Abe Sapien #8 – Review

by Mike Mignola, Scott Allie (Writers), Michael Avon Oeming (Artist), Dave Stewart (Colorist)

The Story: As it turns out, Abe had a pretty interesting rescue mission involving Xibalba in 1983.

The Review: Like many readers, I am always a bit wary of fill-in issues. When the regular artist or writer needs a break for whatever reasons, it is usual to see them being replaced for an issue or two, which then leads to stories on the side or to an artist that doesn’t necessarily fit visually with the rest. Those kind of issues aren’t necessarily bad per se, but for those waiting a month to see the plot progress and the characters develop, it can become a certain exercise in frustration.

Thankfully, Mike Mignola and Scott Allie are still there, as they instead provide for a flashback issue with a different artist, opting for a complete tale that puts Abe in a B.P.R.D. mission. However, is the story good and does it actually adds to the general themes of the book?
All in all, this story might not be absolutely essential to the ongoing themes of the apocalypse and how Abe tries to define himself personally, but it still does delivers plenty of stuff that fans of the Mignolaverse might enjoy. There is action, mystery and a good dose of the supernatural that make this complete story rather interesting on its own.

Abe Sapien #6 – Review

Mike Mignola, Scott Allie (Writers), Sebastian Fiumara (Artist), Dave Stewart (Colorist)

The Story: Walking in Arizona, Abe encounters some more citizens and have a friendly and rather educative talk with them.

The Review: How I missed you, Abe Sapien, during the month of September. In a month filled with villainy, your rather fascinating take on the end of the world and how humanity copes with the unknown and the dangerous was sorely missed. However, now that the previous story arc is finished and that the regular writing team is back, are the themes and the story brought back in full force or is there perhaps something lacking?

It’s a rather nice thing to see that it is still the very same book, bringing back the very strengths that made it good to begin with. In this issue, we get to see Abe in Arizona as he meet other characters who are dealing with the end of the world in their own way. It may be a bit formulaic considering that the two previous arcs did begin in the same way, yet Mignola and Allie adds a lot of depths not only to the main character, but also to the Mignolaverse in the process.

Abe Sapien: Dark And Terrible #3 – Review

By: Mike Mignola, Scott Allie (Writers), Sebastian Fiurama (Artist), Dave Stewart (Colorist)

The Story: Something hits the fan as the truth behind what is happening in the village Abe Sapien is in reveals itself.

The Review: Just who and what is Abe Sapien? That is the question that has plagued him ever since his birth and it has been a plot point that followed him throughout his development in B.P.R.D and that has been compelling enough to provide him with a title of his own. While we had part of the solution, we still had no idea just why Abe Sapien exists and neither does he, which makes for a rather interesting main motivation for our titular character.

However, this has not exactly been the focus of this three-issue arc, which has made us see just how the regular folks of the Mignolaverse had to adapt to the end of the world as they know it. It was a pretty intriguing and well thought-out idea that was presented in great fashion, yet it did not exactly seem like a story that could be only presented via Abe Sapien. It was much more akin to a traditional B.P.R.D story, which made the point of a series focusing on the rather popular character still a questionable matter.

Abe Sapien: Dark and Terrible #2 – Review

By: Mike Mignola, Scott Allie (Writers), Sebastian Fiumara (Artist), Dave Stewart (Colorist)

The Story: As we get to know some of the reasons of Abe departure from the B.P.R.D, we can also see how some people reacts to all these changes that were brought with the war on frogs and the incoming apocalypse.

The Review: In a recent interview about his whole universe of comic, the one that turns around Hellboy and B.P.R.D, Mike Mignola revealed just how things would work out from now on and which title would show what. While the former would be more about its titular hero and how the afterlife might just change a tad after all that is happening in the real world, the latter would be much more about what is actually happening in the world and how the bureau wants to prevent things from going worse. With two very different directions from these two titles, where does that leave Abe Sapien and his adventures?

