.  His depictions of the Blue Fairy’s powers in particular were pleasing, and the ridiculous brawl between her and her “son” was done with enough slapstick and mischief to steer it away from poor taste.

The Literals #3 (Great Fables Crossover) – Review

by Bill Willingham & Matthew Sturges (writers), Mark Buckingham (pencils), Andrew Pepoy (inks), Lee Loughridge (colors), and Todd Klein (letters)

The Story: The Great Fables Crossover comes to its conclusion as our heroes finally confront Kevin Thorn.

What’s Good: Well, this issue feels a bit less slapped together than last week’s; the characters sound like themselves once again.  Also, we finally get Gary actually making himself useful, which is refreshing.

Also, I’ll admit that for better or for worse, I always snicker a bit whenever Willingham and Sturges get metatextual and have their Literal characters break the fourth wall.  Revise’s comments on the comic were great, as was Deus Ex Machina’s tongue-in-cheek remarks about himself.  I also liked how Kevin Thorn’s powers were depicted, affecting the actual comic.  It was also nice seeing the business office again, if only for a moment.

Unfortunately, the best thing about this comic is that it marks the conclusion of this underwhelming crossover.  It was great seeing things go back to normal:  the reunion of Jack and Gary was oddly touching, while the Page Sisters join up with Frost and head out, guaranteed to cause mayhem in future issues of Jack.  It’s just a giant breath of relief as we are reassured that all of this nonsense is over and that we’ll hopefully once again be getting the comics we know and love.  At least Buckingham’s art has been consistently outstanding.

What’s Not-So-Good: This issue clearly demonstrates why shaping an entire story arc around the Literals wasn’t the best of ideas.  The Literals are all, not just Dex, walking cases of deus ex machina.  Now, that’s all right for a quick gag here and there or a fun side character, but when an entire story rests upon them?  It leads to problems and a truly anticlimactic ending.

Indeed, words cannot describe just how anticlimactic the ending is to this crossover.  After all of the build-up, there is more or less no real “battle” with Thorn.  Worse still, the ending comes courtesy of Dex.  Yes, Dex is funny, but unfortunately using him nonetheless means that Willingham closed off his series with a ludicrous deus ex machina moment, which is unforgivably lazy.  Just because you wittily acknowledge using deus ex machina doesn’t mean that you aren’t using it.

Can’t figure out what to do with Thorn?  Dex shows up with a random artifact that solves everything.  Can’t figure out how to use it?  Don’t worry, Revise just “edits out” the part of the comic where our heroes work it out, making the artifact work instantaneously.  I don’t care if Revise edited parts of our real world comic out, nor do I care how admittedly witty that is, the fact remains that Willingham just took a shortcut that allowed him to avoid explanations.

More anticlimactic still is that the crossover ends with seemingly the removal of all the Literals from the series, which creates an even stronger sense of pointlessness to this crossover.  Jack and Gary are back together, the Literals are gone, and Bigby and Snow go home.  What in the hell was the point of this crossover?!  I’ve been plagued by this question for the last three months and this issue gives me my answer:

Nothing.

Conclusion: This pointless, drawn out crossover is finished.  Thank God.

Grade: C-

-Alex Evans