
By: Geoff Johns (story), Pete Woods & Pere Perez (pencils), Marlo Alquiza, Ruy Jose, Sean Parsons, Cam Smith (inks), Tony Avina (colors)
The Story: It’s actually really hard to tell who’s the black sheep between Orm and Arthur.
The Review: Any time a comic calls an issue a prologue, I approach it with some trepidation. In prose, prologues are expected and easier to handle because you can always breeze through it and get straight to the good stuff. In comics, it can be a drag to have a whole month’s issue devoted to exposition and set-up. Not only that, but a lot of writers tend to waste prologues, seeing it more as a thematic sort of chapter instead of one that can actually support the plot in some way.
While Johns does manage to help set up the Throne of Atlantis storyline in this issue, he spends most of his time telling the preachiest of tales, one that reflects and foretells the upcoming war of misunderstanding between the surface world and the world underwater. In a lot of ways, it’s an appropriate parable, one that puts on display the vengeance and mercy of both races, but one that only has an indirect, moral connection to the conflict at hand.
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Filed under: DC Comics, Reviews | Tagged: Aquaman, Aquaman #14, Aquaman #14 review, Arthur Curry, Belle Reve, Black Manta, Cam Smith, DC, DC Comics, Geoff Johns, Marlo Alquiza, Ocean Master, Orm, Pere Perez, Pete Woods, ruy jose', Sean Parsons, Throne of Atlantis, Tony Avina, Vulko | Leave a comment »