Abe Sapien: Dark and Terrible #1 – Review

By: Mike Mignola, Scott Allie (Writers), Sebastian Fiumara (Artist), Dave Stewart (Colorist)

The Story: The B.P.R.D is searching for Abe Sapien, as some folks discuss how it feels to see the end of times and other such curiosities on a train.

The Review: It’s funny, in a way, to see how successful Mike Mignola has been with his first creator-owned character, Hellboy. First appearing in his own mini-series, the adventure of the beast of the apocalypse has seen the start of a much bigger thing: its own universe, with a sister title expanding it in ways that were really well done. B.P.R.D, in its own way, saw as much success as the main title, which now lead to a cycle of such with the birth of this title, Abe Sapien, dedicated to the supporting character first seen in Hellboy that has been developed to much greater heights in the narrative frame of B.P.R.D to become one of the most endearing character from what is now dubbed the Mignolaverse. However, does this character actually merits a title of his own, an ongoing nonetheless?

B.P.R.D.: King of Fear #5 – Review

by Mike Mignola & John Arcudi (writers), Guy Davis (art), Dave Stewart (colors), and Clem Robins (letters)

The Story: New giant monsters abound, Liz disappears (again), and the UN makes it’s stance on the frogs, and the BPRD, clear.

What’s Good: As a conclusion to a multi-year epic, this issue is more focused on opening the door for what’s to come than it is on closing the door on the past.  This leaves the series in a very interesting place.  The Mignola-verse finds itself in a very ugly place that’s primed for some seriously epic battles.  On a more intimate level, every single character is also left in a new position, either physically or mentally.  For instance, Devon has gained a newfound fear of Abe, while Panya is told that she may one day walk again.  These are little things and certainly nothing compared to where Abe, Liz, and the BPRD itself are left at the end of King of Fear, but they show Arcudi and Mignola’s dedication.

As usual, Mignola and Arcudi’s script, despite all of these new developments, finds room for the little character moments.  With the world in dire straits, it’s comforting to see these characters happier than they’ve been in a long time.  While everything’s gone to hell, there’s a sense of positivity and hope that’s refreshing.  It’s a nice touch, how despite things being worse than they’ve ever been, our characters are also more empowered and optimistic.  There’s a sense that now that they’ve hit rock bottom, they’re ready to start climbing.

Hellboy in Mexico (Or, A Drunken Blur) – Review

by Mike Mignola (writer), Richard Corben (art), Dave Stewart (colors), and Clem Robins

The Story: Hellboy teams up with a trio of luchadores to fight vampires in 1950s Mexico.

What’s Good: Believe me when I say that Mignola definitely delivers on the insanity of that hook I typed out above.  With all the big powers and heavy talk of destiny that’s been going on in Hellboy lately, it’s sort of satisfying to get a Hellboy issue that kicks back and brings the sort of “out there” nuttiness that’s always been at least a small part of the comic’s appeal.

For the most part, this is a rollicking good time.  Seeing Hellboy party and fight alongside a group of luchadores (who stay in costume at all times) is a blast and when he has a full-on match with a vampire luchador, it’s all kinds of fun.  It’s about as much fun as writing “vampire luchador.”

I also found Mignola’s dialogue between Hellboy and his new friend, Esteban, the youngest of the three luchadors, to be particularly amusing.  Mignola effectively uses the old trick of having two characters converse with each of them exclusively speaking a different language, yet oddly being able to understand each other perfectly.  When Esteban says that Hellboy is his best friend in Spanish, only for Hellboy to respond in kind in English, it’s a guaranteed grin for all by the most stone-hearted of readers.

Despite all the comedy, the ending of the issue is beautifully tragic and a sharp, surprising bit of poignancy after an issue of vampire-wrestling and vampire-slaying.  The fact that such a wacky issue could have such a sad, but honest, ending and still feel completely organic is proof of Mignola’s skill as a writer.